Several things stood out in this second episode, but fortunately, the much-maligned art style was not one of them. I guess I must be getting used to it.
During the encounter between Guts and the Holy Iron Chain Knights, Guts doesn’t recall having done anything to make a priest arrest him. What I wonder is, had the knights happened to witness Guts fighting animated skeletons (and a large, hungry demonic tree), would they have wanted to arrest him less, or more? Religion didn’t seem so front and center in the 1997 series when compared to this episode, but it makes sense considering the setting of Berserk. It’s too bad Guts didn’t have a reply to the commander’s question about where all the blood came from!
I was a little surprised when she mentioned the countless bodies they found, providing no recognition of the fact that most of them were skeletons. Exactly what was she accusing Guts of?
The knights are lucky (or perhaps, unlucky) that Guts is injured and wiped out after his recent fights. If there’s anyone who could fight his way out of a situation like this one, it’s him, and that would be true even without a bonus elf to provide support.
I really love the way gruesome demonstrations of Guts’ skill are animated. The slow motion and music accompanying Guts’ first display of prowess with his sword really works for me:
Guts is in trouble now! Hmm, those four soldiers are lined up pretty nicely….
Oh, I guess he CAN use that giant sword after all…
The best part is how Serpico can see the attack coming from a mile away. He’s the only knight not shocked by the outcome of Guts’ exchange with the four soldiers. Throughout the episode, there are several instances where Serpico is portrayed as the most capable member of his unit from behind the scenes. Still, you have to respect Azan for offering to take Guts on right after seeing four of his men simultaneously cut in half. His backstory is pretty unique, but I’m surprised Guts knew the story or cared enough to tell it. Sadly, I am forced to assume that such a chivalrous man will not last long in the world of Berserk; not now that he has encountered Guts and his baggage.
Later, Guts is brought to Farnese’s command tent for questioning. Farnese’s inexperience at command and, in my opinion, lack of competence really shows in this scene. I’d point to the moment when she screams and starts wildly flailing at Guts as a prime example of this, but to be fair, in ye olden times, that was probably considered normal conduct.
Guts doesn’t seem to notice or care that Farnese has been wildly slashing him.
Just when I was starting to hate Farnese for abusing a chained-up Guts, we get a scene where she realizes the error of her ways and decides to whip herself as well in a show of solidarity…or at least, that’s how my mind wants to interpret the scene. Around this time, Puck starts offering commentary on what he witnesses in a way that I find really funny, and I really have to hand it to his voice actor, Kaoru Mizukara, for her delivery here. This part of the episode also marks the beginning of a sequence of several very funny retorts from Guts.
I found Farnese’s inability to see Puck rather interesting considering that, up until now, we had no evidence that anyone was unable to see elves. I guess in the world of Berserk, being a pious religious zealot is far worse than being a thug or a bandit. (Just like in our world! -Karen)
The last scene is perhaps my favorite: Serpico is the only one whose eyes and mind can keep up with Guts; Serpico alone is able to pursue Guts; Just when it seems like Farnese may be rescued….
Tune in next week for more fun, multiple-torsos-separated-from-the-body-action! (Or watch Re:Zero, which is kind of doing the same thing lately. -Karen)