Tag Archives: That Time I Got Reincarnated as a Slime

Status Update

Hey guys. I know I kind of disappeared during Anime NYC, so I thought I’d take a few minutes just to let you know what’s up.

I knew the con was going to be difficult for me, since I haven’t been to such a big convention in quite a few years, and I struggle with crowds (among other things). Not only did I underestimate just how difficult it was going to be, but I also caught a cold, which made everything worse. I ended up leaving early, and haven’t really felt up to posting since then.

I’m disappointed I couldn’t do more at the con, but in some respects this isn’t such a terrible thing. I’ve always been torn in several directions terms of what I should try to cover on Otakusphere, and I think it’s safe to say I have now ruled out large cons as something I do. I may return to some of my smaller, comfortably-sized local cons, but in general I’m going to avoid con coverage; it’s just not my thing anymore.

Needless to say, getting sick +other problems knocked me off schedule with episodic blogging/podcasting etc., which I’d like to get back to ASAP. I’d still like to post my photos from the con, but for the most part I’m going to be focused on catching up on That Time I Was Reincarnated As A Slime and Sword Art Online. I will also catch up on My Sister My Writer, not because I’m covering it in any capacity, but because I hate myself and I deserve to suffer.

Thanks for your patience 🙂

 

Anime NYC: Day One

I’m going to level with you all: I didn’t actually do that much at Anime NYC today. I was really tired by the time I even got here, and I only ended up making it to maybe half the panels that I’d planned on. I’m hoping a good night’s sleep in our (tiny) hotel room will help, and I’ll be able to see more of the sights tomorrow. Also, you can bet I’m loading up on that complimentary Continental Breakfast, so I should be well-fueled. Screw keto, I’m all about the free carbs.

First, I dropped into the Arc System Works Panel, where they were showing off their upcoming Kill La Kill game. The trailers and such they showed have already been posted online, however, new characters are now playable that were not ready at previous conventions, including Nonon. I hope I get a chance to make my way to the Arc System Works booth in the exhibition hall and try out the game tomorrow.

Next, I checked out the How to Live and Study in Japan panel, presented by Go! Go! Nihon. Frankly I think I missed my window of opportunity to study in Japan (*sniff*), but the service also offers Study Trips that combine a vacation with Japanese learning, so that’s a possibility for me– not right now, but maybe someday.

Presenter Christopher Lee detailed his own experience, and gave some details about the schools this program is affiliated with. I was interested to learn about Nihon Kogakuin Japanese Language School; it’s actually a top school for animation and design, but it also has a Japanese language program that’s open to total beginners. For Westerners who want to become fluent in Japanese and perhaps work in the anime industry someday, it sounds like about as good a deal as you’re going to get.

Next I sat in on a spotlight panel with voice actor Toru Furuya. Furuya has had about a billion different anime roles, including Yamcha from Dragonball Z and Sabo from One Piece, but he’ll always be primarily known to me as Tuxedo Mask from Sailor Moon. In fact, when it was time to put in interview requests for the guests for this con, I didn’t even try to get some time with Furuya, because if I tried to interview him in any capacity, I’d just be sitting there bug-eyed like “OH MY GOD IT’S TUXEDO MASK,” and that would just waste everyone’s time.

Furuya graciously answered questions about his roles in a long list of anime productions, but naturally I was most interested in his comments on Sailor Moon. When asked about his favorite part of that show, he noted that the actresses playing the Sailor Senshi were all very pretty, and he liked attending the recording sessions because of that. Heh. Gotta love the honesty.

Probably more interesting for long-term anime fans were Furuya’s comments on Gundam. He talked about the possibility of the original Mobile Suit Gundam series being remade with modern animation techniques, which prompted the question of whether or not he’d reprise his role as Amuro Ray if such an opportunity presented itself. Furuya answered in the affirmative before his translator even had a chance to translate the question. In general, Furuya seemed very enthusiastic about his involvement in the Gundam franchise (although he denied wanting a cameo in an American Gundam movie, should one ever be made.)

Next, like any self-respecting otaku with the desire to burn money I don’t have on keychains, plastic swords and wall scrolls, I checked out the exhibitors hall. Actually I behaved myself (for once) and didn’t buy much at all, but there was some interesting stuff going on in the hall aside from all the cool merchandise on sale. Yen Press has a bunch of little events going on to promote That Time I Got Reincarnated As A Slime, and as a pretty big fan of the show right now, I was pleased to see it. First, they had a “draw your own Rimiru” board:

Many slime fans had come this way before me.

So you know I had to get in on that:

There may have been better-drawn Rimuru’s on the board, but were any of them happier than this little guy? DOUBT IT.

Finally, I got to hug Rimuru! Yen Press is running some kind of contest where you get your picture taken with Rimuru and post it on Twitter and then you could win a prize or something, but honestly, I just wanted to hug Rimuru. Maybe I’m no Elven tavern wench, but I like to think that my Rimuru was reasonably happy with this turn of events.

He’s so squishy!

That’s it for Day One of the con. “But where are all my licensing announcements? Where are my copious cosplay photos?” We’ll get there. I just nearly started an electrical fire in the hotel room trying to make a cup of decaf, so I think I’m going to cut my losses for today and GO TO SLEEP.

Otakusphere Weekly Episode #32: Vampire Investment Tips

This time around, Sword Art Online gets us talking about the future of warfare, we investigate the possible deeper meaning of Mai’s bunny suit in Rascal Does Not Dream of Bunny Girl Senpai, and I’m getting surprisingly invested in Between Sea and Sky, considering the fact that I still think it’s dumb and it will never stop being dumb in general. In addition, we childishly yell at Kyoto Animation for having the audacity to make a silly archery show instead of Miss Kobayashi’s Dragon Maid Season 2/ Sound Euphonium Season 3/literally anything else, and speculate about Sophie Twilight’s financial situation.

We didn’t end up doing Listener Questions this week, because uh…I forgot. We’ll do it next time, for sure, so if you have any more questions, let us know in the comments.

Also, Paw Patrol is best show and Skye is absolutely BEST GIRL:

Yes mai waifu is a Cocker Spaniel/Poodle mix who flies helicopters, get your own.

That Time I Got Reincarnated As a Slime, Episode 6

This episode really surprised me. When last episode introduced the idea of Shizu as Rimuru’s “destined” person, I thought the show was probably going to take a roundabout route to get to her. Maybe Rimuru and Shizu would meet on different sides of a big conflict, multiple comical misunderstandings would ensue, and it would take about ten episode to clear everything up so they could have a proper heart to heart. Instead, the show skipped all of that tomfoolery and the two of them got to connect almost immediately, with no complications.

You would think that would be an example of boring writing, but in this case, I think they made it work. Especially since the show has already shown that Shizu is part of Rimuru’s destiny, why stall on what’s clearly already a foregone conclusion? If anything, I found it refreshing that the two characters were able to find each other and communicate so clearly without having to deal with arbitrary obstacles placed in their path.

“What fresh hell is this?” wonder the tired adventurers. Plot hell, my friends. You are joining the main plot.

But more on that later. First, the adventurers we met in episode 2 have apparently been having a rough time of it. Their job was to confirm the absence of Veldora, which means their showing up right when Rimuru was leaving the cave wasn’t a coincidence, which it seemed like at the time. Now they’d like to take a little rest from adventuring, but apparently the Adventurer’s Guild owns their asses for life, because they’ve been commanded to go back into the wild and…do what, exactly? It seems like they’re supposed to monitor the monster activity has changed in the post-Veldora landscape.

So they’re assignment is basically “Keep track of how many monsters try to eat you, then report back.” I would not want to be a member of this particular guild; something tells me the benefits are not that great.

Shizu, who we first met waaaaaaay back in the opening scene during the WWII flashback, finally shows up. It’s about time! We still don’t really know what she’s after, but she’s willing to team up with the info-gathering party temporarily, so at least she’s more than just a face in the shadows now.

Total Badass has joined your party.

Meanwhile, Rimuru is testing out his new powers. He uses his imitation skill to turn into a giant Tempest Wolf, then uses his Black Lightning skill. Apparently, when he’s in Tempest Wolf form, the effect of the lightning is amplified, thus it’s super-powerful. Do all of Rimuru’s skills become several times more powerful when he’s in Tempest Wolf form? Because if so, that seems a little broken, even for him. At this rate, a Water Blade from Giant Wolf Rimuru will be able to decapitate entire enemy armies.

Some time has passed in Goblin village, and I’m so glad the show decided to gloss over it to keep things moving. The dwarves are doing their thing, and the village is expanding, and that’s all good but I really don’t need any more details. More interesting is the arrival of 500 Goblins from surrounding villages, who heard about the Goblin Naming ritual and are hoping for their own power-up. I like the common sense characters display in this world. “Wait, you mean the guys in the next village over got to become super hot just by pledging allegiance to some slime? How do we get in on that action?”

Yaaay, more cute Goblin kiddies!…oh, wait. Fuck.

Unfortunately Rimuru grants their request and goes on another Naming spree (wisely not shown), which kind of sucks for me; I was hoping we’d have more cute little-kid type Goblins running around. Now they’re all adults with killer bods and my maternal instinct is left with nothing to hang onto! Well, except for Rimuru himself, I guess; that little motion he does before he transforms is adorable.

Back to our human friends, they’re running for their lives from giant insects because…reasons? Well they give a stupid reason, but the real reason is that the show needs to give Shizu some monsters to beat up so we can all see what a total badass she is. A pretty cool fight scene follows– not quite up to the level of Kirito vs. Head Goblin Dude in Sword Art Online Alicization 4, but still, pretty well-animated. Shizu both viciously stabs things and lights them on fire, which shows a kind of thoroughness that I appreciate. Upon seeing Shizu’s face, Rimiru recognizes her as the girl from the crystal ball and muses that he wasn’t expecting to meet her this soon; you and me both, pal.

Shizu in Action: A Story in Two Parts. Part One.

~fin~

Back in Goblin Town, Rimuru makes a Dragon Quest reference that Shizu laughs at, confirming his suspicions that she’s from his world. At first I thought that was illogical, since Shizu is supposed to come from a time decades before Dragon Quest existed, but they clear up later that she heard about it from another Japanese person, so that’s okay. I can buy that Shizu would have glommed on to any other Japanese immigrants to SlimeWorld that she found and got as much info out of them about her home country as possible.

Then there’s a truly magical scene, where Rimuru shows Shizu how Japan recovered after World War II after she was summoned out of the world in the midst of the Tokyo firebombing. When people talk about “wish fulfillment” in anime, it’s always said in a very dismissive way, like it’s immature and shameful to use media to fulfill wishes. This scene features a very mature kind of wish fulfillment: the desire to somehow connect with people who suffered the worst of the brutalities of history, and show them that the world really did get better after they died. To show them that even if they weren’t lucky enough to experience it, their friends, relatives, and countrymen got to see a much better tomorrow. That the world didn’t end in fire and pain and darkness, because that’s not all there is to life.

I really didn’t expect something this beautiful from this show, and I’m still processing it. I think there’s maybe a broader point here about the isekai genre not necessarily being as escapist as a lot of people think it is, but I have to ruminate on that.

Anyway, just when we thought we had gotten all the info on Shizu we were going to get for one episode, the show gives us her “origin” so to speak. There’s several interesting things going on here: for one, Veldora told us that summons take groups of mages, yet as far as we can see, Shizu was summoned by one guy. Were the other 30 mages just hiding in the shadows, or is this one guy simply that powerful?

Secondly, Powerful Mage Guy gives Shizu to an Ifrit, saying she might “have an affinity to fire.” At first I thought the dude had a screw loose, because look, the poor girl has had part of her skin burned off from the summoning. If she’s flame-resistant, she’s sure chose an odd way of showing it. I thought about it later though and came up with this: Mage Guy was trying to summon a host for a fire being, and Shizu just happened to be completely surrounded by flames. Considering there seems to be a computer-like intelligence running this world (see: Great Sage), maybe the Computer thought. “Human +fire= host with fire affinity,” when in reality, Shizu just had the bad luck to be in the middle of a burning city when the summoning was going down. It makes sense if the intelligence behind the summoning was ticking boxes and didn’t understand the broader context.

This was…surprisingly terrifying. I think the Final Fantasy games have given me warm and fuzzy feelings toward Ifrits that are quite frankly dangerous. Ifrits are NOT your friend.

If assigning Ifrit to her was basically a mistake, that would explain the health problems she seems to have in this episode; maybe she isn’t better suited to being a host for Ifrit than anyone else, and it’s taking a toll on her body. Or maybe hosting Ifrit is just that arduous, I don’t know. In any case, I’m interested in finding out if my guess about the mechanics of Shizu’s summoning is correct.

So, wow, that was some episode. This show would have to jump the shark pretty darn hard to lose my allegiance after that Rebuilding After The War scene, but I once said that kind of thing about another show, which then proceeded to jump the shark exactly that hard. (It was Amanchu, by the way.) So there are no guarantees, but for now at least, I’m impressed.

Otakusphere (not) Weekly Episode #31: The Asuna Infiltration

Another week, another episode spent talking about seasonal anime. LB and I actually had some other things to discuss; unfortunately, silly Lifesong is busy playing video games instead of stuffing his face with anime and LNs. What’s up with that? How dare he take care of his mental health at the expense of his otaku street cred? Newb.

Now that we’re getting used to using this new format, there are some things to be aware of. Some of you have already noticed, but the episodes sometimes go up on Youtube a little while before I have a chance to make a post for them. So if you want to listen to new episodes ASAP, you can subscribe on Youtube. However, they never go up more than maybe a day earlier, so it’s not really a big deal either way.

Got any questions for us? Feel free to let us know in the comments. If we get some good questions, maybe we’ll take a break from seasonal chatting one of these days and do a good old-fashioned listener questions episode. Actually, that sounds fun, so if you guys don’t give us any good questions, I’ll probably just make up some.

That Time I Got Reincarnated As A Slime, Episode 5

After last week’s lackluster episode, it was a nice surprise to see the show mix things up this week. Rimiru gets put into situations where his Godlike combat abilities don’t really help him, and it’s interesting to see him muddle his way through problems where there’s no easy win button.

Unfortunately, we start off the episode still inside the Elf Hostess Club, so there’s a little bit more about how boobs are just the greatest thing. Look, if you’ve read anything on this blog before, then you probably know I’m not against fan service on general principle; it has a role to play. If an entire scene is just fan service and has little else going on though, I start to get bored. This whole Elf bar is basically just Rimiru thinking to himself “OMG I really like boobs,” and it’s old already. There are seriously like 40 characters pictured in the OP who haven’t even been introduced yet, we don’t have time for this nonsense.

Anyway, finally we move on from cleavage when one of the Elves offers to tell Rimuru’s fortune, using a crystal ball, and shows him the one he’s “destined to be with.” I could complain that having a fortune teller introduce the female lead this way seems like lazy writing, but let’s see what happens; maybe not all is as it seems. It could be that Rimiru is “destined” to be with this girl in a different sense than the one he’s imagining. In any case, the girl we see is likely the girl who we saw in the first scene of the anime during World War II, so I’m glad the show has remembered that she exists. I really am curious what her deal is.

To quote Deadpool, “That’s just lazy writing.”

Then we meet evil minister Vesta, sworn enemy of Kaijin, Rimiru’s Dwarf blacksmith friend. Vesta is making a big show of being annoyed that Kaijin dared bring “a monster” into such a fine drinking establishment, then dumps his wine over Rimiru’s head as an insult. What’s worse is, he does it with no regard for the Elf girl who’s lap Rimiru is currently sitting on. It’s good to know that Vesta is the kind of guy who’s mean to people in the service industry for no reason, because that means I don’t need to have any sympathy for him whatsoever. Kaijin tries to argue later that Vesta actually isn’t such a bad guy, and Rimiru and I are both like “I’m going to stop you right there.”

Thankfully, Kaijin is even more offended by this behavior than I am and punches Vesta hard in the face, twice! Rimiru advises Kaijin “Not the face! Go for the body!,” which made me laugh out loud, because that’s exactly the kind of advice my Mom used to give me in case I ever needed to beat someone up in school. Look, there were bullies, okay? It was self-defense. Realizing he’s probably just ended his career in Dwarf Kingdom, Kaijin offers his services as a craftsman to Rimiru, who’s of course all for it. That’s awfully convenient for our favorite slime, but if it keeps the plot moving (and gets us out of the friggin’ Elf bar), I won’t complain.

The camera slows down just to make this punch extra satisfying. Thank you, Mr. Director.

Apparently you can’t just go around knocking out political officials in this world, or anywhere really, so Kaijin, Rimiru and co. all get thrown in jail. Kaijin exposits about Vesta’s dark history with the Magisoldier project, which looks like some incredibly messed up piece of quasi-demonic engineering. Seriously, this episode of That Time I Got Reincarnated As A Slime became Evangelion for about five seconds there, and I was confused, but pretty into it. Anyway, Vesta is still steamed that he failed in creating Eva Unit 01 and blames Kaijin for it, hence their beef. Interesting world building, although I’m not sure it entirely jibes with everything we’ve seen so far. For one thing, they have lab coats in this world? Seems kind of anachronistic.

Our heroes get thrown into a ridiculous kangaroo court, where even their representation has been bought off, and it looks like everybody is about to sentenced to decades of forced labor. I think the Dwarven Kingdom is supposed to be relatively advanced compared to the rest of the world in this anime, but damn, their justice system still needs some work. It doesn’t end up mattering though, because the Dwarf King, Gazel Dwargo, sees through all the nonsense and changes the sentence to simple exile, which allows Kaijin and co. to start a new life away from Dwarfland and their stupid shadow- military-industrial complex. Yaaaay monarchy! This may seem like proof that Dwargo is benevolent, but as we soon learn, Dwargo knows who Rimiru is; it may have been a defensive move. Because if he and his friends got unfairly sentenced like that, I really can’t think of anything that could stop Rimiru from Water Blading everyone in the room to death.

Gazel Dwargo is kind of like one of those grand kings from Game of Thrones, only– you know– competent.

I really like the fact that actions have consequences on this show, even seemingly small ones. Apparently Dwargo was clued into Rimiru’s significance by the fact this random slime just conjured a bunch of 100% effective healing potion effectively from nothing; people should take notice of that sort of thing. In most anime, I think creating that bucket of healing potion last episode would have been completely forgotten, but not here.

Minister Vesta gets his just desserts, since Dwargo is on to him and is pissed off that his relationship with Rimiru, Slime God, got off on a bad foot because of all this silliness. Maybe Vesta will learn to be nice to waiters now, but I doubt it. Anyway, since Kaijin’s friends are all coming along for the ride, Rimiru has accomplished his goal of acquiring Dwarven craftsmen, and is ready to head back to Goblin Village.

Damn, the first five minutes of next episode are probably going to be spent on the dwarves ogling the curvy female goblins, won’t they? I really hope not, but I think I know which show I’ve signed up for by now. I’ll have to steel myself to resist this shameless pro-boob propaganda.

Otakusphere (not) Weekly Episode 30: Join the Club Already

This week, LB, Lifesong and I discuss business dealings between Crunchyroll and Funimation, as well as a whole bunch of currently airing anime. Shows covered include, but are not limited to:

Tsurune

SAO Alicization

Uzamaid!

Rascal Does Not Dream of Bunny Girl Sempai

Run With The Wind

Ms. Vampire Who Lives in My Neighborhood

Conception (dropped LIKE A TON OF BRICKS.)

So, how are you guys liking these more casual-format podcasts? I liked doing the edited shows, but as time went on, they became increasingly impractical, as our long hiatus in 2017 shows. I like having the opportunity to chat about new, currently airing stuff without having to wait for episodes to go through the editing process, plus all the other complications that went along with that. Still, I’m open to suggestions– unless your suggestion is “Karen, I want you to spend five hours editing each episode of the podcast,” because that’s just silly.

That Time I Got Reincarnated As a Slime, Episodes 3 & 4

Episode 3

Last time, I said that Rimiru could just take on all the Direwolves himself while the goblins just hang out, and that’s…basically what happens. Except instead of defeating all of the wolves, Rimuru kills (and then eats, of course) their leader, and the rest of the wolves pledge allegiance to him. You’d think King Direwolf’s son would feel some anger towards Rimiru for killing his father, but there’s no indication of that. I’m guessing Daddy Direwolf must have been an abusive parent and general-purpose asshole that no one liked.

The fate of all who go up against Rimiru, the Slime God. Daddy Direwolf really should have picked a more reasonable opponent, like a Leviathan or the Antichrist or something.

The “battle,” for what it’s worth, does give us a chance to see some more of the skills Rimiru’s picked up, but I’m concerned about something: that Water Blade skill is lethal. It seems like as long as Rimiru has Water Blade, all of his other skills are kind of unnecessary. I mean, Rimiru is supposed to be overpowered, that’s kind of the point, but it’s not as much fun if he can just behead any opposition with the same attack whenever he feels like it, you know? Unless you really like seeing monsters beheaded, then I guess it’s pretty fun?

I wonder if this little girl is thinking “Great, I get to have boobs now!”

With peace established, Rimiru combines the Direwolves and the Goblins into one tribe, which seems like a risky plan– I’d still be kind of worried about the Direwolves eating the goblins, personally– but because Rimiru is literally worshipped as a God at this point, he makes it work. Then he names them all, and the way this show handles names is interesting to me. There’s the videogame-aspect, which is that a named monster in a JRPG will almost always be more powerful than a generic one, and the show pays homage to that. But there’s also the whole Old Testament angle, with names (and language in general) being imbued with the power to create the world. Since Rimiru’s effectively a God now, he doesn’t just name the Goblins, he creates new creatures by virtue of naming them.

It’s a little hard to explain. It’s not that this story is making any kind of deep point about religion or anything like that, but I like the fact that it runs on a few levels at the same time.

Just when we were beginning to think Rimiru’s crazy God Magic was limitless, he runs out of magicules and needs to take a breather for a few days. While he’s unconscious, all the cute kid goblins level up (thanks to the naming) to become incredibly ripped and/or curvy adult goblins. I’m kind of torn about this; I mean, I know the internet is happy that we’ve got smokin’ hot goblin babes for waifu purposes now, but I liked the little kid goblins! I wanted to cuddle them and tell them bedtime stories. They grow up so fast….

Give Peace a chance, especially if your ancestral enemies are actually dogs that wag their tails when they’re happy.

One of my favorite bits is when Rigur, the chiefs son, asks Rimiru why he has commanded the Goblins not to attack humans, and Rimiru responds “Because I like humans.” I wish he’d just left it at that, but being a reasonable sort, Rimiru goes on to give an actual explanation. It just seemed like a really good place to go with “Because I said so.”

Episode 4

I’m going to go through this one kind of fast, because I wasn’t that keen on this episode.

Since goblins are terrible at carpentry and tailoring, for some reason, Rimiru needs to head off to the Dwarf city to find some craftsman to improve conditions at Goblin village. I think I would have liked it better if goblins could do these things before, but after they transformed, they no longer have the dexterity to do detail work with their giant sausage-fingers; oh well.

This party of adventurers proves a challenge for our hero, hah hah no they don’t they’re useless cannon fodder. The imagery is cute though.

No matter how ridiculously OP Rimiru is, he still looks like a weakling monster at first glance, and this continues to cause him problems. So there’s a big tiresome fight at the front gate of the Dwarven city, he and Gobta get arrested, and so on and so forth. Rimuru wins the affections of the Dwarves by creating healing potions, but I’m confused; didn’t Rimiru use up his supplies of healing potion by healing all the injured Goblins in the last episode?

CURIOUS!

With how over-detailed this show has been on mechanics, I kind of expect to know exactly how many healing potions Rimiru has available at all times; one problem with constantly giving all of this game-esque status info is that the audience starts to expect it…or maybe that’s just me.

Then there’s a whole boring part where a blacksmith needs to make swords, and Rimiru can make swords for him in exchange for craftsman coming back to Gob village, blah blah blah this part is so boring. I mean, I kind of like the idea that Rimiru’s early game “grinding” ended up being so useful– basically, he broke the world by overleveling early, which is what I usually do in a JRPG– but I just don’t care about the Dwarven military cause or whatever.

Then to reward Rimiru for all his help, the Dwarves take Rimiru to an elf brothel, I mean, bar. It’s a nice touch that all of Rimiru’s fantasies of elven girls in this episode look like they come from ’90s OVAs, which is when Rimiru’s human form would have been a teenager and hence discovering sex; impressive attention to detail. However, I’m not sure I’m too keen on the introduction of Elven sex workers, that just seems kind of depressing.

Wait a minute though– isn’t assuming the elves are unhappy because they’re sex workers inherently anti-feminist? If they have agency, perhaps they’re making the choice to work in this industry, and are reasonably happy in their chosen field? Perhaps I’m the real sexist for condescending to feel bad for them in the first place? I’M SO CONFUSED.

Hopefully, next episode will deal with Rimuru eating more cool monsters and their friends, and less blacksmithing and weird sex stuff.

 

That Time I Got Reincarnated As a Slime, Episode 2

We return to the adventures of the world’s most stupidly overpowered slime. Last time, our slime buddy met Veldora, a trapped dragon, and a beautiful, cross-species friendship blossomed. Now, Rimuru is trying to get Veldora out of his magical prison, but it seems like there may be limits to even the godlike powers of the slime…OR ARE THERE?

Ok, I admit, I’m confused here. First Rimiru tries to eat the barrier around Veldora, only to fail. Then, not ten minutes later, he eats all of Veldora, INCLUDING the barrier, and that goes fine? Let’s not even touch on the intriguing fact that Rimiru’s stomach is apparently some kind of portal to another dimension containing infinite space, why did that work the second time? Maybe his mistake the first time was trying to eat the barrier as a separate entity? Or did he succeed in analyzing the barrier with Great Sage in between his two attempts?

I don’t get it, so I’m just going to move on. Should I use this picture from now on whenever I’m confused by anything in an anime, by the way? That seems economical.

His best dragon buddy tucked away somewhere in the Infinite Digestion Dimension, Rimiru continues to make his way out of the cave, eating more giant monsters as he goes and gaining their abilities. By about the halfway mark of this episode, Rimiru has become so stupidly overpowered that I can’t see how anything short of an extinction-level event could possibly threaten him, but that’s not necessarily a problem. Sometimes a story requires a character to be super-powerful from the beginning, even though it defies narrative convention, and that definitely seems to be where this show is going. It’s interesting to me though that the main criticism of this show (that I’ve seen) is that it’s “too gamey,” meanwhile no JRPG actually works like this.

Or to put it in JRPG terms, in the space of this one episode, Rimiru went from using a basic Bolt spell to W-Summoning Knights of the Round, backed up with a mastered Final Attack-Phoenix. You are now geekier just for having read this sentence, and have a sudden urge to go breed pastel ostriches.

Interestingly, Veldora’s disappearance into the Digestive Dimension appears to have created a power vacuum, even though Veldora was incapable of doing much for hundreds of years. I like the fact that in this world, strong monsters have political significance in the same way that natural barriers do in our world. Basically, Veldora was the mountains around Switzerland, and now everyone is coming for your sweet hot cocoa.

Serious Politics be happening here. I like the dragon-eating parts of the episode better.

Sadly, during all this political talk, no one says “We have all the best dragons, just the very best wyrms and firedrakes; I like dragons who DON’T get imprisoned in a magical barrier for 300 years,” so there went the show’s one chance at doing salient political comedy.

On the way out of the cave, Rimiru runs into a party of human adventurers, and my PTSD from Goblin Slayer kicks in. I was afraid that the humans were going to be brutally raped and murdered the instant they stepped foot inside the cave, but fortunately– since this show is pretty much the anti-Goblin Slayer— nothing like that happens. Even if some mean monsters tried to harass the humans, I guess Rimiru would just eat them and get new skills, so that’s comforting.

Nooo, go away innocent little blond mage girl! This cave is full of evil monsters, and only death and dismemberment lie before you! Oh wait, a reincarnated virgin salary man killed and ate all of the monsters already, looks like you’re fine? Err, don’t get cocky though.

So Rimiru finally gets outside, and then confuses me again by musing about his good friend Veldora Tempest, and how they haven’t seen each other lately. Maybe it’s a translation thing, but Rimiru’s lines here make it sound like he honestly doesn’t know where Veldora is and is hoping to run into him again soon. Dude, Veldora is in your belly, I’m pretty sure you were there for that.

Then my PTSD triggers again, because Rimiru is attacked by goblins! Except instead of being cruel, bestial, predatory goblins, these goblins are adorable little munchkins who look like they couldn’t hurt anyone. Like, if one of these goblins tried to assault someone, they would probably trip on the way there, get a nosebleed, then cry and need to go get a hug and a kiss from Mommy Goblin. This show has now healed my PTSD from Goblin Slayer, and I am very grateful.

This is how I like my goblins, Level 1 mobs wielding useless weapons and cowering like terrified third-graders. That grimdark show can go fuck itself.

I know it sounds like I’m making a joke here, but seriously? I’m actually very happy to have images of these super-nice goblins override the other ones in my mind. Very happy indeed. Sometimes the only cure for anime is indeed, more anime.

Oh my God it’s cute little gob kids, I want to hug all of them! Praise the cute goblins! Love the cute goblins! Forget all the more mythologically accurate goblins!

The goblins worship Veldora like a God, and the disappearance of their God is causing major problems. Rimiru never lets it slide that he ate their God, which is probably wise; no adherents of any faith have ever taken that news well. However, with the Direwolves now attacking Goblin Village, the gobs need a powerful monster on their side if they have any hopes of surviving. Fortunately for them, Rimuru Tempest, First of His Name, Eater of Dragons, Keeper of the Mysterious Hard Drive, Holy Virgin SalaryMan, and One True Scion of Pokemon Mystery Dungeon, is on the case!

The episode ends before the Direwolf attack commences; I think we’re supposed to be wondering what Rimiru’s strategy is here, but honestly, does it matter? Based on past experience, Rimiru can just eat all the Direwolves for dinner while the rest of the goblins sit around painting their toenails– but that would make for a pretty boring episode 3, so that’s probably not going to happen. Maybe Rimiru will just eat all the Goblins, they can go to the Infinite Digestion Dimension, and become one with their God? I’m not really looking for spiritual enlightenment from this anime, but hey, if it happens, I wouldn’t be opposed to it.

So that was episode 2 of That Time I got Reincarnated as A Slime. I’m pretty sure that one day, I will regret blogging about this show, but that day is not today.

 

Otakusphere (not) Weekly Episode 29

Look, it’s another new episode of the podcast just a week after the last one! If we can keep this up, the name of the podcast is going to become “Otakusphere (kinda?) Weekly.”

This week, we were really busy discussing the first episodes of the Fall 2018 shows. Key questions that occupied us: Should Sword Art Online really be talking about the nature of the human soul? What did English-speaking peoples do to A Certain Magical Index III to piss it off? Should Crunchyroll have some kind of a content warning for Goblin Slayer? (Spoiler: YES). And does Studio Trigger forever deserve it’s reputation for jerky animation after Kill La Kill, even something like 5 years later? All this, and more, on this episode of Otakusphere (Occasionally) Weekly!

Note: The director of Uzamaid! is Masahiko Oota, director of Himouto! Umaru-chan and like half of all comedy anime.