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Winter 2018 Anime Impressions, Part 1

It still kind of takes me by surprise just how much new anime there is each quarter. You’d think I’d be used to it by now, but when I look at Crunchyroll’s list of updated titles at the beginning of the season, I find myself saying “Wait, that’s out? And that’s out? And that too? These are all airing this season? They’re using up all the anime, there won’t be any left for next season!” Apparently it doesn’t work that way.

I’ve watched a bunch, and still only sampled maybe half of what I’m interested in trying from this Winter Smörgåsbord; here’s what I’ve caught so far. If you’re going to use this post to help evaluate what you plan on watching, keep in mind that my biases include cute things, food porn, and uh…actually, I’m sure I must have more biases, but those are the only two that come immediately to mind.

Laid-Back Camp— My overriding thought concerning this show is “Hey, I’ll bet I can get my Dad to watch this with me!” which makes it hard to focus on much else. Still, I think there’s a little bit of a conflict here between the comfy, relaxing mood the show has going on and the inevitable cute girl antics.

Whenever main gal Rin is out camping, looking at the beautiful scenery, you feel like you can smell the smoke from the campfire, feel the warmth of being all bundled up in long underwear and sleeping bags, and the bracing, invigorating chill of cold, clean mountain air on your face, and it’s just lovely. It’s experiencing the best parts of camping without having to deal with bugs and dirt. Then the other girls come on and act quirky or whatever and you kind of want them to just shut the hell up and let Rin camp in peace. However, this is clearly a deliberate choice (especially because even Rin herself acknowledges it), so I have hope that the show is going to get better at marrying it’s soothing elements with it’s genki-girl shtick.

A Place Further Than the Universe—  As much as I dislike icy roads, single-digit temperatures and having to deal with piles of snow, cold-weather tourism has a huge romantic appeal to me. I’ve read all about the Ice Hotel in Sweden, and the idea of going to Lapland, Iceland, or even Greenland, is something I think about often. Unless I get over my huge fear of flying, I’m never going to get anywhere near that whole region, but hey…there’s nothing wrong with imagining it.

I’ve never really felt a pull to go to Antarctica though. Penguins are awesome and all, but I think the fact that it’s just so remote is what renders it unappealing to me. If you go north, even pretty far to the north you’ll still find cities and towns where people live, albeit sparsely. There are no towns in Antarctica; I mean, maybe I’m mistaken, but unless I’ve missed something in the past ten years, no one goes to Antarctica and comes back raving about what great restaurants they have there. It’s something apart from human culture, like the surface of the moon.

This show is almost in my wheelhouse, since I relate to the wanting- to-go to-a-mysterious-far-away-cold-place aspect, but I’m having trouble getting psyched about the girls going to Antarctica in particular. So far it’s well-written and well-produced, with the chase scene in episode 2 a particular stand out, but I’m not completely sold yet. I think the test of whether this show succeeds will be if I start to find the idea of going to Antarctica exciting myself, instead of just wishing the show was about a group of girls going to northern Finland.

Ms. Koizumi Loves Ramen Noodles  This sounds like a bad idea on paper: a Food Wars!-like show that features people having foodgasms, except they can only eat one type of food. Why would you do that? Why would you make a food porn show based on only one food, and make it a full-length, 12-episode series no less? This seems like the kind of thing that might work as a 3-minute short, if that.

The first episode was pretty dull, but after the second, I think I might be on board Ms. Koizumi’s little train here, perhaps against my better judgment. The characters are better defined than they usually are in this type of show, and there’s more nuance to the world of ramen than noodle-neophytes might think. At first I couldn’t imagine how they were going to get 12 whole episodes out of this concept, but now? I think I get it. The show is trying to do something pretty simple (decent character interaction +constant ramen facts!), but what it sets out to do, it succeeds at…I think? Maybe I’m just giving it a pass because I’m hungry.

Who am I kidding? I’m a vegan now and the only way I get to enjoy meat is when I watch anime characters eat it, so I’m going to watch all 12 episodes of Koizumi stuffing her face with pork-and-chorizo ramen, then I’m going to watch it all again. If you can actually eat ramen in real life, you probably have little use for this show (and I’m trying very hard not to hate you right now), so keep that in mind.

Dagashi Kashi 2— Speaking of food shows that shouldn’t work, here we have a second season of Dagashi Kashi, the show about cheap candy and snacks that usually don’t look very appetizing. At least the Japanese audience has nostalgia for these products, but for foreigners, we lack that powerful childhood connection. In theory, the show doesn’t have much to offer the international audience.

And yet, I found the first season of this show absolutely delightful two years ago. Maybe it’s the characters; maybe it’s the fact that I want to live in a world where penny candy could possibly make anyone this happy. For whatever reason, they could probably make  12 seasons of Dagashi Kashi and I’d be cool with it. I was a little concerned with the change to half-length episode format, but if anything, cutting down the running time seems to have improved matters; they have just enough time to freak out over the latest fried octopus flavored gobstopper or whatever, then it’s on to the next thing.

I feel like I should have some sort of comment on the change to Hotaru’s design, but honestly? Unless I’m looking at screenshots side-by-side, I can’t tell the difference. So sue me.

The Ryou’s Work is Never Done!It has to take a certain amount of chutzpah to put out another show about shogi during the same season as March Comes In Like A Lion, right? I mean, let’s face it, even if Ryou does really well for itself, it’s always going to be “that other anime about shogi with cute girls in it.”

Right now though, anything else the show might have to offer is overshadowed by the 4497th incidence of the Loli Controversy: the show has a young girl in it who is sometimes depicted with non-detailed nudity, and even though no real children are involved isn’t this just edging dangerous close to child porn, blah blah blah blah blah blah blah blah. Don’t get me wrong, I think there’s something worth discussing in there somewhere, but this happens so often that the fact that it’s even a controversy anymore is kind of strange to me.

Hey, speaking of lolis, who else remembers the original Lolita, a.k.a. Dolores Haze, lust object of one Humbert Humbert? And how the genius of Lolita is, even though a child is raped every day from the age of 10 onwards, the reader is seduced by Humbert to some degree, and thus is made to feel somewhat complicit in Lo’s situation? So that, at the end of the book, while you’d like to just write off HH as a total monster that you have zero sympathy for, you just can’t, and that opens up a Pandora’s box of uncomfortable questions?

I’m not trying to argue that this show, or any of its contemporaries are on an artistic par with Lolita; that’s ridiculous, and also not the point. The point is, we have all these shows with “lolis” in them, named after a character in the most deliberately, brilliantly offensive and disturbing book of all time, and people are still complaining that these “loli”-themed shows make them uncomfortable. Shall we also complain that swimming pools are too wet, deserts too dry, Godiva truffles too chocolatey?

I don’t plan to continue watching this show, since Lion provides all the hot shogi-explaining action a girl could possibly need. But I find the dialogue surrounding it kind of sad, and it’s only going to get worse once they do a beach episode or something. Get ready for “But real 9-year-old-girls wear bathing suits just like one Ai was wearing all the time!” “Yeah but that DOESN’T MAKE IT RIGHT!” and so on and so forth. Ack.

Slow Start— This is an interesting experiment in just how minimal an anime premise can be before it ceases to have any premise at all beyond “cute girls are friends.” The hook here is that the main character missed her high school entrance exam and had to take it the next year, so she’s secretly one year older than everyone else in her grade. She’s trying to hide it, but considering that this is perhaps the least juicy dark secret anyone could possibly have, it’s hard to feel invested in what’s going to happen if anyone finds out.

It’s not bad; if you find it soothing to watch cute girls eat boxed lunches and do sports and stuff, this show has that. There’s some humor, and some maybe-they’re-really-lesbians teasing. The animation is above-average, at least so far. It’s just that there’s really no reason to recommend this show over pretty much any other show that features girls in a school setting. Three Leaves, Three Colors didn’t really have much of a premise beyond “girls are friends,” but made up for it with characters who were really fun to watch. I don’t think Slow Start has that, which is a bit of a shame.

How to Keep A Mummy I had no idea this show existed until I saw it on Crunchyroll, and I’m glad I fell over it. It’s about a tiny little mummy creature who’s incredibly cute, and you just want to go “awwww!” and hug him about 100 times in the first episode. It’s possible this trick will get old, but I’m a sucker for tiny little cute things and will probably keep saying “awww!” throughout the entire season.

However, based on the OP, there will be more monster characters, so the show should have a lot more going on than just cuteness appeal. I would say moe appeal, except Mii-kun barely even has eyes, and I’m not sure if it counts as moe without big eyes. I need the International Moe Council to revise their guidelines on this.


So, what do you guys think of these seasonal posts that cover a whole bunch of anime at once? I know that for SEO purposes, I’d be much better off doing a separate post for each show, but never in my life have I done anything that’s good for SEO; why start now?

Okay, I shouldn’t joke about that, MAYBE doing things to improve the visibility of my blog would be good, but for now, I like my stupidly impractical 2000-word posts. Life is hard, let me please have this one thing?

The Frustration of Urahara

I don’t know if calling Urahara a disappointment is really fair. I could pretty much tell everything I didn’t like about it from the very beginning, and though I kept watching in the hopes that the show would get better, I never honestly believed it was going to. So I never really held it in high enough esteem for it to disappoint me. Still, watching it was a frustrating experience, because it could have been so much more.

Considering how little discussion there was online about the show as it was airing (at least in among the English-speaking anime fandom), you would think it was just a bland, boring show that didn’t have much to offer. However, there were some pretty cool ideas in Urahara; the premise of these super cute, super-competent girls protecting their Tokyo neighborhood from creepy supernatural threats, all while learning important lessons about the power of friendship, sounded like some kind of strange union of Card Captor Sakura and Durarara!!, and what’s not to like about that? That sounds like it has the potential to be one of those high-value combinations, like peanut butter and chocolate. Plus, some of the plot twists late in the show were, if not necessarily shocking, quite ballsy for their willingness to mess around with the show’s world.

In addition, this show was singled out as one to watch because of it’s largely female creative staff; it was the show that was supposed to impress on us the “importance” of women working in anime, at least according to the now-defunct Teen Vogue. And this is where things start to get a little weird and uncomfortable, because it was the whole feminine approach to things that seems to have really sunk the show.

Now, how do I explain this without sounding like an awful, self-hating woman? I mean, it’s not like having a feminine perspective, or a feminine style, is bad in any way; that should go without saying. It’s just that in Urahara‘s case, they took that whole angle so far, it started to feel like an outright parody of a feminine anime. Like, if you got a bunch of really obnoxious misogynists together, got them all hopped up on beer, and asked them “So, what would happen if we let a bunch of chicks make an anime?”, they would very quickly start describing something that sounds a lot like Urahara.

“LOL okay so like, girls can’t do math and they hate using rulers and T-squares and shit, so the backgrounds in the anime would be all scribbling and wonky, with bad perspective. And they’re lazy too, so they wouldn’t bother to draw any PEOPLE in those backgrounds., so the world would feel all dead and empty. And the character design would suck, because chicks wouldn’t be willing to make the girl chars look sexy, but they wouldn’t know any other way to make the designs pop, so every design would just be like, whatever, like why did you even bother?

“And chicks are obsessed with sweets, like cakes and stuff, so the villains would probably turn into cupcakes or some shit at the end of every episode. Oh, and like half the chicks making the anime would probably be pregnant too, so instead of having normal flavors like ‘vanilla’ and ‘chocolate’ they’d always be going on about ‘coriander sweet potato’ or ‘spicy peppermint horseradish’ or some other weird thing. Oh, and chicks can’t make decisions for shit, so instead of having a dedicated color palette, they would just use EVERY. SINGLE. COLOR. all the time, until your eyes wanted to explode–”

Ahem. Now, it should also go without saying that Urahara is not actually indicative of women’s contributions to anime; plenty of talented women professionals have been working in the field for years, blah blah blah obviouscakes. But I guess it’s kind of like a monkeys-on-typewriters situation; if you have enough anime coming out each year, and a certain percentage of them are poor quality, you will eventually get an anime that is poor quality in exactly the way a basement full of inebriated misogynists might predict, right? I guess it was bound to happen at least once.*

Moving aside from the weird gender angle, there were other problems. Considering the fact that the character relationships were about as deep as a puddle, the show was clearly going for style over substance, and there’s nothing wrong with that– certainly not in animation, where the style can become the substance if done right. However, for the style-over-substance approach to work, the show would actually need to have good style, which is where the show repeatedly failed. The pastel colors were nice, but most of the character designs just weren’t very good; the outfits looked goofy instead of fashionable, which is inexcusable in a show that was supposed to be at least partially about fashion.

Somewhere out there, I know there are people who think that these designs are good and go well together. I wish I could see what these people are seeing.

This is of course highly subjective, but to me, the only really good character design on the show was Misa; everyone else, particularly the girls in their magical-girl attire, ranged from dull to embarrassing. Plus, as mentioned above, the fact that there didn’t seem to be any guidelines in regard to color (beyond “Anything Pastel is Automatically Fine”) often led to a cacophonous viewing experience.

The emptiness of the show’s backgrounds not only made the show’s world feel hollow, but actually undermined one of the story’s greatest moments. Late in the game, the Urahara girls find out that everyone they’ve been interacting with in Harajuku since episode one has been a product of their imaginations; they’ve been alone in the city this whole time. This should have been a pretty stunning revelation, but it was hard to feel anything about it at all, since it had always felt like the girls were completely alone in the city. Other characters were shown, but so few and far between that it felt like the population of Harajuku was about 6 people, so the revelation that the city was actually empty fell completely flat.

And that’s what made the show so frustrating; every good idea seemed to be canceled out by a bad one. Another plot twist, the fact that the sweets the girls had been eating were slowly turning them into the evil Scooper aliens, is pretty nifty if you think about it. Think about the Scoopers’ plan here: They planned to let the girls defeat their soldiers, knowing that the girls wouldn’t be able to resist eating the corpses of their enemies, at which point they would be reprogrammed into Scoopers themselves, giving the Scoopers unlimited access to the girl’s creativity. That’s a pretty creepy, evil plan, and it served as a nice “gotcha!” for everyone who wrote off the enemies-turning-into-sweets thing as a harmless joke.

But by the time we’d gotten to that point of the story, the characters still had yet to come alive beyond very basic character outlines, so the fact that the evil corpse-eating plan was succeeding didn’t even seem to matter. What would have happened if the girls really had turned into Scoopers, anyway? Presumably, they would have flown off with Misa and her peons, to go inhabit another pastel world that would be strangely devoid of life. There’s no feeling of urgency, even when the story is giving us reasons why there arguably should be.

All this aside, I did like the show’s message about creativity. The general “Being creative is fun and good!” vibe is hardly original, but the way this works in regard to the Scoopers is interesting. It becomes clear over the course of the show that the Scoopers (whose primary activity is stealing culture from other planets because they can’t make their own) actually do have the capacity to be creative, they just don’t realize it. I wonder, how many people have that problem in real life? How many people go around thinking “I wish I could make something cool, but I’m not a creative type of person,” and never realize that there’s nothing stopping them from taking out a pencil and paper and changing that?

The idea that creativity is as much about choice as it is an innate quality is a more unusual message, and to its credit, the show even acknowledges the important role that copying other art plays in the process of learning to create your own stuff (and does so a lot more explicitly than it deals with any other theme, curiously). But in the end, it’s still a show populated by boring characters that we don’t care about; I should be psyched wondering what kind of creative stuff Misa and her clan will come up with when they go off to explore the universe with new vigor, but I just don’t care. It feels like Misa will provide the solar system with some shiny beaded necklaces, or maybe a knitted tea cozy, and that’s nice for her and all, but it’s nothing to get excited about.

That’s the tiny tragedy of Urahara; A show about creative artists fighting aliens, who worship creativity but are unable to recognize it in themselves, filled with over-the-top action and whimsy, should have been a delight to watch, and it just wasn’t. Every season there are anime that fall short of their potential, but I feel like it’s rare to see one that had so much going for it on paper fail on so many different levels. The sad thing isn’t even that Urahara could have been good; the sad thing is that if it had been good, it would have been something really unusual and charming. It’s still unusual, and not entirely devoid of its own peculiar charm, but only a shadow of what it could have been.

*I almost wrote about this show on Anime Misogynist, but that would have required some Galaxy Brain-level, crossing-the-line-three-times shit. I couldn’t figure out how to criticize Urahara, with complaints that sounded like they came from an actual misogynist, on a site that was all about the inherent ridiculousness of using misogyny as a critical perspective. If I’d managed to pull that off, I might have ascended to a higher plane of existence and be writing to you from Ironic Blogger Heaven right now, but I am just not that awesome, and so here we are.

 

 

Fall 2017 Anime Impressions

Since I’ve been watching more anime than usual lately, I figured I may as well take advantage of it and talk about the new shows like a proper Aniblogger. Here are my takes on some of this season’s offerings; keep in mind I only watch shows that are available on legal streaming services. This is less of an anti-piracy stance, and more of a “I am too goddamned old to be dealing with malware on my computer from dling torrents,” stance, but let’s all pretend it’s because of my unimpeachable moral compass.

Urahara– This show puts me in a bind; I really like what I think it’s trying to do, but it’s just not working. The washed-out color palette, the intentionally wonky hand-drawn backgrounds, the surrealist feel, the enemies that turn into candy when defeated? I love all of that. But somehow the designs and the art style just don’t seem to work together, and the story has all the urgency of watching paint dry. It’s just so nonsensical that it’s impossible to care about anything that’s happening; it also doesn’t help that the magical girl designs are the absolute worst part of the show.

Right now it feels like a half-baked version of Flip Flappers, a show that often felt surreal but managed to maintain a sense that what the characters were doing actually mattered on some level. I’m probably going to stick with it, just because I like some of the things the show is experimenting with, but I wouldn’t blame anyone for bailing out; it’s pretty much an incomprehensible, silly mess right now.

Anime-Gataris– There was something off about the art in the first episode that made me wonder if this was the studio’s first anime, but it turns out Wao World, the studio responsible for Gataris’ animation production, is prolific. The production company, DMM Pictures, is new, but I’m not sure how much that actually matters. The director, Kenshirou Mori, has relatively few credits, but one of them is the first episode of Full Metal Alchemist: Brotherhood. So, not exactly a newbie.

Normally I stay away from this kind of inside-baseball approach to anime, because I don’t know much about what goes on in production, but something about this show really made me want to try to figure out what the hell was going on. It looked like the show was made by people who had watched anime and taken a lot of notes, but had never actually made it before; there was something just slightly off-kilter about the colors, the shading, the backgrounds, etc. Even the piece of stock animation that Arisu uses to summon her butler looks like it was made in 1998. By the second episode, things had smoothed out a bit, but I’m still wondering if the weird look the show started with was a real phenomenon, or if I’m just hallucinating.

In terms of the story, there isn’t much to discuss. It’s a show about people talking about anime, so it runs on in-jokes and nods to otaku culture. The main thing it has going for it is that it’s making nods to very recent shows, so it’s more topical than these in-jokey shows tend to be. I’m going to keep watching it, but it doesn’t have a lot to offer unless you’ve been actively following anime for the last year or so.

The Ancient Magus Bride– I have to admit, I was distracted during this show because I couldn’t help wondering what Anime Feminist was going to think of it. A young girl sells herself into slavery, to a huge monster dude who calls her pet names and treats her like a dog? Including forcibly bathing her? How could the show itself possibly compete with the entertainment value of feminists having a complete meltdown over it?

Turns out, the person who reviewed it for AniFem has read the manga, so was able to reassure feminists that the sundry “red flags” in this episode are not truly indicative of the story’s overall quality. You would think this experience would lead AniFem to question their policy of “Screen all first episodes for problematic content and judge them accordingly,” but apparently not. Remember, I may defend AniFem’s right to exist, but that doesn’t mean I have to think that anything they publish is any good.

Oh right, I just wasted time talking about another anime blog and not the show itself. So far, it’s high quality overall, but it’s a bit of a cypher to me…I need to see more before forming an opinion, which is rare for me because having opinions tends to be one of my strengths, really. I think I was just too distracted by wondering about how this show was going to be perceived to pay enough attention to the substance of it, and that’s on me, not The Ancient Magus Bride.

Blend S– One of the Immutable Laws of Karen is that I will watch any anime that takes place in a coffee shop; keep in mind that I have watched not just one, but both seasons of Is the Order a Rabbit?, making me quite possibly the only straight woman on Earth who has done so. Maybe it’s my love for coffee in general, maybe it’s pure nostalgia for Polar Bear Cafe, but this is The Law; I must watch all of Blend S, because it takes place in a coffee shop. It doesn’t matter if it’s terrible.

Fortunately, it’s not terrible. The premise sounds like it’s going to be toying with some S&M vibes (since the main character is roleplaying a sadist as part of her gig at the cafe), but right now it’s very reminiscent of the lighthearted workplace comedy of Working! and its sequels. The whole S&M hook is really just a tease so far, since the humor is about as adult, as err….well, Working! The only slimy thing about it is how Maika’s boss continually hits on her, which is only really objectionable if you’re on the “anime must never depict anything that would not be acceptable IN REAL LIFE” train. I don’t know why anyone gets on that train, it’s a boring-ass train.

Recovery of an MMO Junkie– Another anime about people who spend much of their lives inside an MMO, although this one has an unusually adult take on it. Instead of teenagers and college students, the characters on this show are definitely old enough to drink, so they can drink screwdrivers in front of the computer while they wonder why they’re wasting their lives grinding for levels. (No one has actually done this one the show yet BTW, but it seems like something they would do.)

It’s gender-swapped, with the female character playing a male avatar in the MMO and vice versa, and it looks like it’s mainly going to focus on the romance between the lead characters. Normally, I would expect betrayal when they find out about each others’ true identities, followed by inevitable reconciliation, but this show is sophisticated enough about MMO culture that I trust it to go somewhere more interesting with the relationship. It would be really cool if after the reveal, both players just went “Oh, well that’s not surprising,” and just continued playing as normal.

A Sister’s All You Need– This show turned people off with an introductory scene that tried to portray little sister fetishism as disgustingly as possible, and succeeded, with stomach-turning results. Some concluded that the show was simply gross, but I think I get what they were doing by taking the little-sister trend to it’s logical (if unsettling) conclusion. And the show features interesting relationships between insecure writers, who are all insecure for different reasons, and that’s right in my wheelhouse.

This show actually reminds me of The Pet Girl of Sakurasou, which also received some early backlash for having a “gross” premise, which turned out to be entirely overblown. Now, it may turn out to be just another forgettable show trying to earn some points with shock value, but it could also be the little sister show that actually examines why people develop this obsession, which would be interesting. I would call it “a deconstruction of Oreimo and it’s ilk,” except A)I don’t actually know what ‘deconstruction’ means and B)that sounds so pretentious I would have to slap myself. Let’s just say that this show has the potential to do something different with its premise, and hope that it does.

Konohana Kitan– This feels incredibly bland to me. I think it’s trying to be that kind of episodic occult show where the supernatural-creature-of-the-week is the focus, and the main characters are more there for consistency than anything else. (See: Mushi-Shi, The Morose Mononokean.) However, too much attention is given to the little fox girls in the foreground for the show to have that kind of oblique feeling, which would be okay if the fox girls weren’t such boring characters.

It’s cute as hell, and if you like anime girls with fox ears and/or tails, this could be your Show of the Decade, but I’m not sure if it has much to offer besides moe/fetish appeal; it doesn’t have the sophisticated appeal of an occult anthology show, nor does it have strong enough characters to work as a slice of life show.

Love Is Like A Cocktail– As a big fan of I Can’t Understand What My Husband is Saying, I was anticipating this one; anime about stable, married couples are rare and intriguing. However, it’s hard to get excited about something that’s three minutes long. I get that these kinds of shows are designed as shorts, and they’re not meant to sustain full 22-minute episodes, but I still think three minutes is a little lean; I would prefer half-length episodes, like Muromi-san and Encouragement of Climb.

It’s cute, and having each episode themed around a drink works nicely, but it makes me wish there was more to it.

March Comes in Like A Lion, Season 2– So, hahahahah funny story, I thought I had completed the first season of this show, only to realize that I somehow stopped watching it towards the end and had no memory of doing so. That may sound like it bodes ill for Lion, because if it were a good show, surely I would remember whether I had finished the season or not? However, I think of this show as being kind of like the Marcel Proust of anime: it’s very artfully done and nuanced and everything, but sometimes you just can’t take it anymore and need to put it down for about five months.

Anyway, now that I’ve had a nice break, I look forward to catching up on Lion and finding out what’s new with Rei and his deranged sociopath of a stepsister.

Food Wars! The Third Plate– By now, you probably know whether you enjoy the Food Wars! brand of attractive and talented people having elaborately illustrated foodgasms over curry, or not. I found the formula was getting a little stale for me by the end of The Second Plate, but it’s still amusing enough to keep up with, for now. I find myself beginning to genuinely dislike Soma though: like, why you gotta challenge EVERY chef on the show to a duel? Can’t you just be secure in the knowledge that you cook good food,? Did you watch too much Top Chef as a toddler and it totally distorted your view of eating meals?

That’s all for now; I may pick up a few more fall shows, in which case I’ll write an Impressions: Part Deux post. However, it’s entirely possible that that will never happen, in which case I would like you to forget that we ever had this conversation.

Spring 2013: Red Data Girl

RDG1

So, I decide to get back into anime blogging a bit, and what’s the first series I pick at random? Red Data Girl, a spring series about a meek shrine maiden who’s the human host for another shrine maiden, only with nicer clothes. And she needs other people to use Google for her because computers break around her– especially when she cuts her bangs.

Look, they can’t all be winners. Continue reading Spring 2013: Red Data Girl

Summer 2011: Yuru Yuri

There's even a Yui, but she's not the ditzy one this time. Ooooh...how diabolically clever.

Summary: Another one of them K-On clones, only this time I think the creators really wanted to make a magical girl anime- so why didn’t they? Do they get, like, a tax break for making another one of these “four girls in a club that does nothing” shows? It boggles the mind. Anyway, it’s watchable and pretty inoffensive thus far, but also a tad dull- more than a tad if the references don’t amuse you as much as they do me.

Streaming: Crunchyroll. Continue reading Summer 2011: Yuru Yuri

Summer 2011: Ikoku Meiro no Croisee The Animation

Yune: Saving anime from moe by being more moe than moe.

Summary: This episode was pretty much pure wonderful for me, but I’m almost afraid to say anything nice about it in fear that it’s going to do nothing but tread water for episodes 2-11 so the two main characters can vaguely acknowledge that they love each other during the finale like it’s a surprise. Nevertheless, the first installment of a Japanese girl moving to Paris in the 1890s (or thereabouts) is beautifully animated and sweet, without ever crossing the line into saccharine territory.

Streaming: Nope, but I wouldn’t be surprised if Crunchyroll announced this soon. Continue reading Summer 2011: Ikoku Meiro no Croisee The Animation

Summer 2011: Ro-Kyu-Bu!

RKB: Not that bad when they're playing basketballl- now if only they would keep playing basketball.

Summary: Like last season’s Soft Tenni, only with basketball and much more blatant fanservice with even younger characters. Le sigh- why does it feel like my task as an aniblogger is to continually try to find redeeming value in shows clearly meant for pedophiles?

Streaming: Nowhere yet, but apparently it’s licensed by Sentai Filmworks now. That was fast.

Possible Alternate Titles: Random Loli Shower Ball, SoftBaski Continue reading Summer 2011: Ro-Kyu-Bu!

Summer 2011: Kamisama No Memo-Chou

Alice thinks she's SOOOOoo smart, but I bet Lain could kick her ass.

Summary: A show really trying to be Durarara!!, yet apparently made by people who didn’t understand what Durarara!! was about. Interesting, but not necessarily for good reasons.

Streaming: Nowhere that I know of. Actually, so far NOTHING is streaming this season….

Possible Alternate Titles: Durarara!! +Lain= Moe!, Victorique Buys a Computer, Psuedo-Intellectual Detective Hour

Continue reading Summer 2011: Kamisama No Memo-Chou

Spring 2011 Anime: Soft Tennis

The whole chibi thing is so overdone, but I would be lying if I said it weren’t effective. Ka-kawaiiiii……

Number of Episodes Aired:1

Streaming: Nowhere? Let me know if I’m wrong, please.

Alternate Title Suggestions: Afternoon Tea Tennis, Light Tennis Club with Cows, Tennis and Raquet With PantyShot

I don’t usually like doing the whole “it’s just like [insert name of popular show] with [insert different activity]” thing, but in this instance, calling Soft Tennis “Like K-ON!! with Tennis” isn’t that far off. If you like K-ON!! and you have a healthy tolerance for double-entendre, you may enjoy this show; if you’re one of those people who watched K-ON!! and went “But where’s the PLOT?”, stay far away.

Continue reading Spring 2011 Anime: Soft Tennis