Tag Archives: MOE!

Comic Girls, Episodes 4 & 5

I had to take care of some real-life stuff, so I’m a little behind on anime. To catch up, I’m going to be doubling up on some of these episode posts– or maybe tripling up, if I get even further behind. Who knows what kind of wacky anime coverage you might find at Otakusphere? It’s part of the charm! Err, hopefully.

Me, getting ready to do some blogging. I think I might steal “I Feel Digital Just Sitting On It” as the title for a memoir.

Episode 4: Sex is Not So Bad

I like the ongoing joke that Ruki is inadvertently sexy, even when she’s being a total dork. It’s the rarely seen parallel to the trying-too-hard-to-be sexy character.

Anyway, back to the Manga Artist Dorm of Awesomeness. Ruki is running herself ragged trying to keep up with her manga and school, to the point where she’s staying up multiple nights in a row, and seeing that kind of behavior always makes me wince a bit. Ruki, my girl, I give you permission to skip school if you need more than one all-nighter to finish your manga, okay? Maybe I’m a bad influence, but I think school attendance becomes less important if you already have a job in the adult world. Besides, sleep is very important, people; I thought I was functioning on minimal sleep in college, but when I look at some of the dumbass choices I made back then, I wonder.

This is the first episode that really had a strong theme, that of Ruki getting over her issues with drawing lewd manga. I really liked this angle, since Ruki being dreadfully uncomfortable with the manga she’s drawing has been arguably more disturbing than humorous since the beginning. I like that when she gets out and meets her readers, they’re all totally normal women and girls from different walks of life, and there’s nothing unsavory about the experience; basically, this episode is a little paintbox full of sex positivity. Everyone has sexual fantasies, this is normal, and Ruki shouldn’t feel bad for drawing manga with sexual elements.

“Hello, ladies! I’m 14 and I’ve never even kissed a boy, but please come up to me and ask for advice on your marriage– It’s not like I’m going to make it any worse, right?”

Of course, the idea that a sheltered, 14-year-old girl can pull off the role of an experienced older sister-type at a public event, to an audience of people twice her age, isn’t really plausible. However, criticizing this kind of show for the characters being precocious is a little like watching a giant robot show and then complaining that the animators didn’t account for how the robot would be effected by air resistance; there are certain genre conventions that are at odds with reality, but we all knowingly accept them for the sake of entertainment. This story with Ruki would make more sense if she were 24 instead of 14 (or 34, God forbid!), but that’s true of a lot of anime characters in various genres.

I guess you could criticize storylines like this as part of a larger point about how Japanese pop culture is youth-obsessed, but A)that’s not just Japanese pop culture, that applies to INTERNATIONAL pop culture and B)I’ve always thought the reasons why younger characters tend to dominate entertainment were pretty intuitive. I may lament the lack of characters my age in anime sometimes, but I understand the reasons why they’re rare.

In any event, this episode really felt like Comic Girls finding a purpose beyond tepid cuteness, and I for one felt validated that I had a reason to be watching it in the first place. My taste, validated! Surely this won’t last….

Episode 5: We Are Up To 50% Lesbian, And That’s Fine

…and it’s a beach episode, goddamit.

Actually, it’s really not bad. I appreciate the fact that this episode only devoted half it’s runtime to the beach, and then moved onto other things. The girls all look lovely in their swimsuits if you’re into that sort of thing, and the show managed to remember that this show is about artistic girls, not just generic cute girls. I like the fact that three out of the four girls had to basically be dragged kicking and screaming to go swim in the ocean, since they preferred to sit on the beach and draw. I haven’t been to the beach in a long time, but when I did go, I was the girl who was sitting on the blanket drawing, so I relate to Kaos and co., as usual.

One minor note that perturbed me though; Can you really rent bathing suits at the beach these days? That seems really unsanitary, and given how cheaply you can buy a bathing suit if you want to, really unnecessary. I mean, I’m sure the rental place washes the suits between customers and stuff, but who wants to wear a bathing suit that ten other people have worn? It’s not like going skiing, where most people rent equipment so you don’t have to drop $1000 on your own set. I mean, I realize this is tangential to the episode and I really shouldn’t care, but I’m curious now.

After fun-in-the-sun hijinks, we get Koyume and Tsubasa going on a date with everyone else spying on them, as you do. What’s funny is that Koyume seems genuinely flummoxed that she knows that Tsu is a girl, but she’s attracted to her anyway. It’s called being a lesbian, Ko-chan; Kaos is also struggling with this crazy, obscure concept. Someone needs to sit these girls down and draw them a map, because this is getting embarrassing already.

Let’s be honest, I would go on a date with Tsubasa too. Mostly to grill her for manga-drawing tips, but the point still stands.

I guess the date may be exciting for people who like girl-on-girl romance, but I don’t really care much for that sort of thing one way or the other. The part of this episode that resonated with me was Tsu telling Koyume that the most important part of drawing manga was to enjoy it, and not to obsess over professional achievement. It may be simple and it may be trite, but honestly, I don’t think it’s possible to tell an artistic person that too often. I wish I had a Tsu in my life to tell me that back when I really needed to hear it; my life might be very different today, if I had.

So after a rocky start, Comic Girls seems to be hitting it’s stride, not so much as a show about manga (although the manga element is always there), but more as a show about (unusually sheltered) teen girls trying to wrap their heads around sex and growing up. Even though I would personally prefer a show that went super-in depth into the manga-drawing process, this is probably a smarter direction for the show to go in general.

I hope at least a few people who aren’t watching the show read this post, so they can feast their eyes on this screenshot with no context at all.

Comic Girls, Episode 3

I’m beginning to develop a sneaking suspicion that Kaos is actually a terrible manga artist. Her ideas are shallow, her art is rough, and she seems to like drawing the same strip over and over again, without even noticing she’s doing it. Yet Kaos’ editor seems to think that she has some sort of “unique talent” (her words), and I’m beginning to wonder where she’s getting that from.

I’m a little jealous, honestly: if Kaos’ level of talent is enough to get her into the special Comic Artists Dorm, why didn’t I get to live in an awesome comic artists dorm as a teen artist? I may have sucked, but I doubt I was any worse than Kaos is.

Is this really all it takes to get into Special Manga Dorm? I want to go to Special Manga Dorm, and I can draw better than this! I’m short, no one needs to know I’m in my 30s….

There’s plenty of blame to go around though, since the other characters’ attempts to help Kaos improve her work are all a little bit…off. Koyume notices that the fashions that Kaos draws her characters in are kind of lame, so the girls decide to dress Kaos up in a whole bunch of different outfits to improve her fashion sense. Err…that’s really what you think her manga needs? That’s the one element that was sticking out to you? Are there, mayhaps, other elements of her manga that might be more worthy of spending time on, like literally every other part of it?

Look, I know the whole thing was just an excuse to dress Kaos up in cute outfits, but they could’ve easily done that without such a dumb excuse.

I have nothing to say about the Kaos-Kitty wearing a beret, I just felt like it would have been criminally negligent not to take a screenshot of it at some point.

The second suggestion for improving Kaos’ work is for her to spend some time sketching, which is actually a damn good suggestion. And having the girls available to pose for each other for life drawing is one of the clear advantages of living together. However, for some reason, they call it a “sketching contest,” which is weird. Why would you make it competitive, when Kaos already knows her art is less developed than everyone else’s and she’s really self-conscious about it? Isn’t that just setting her up for failure? However, despite calling it a contest, there doesn’t seem to be any competitive element at all and the girls just draw together. So it wasn’t a contest? I’m so confused.

The stuff in this episode about how each of the girls has a different idea of what female beauty is supposed to be is pretty on-target. It seems like the thin, beautiful girl is always upset because she wishes she was curvy, and the curvy, beautiful girl is upset because she wishes she was thinner. The fact that their chosen manga genres seem to magnify their insecurities is interesting to me.

They are doing something interesting with Kaos though, since she’s a teenaged girl who has trouble thinking of herself as a teenaged girl. The best part of the episode is when the other girls notice that when Kaos talks about teen girls, she talks as though she’s not one herself. You could spitball a lot of reasons for this, like maybe Kaos is actually trans, but I think it most likely has to do with her complex about her size; she’s always thought of herself as a kid due to her tiny size, and she can’t get out of that mindset. Even though she’s technically a teenager now, she still feels like a little kid standing on a box, looking in on the glamorous (or so she thinks) world of teen girls from outside the window.

I can relate to that; I think there are so many romantic ideas about being a teen girl, that sometimes actual teen girls can feel like they’re not “really” teenagers because their lives aren’t cool enough yet. I definitely felt like that during my teen years, at times.

That’s the weird thing about this show though. I want to say it’s missing the mark, but then Kaos will do or say something that really takes me back to how I felt when I was that age. Also, her admission that she never knows when to get rid of clothes because she never  never grows out of them kind of hit me where I live. My favorite gray dress is from 1996, seriously not even kidding, I wore it last month.

One more thing: I’m not sure what to make of how this show handles Kaos’ obvious attraction to women. When ever Kaos says or does anything that makes it clear she’s into girls, the other girls just dismiss it as her “acting weird,” missing the point entirely. I could see getting pissed off by this since the show seems to be equating homosexuality with weirdness, but I don’t think that’s the intention; I think the girls are all supposed to be pretty innocent about sex, and having them be able to nail down what’s going on with Kaos requires more sophistication than they’re supposed to have. They just don’t have the experience to be able to say “Clearly, Kaos is a lesbian, or possibly bi-sexual,” they just know her reactions are different from what they would expect, so they just call her weird and stop thinking about it.

I find myself wondering if real teen girls would be this ignorant about sexual attraction, even younger teens, but then that’s falling into the trap of worrying about whether an obvious fantasy is “realistic”; of course it’s not. The issue isn’t whether or not it’s realistic, but whether or not it’s believable given everything else we know about the setting. This is a world where a manga editor tells a 14-year-old girl, “you draw hot women, you should draw sexy comics!”, despite the fact that said 14 year-old-girl doesn’t know anything about sex, so I guess it kind of fits. Comic Girls seems to be based around the girls being surrounded with sex, for reasons both voluntary and not, and having no idea what they’re actually looking at. If they had a clue what was going on, it would be a very different show.

So I found more to say about this episode than I usually do, which is good I guess? I don’t know. I don’t regret my decision to blog this show exactly, but it’s not turning out like I thought it would either. I do find it interesting that this show is sort of the one last bastion of hope for moe fans this season; where are all the other shows about four cute girls doing a thing? Is this really the only one? What happened? I’m still not quite done wrapping my brain around the fact that this seems to be the season where moe seemingly died AND Full Metal Panic came back; I mean, what kind of timeline is this anymore? I feel like someone made a wish on a monkey’s paw and we’re all going to be hit with the dark side any second now.

Amanchu!~Advance~, Episode 2

I’m pleased to report that this episode featured an underwater storyline, which is all I really want from this show– well, other than this face:

This screenshot serves no purpose other than to provide another example of my beloved Pikari Troll Face; I don’t think I can blog about this series without including at least one.

Technically, it wasn’t a scuba dive because Pikari wasn’t wearing her scuba gear and was in fact free-diving, but that’s the kind of thing that only an obsessive rules lawyer would get stuck on, and I’m not an obsessive rules lawyer– at least, I don’t feel like being one today. Anyway, the story about the Mommy Octopus and her octopus babies was beautiful and a little sad, and took me by surprise, just a tad. It’s weird to hear Pikari, of all people, explain the inherent cruelty of Mother Nature and how mommy octopuses go off to die before their children are born.[EDIT: I just remembered that the plural of “octopus” is “octopi,” and now I’m annoyed, because I hate it when English gets insecure and tries to be Latin. Octopuses FOREVER.]

Interestingly I think Pikari has an intuitive understanding of this kind of stuff where it relates to the ocean–sad things happen, and that’s just part of the life– but not so much with her friends. Teko doesn’t know anything about octopuses, but she’s the one who can sense the looming darkness in their relationship; that it’s too good to last for long. I don’t think Pikari can see that coming.

These underwater scenes are beautiful, but I’m a little disturbed by the fact that Pikari and Kokoro seem to be able to stay underwater indefinitely. Maybe Pikari doesn’t even need scuba equipment because she’s a mutant with the power to breathe underwater, and tensions will rise when Teko discovers her secret? I’m up for an Amanchu!-X-Men crossover.

In addition to the Saga of Mommy Octopus, this episode also features a fireworks show, where Teko and Pikari get properly dolled up in yukata for the event. I noted last week that Pikari was the closest we’re going to get to seeing an adult Yotsuba in anime (or any Yotsuba in anime, for that matter), but I wasn’t being entirely serious; now I’m not so sure. Pikari’s sunflower-accented yukata really seemed to be playing up her resemblance to Yotsuba, since sunflowers are an important motif in that manga. I’m going to be on the lookout for more “Pikari is Secretly Yotsuba’s Older Sister” hints as the show goes on.

It’s hard to get a good screenshot of Pikari’s yukata since this whole part of the episode is really dark. Stupid firework festivals, why do they always hold them at night?

Teko has very little to do in this episode, other than stew a bit over the fact that Pikari has made a new friend and she’s trying very hard not to be jealous. I like the fact that they’re splitting up the girls a bit and giving them their own storylines; instead of suddenly having to separate, which is what Teko fears, it looks like the girls are gradually going to stop being so attached at the hip and pursue their own lives. So far, I’m impressed by the way this season has been addressing Pikari and Teko’s friendship; it would be easy to just have them palling around every day, eating yakisoba and making adorable faces at each other, but watching them test the confines of their friendship is a hell of a lot more interesting.

Okay, I see tentacles because Mommy Octopus is fighting the Evil Electric Eel, so is this scene all hot and sexy now? Because tentacles=hot, right?  Maybe I need remedial hentai education.

Mato, the diving club advisor, also gets an interesting flashback in this episode that seems kind of separate from everything else going on around it. I feel like Mato has her own storyline that we’re going to eventually see, but for now we’re just getting tiny bits and pieces. I hope they get on with it, because she’s actually more interesting than the high school kids, at least to me.

My only real complaint about this episode is the part where Ai punches Makoto because…huh, I don’t even remember why she punched him, it wasn’t important. But that’s the problem, this trope of girls hitting guys for no good reason. It works in something like Love Hina, where the over-the-top nature of Keitarou’s abuse from the girls just adds to the overall zany humor, but I dislike the girl-casually-abusing-guy-who-just-has-to-sit-back-and-take-it pattern that shows up in so many anime. I get why that might have felt edgy and innovative decades ago, but now it just makes the female character look like a horrible person.

Overall, pleased with the Amanchu experience, transparent octopus babies/10, would scuba again. Let’s wish on a sunflower that the show can keep up this level of quality for the whole season.

Sword Art Online Alternative, Episode Two

There’s some good news: this episode provides a clear answer to the main question I’ve had about this show all along, which is “Why doesn’t Karen just play ALO?” The bad news is it’s a stupid answer.

Apparently, in 2025, avatar customization options do not exist in MMORPGs, and you are stuck with random character rolls. So Karen (player of the LLENN avatar) starts playing Gun Gale Online because it’s the first game where she rolls a short, cute avatar. That is literally the only reason why she starts playing; she rolled a short character.

Okay, I don’t have a problem with the fact that Karen wanted to play someone short and cute (more on that later), but how, in 2025, do they not have any avatar customization options in any of these games? Why can’t she just choose to play a short character in ALO, or whatever game she wants? This seems like a really obvious feature to be missing from games in the SAO world.

This shot bugs me because I’ve had the maxim “never point your gun at anything you don’t intend to destroy” drilled into my head, and it looks especially wrong to break this rule at a shooting range, where gun safety etiquette is paramount. I know that this is a virtual shooting range in a video game and no one is actually at risk, but something about it still kind of bugs me. Don’t use GGO to teach bad gun etiquette, world of 2025!

If you want to overthink it (who? me?), it could have something to do with how Sword Art Online started, in-universe. That game did have avatar customization, which was then undone by the villain once the Death Game plan was revealed, leaving people effectively naked without their chosen avatars. So it could be that in MMO culture in this world, avatar customization options are associated with  SAO because that’s the last time they were used, and no one wants to be reminded of that. Maybe it’s a superstitious thing, like the way some buildings don’t include a 13th floor. Alternately, it could just be that for some reason, the people developing these games all decided at some point that rolling random avatars was the best way to keep everybody honest, rather than letting people stack the deck in various ways.

Really, I would accept many explanations for why there’s no customization in GGO or any of these other “advanced” MMORPGs; I’m just a little ticked that we don’t get one at all. This is probably one of those things where I have to go read the novel for it to make sense, right?

Anyway, back to Karen’s desire to play as a short character, that I don’t have any problem with. As a six-foot-tall woman in Japan, she’s used to standing out, and she wants to use VR to experience the other side of the coin for once. Also, her comments early in the episode to the effect of “if only I were small and cute…” can actually be interpreted as a tiny bit of commentary on moe as a phenomenon. Just as seeing women with thin bodies held up as the standard in art and advertising can upset women with stockier builds (whether it should or not, or whether it should to the extent that it often does is another story), seeing women with small bodies as the standard can be upsetting if you happen to be really tall.

Tao Okamoto, the actress who played Mariko Yashida in The Wolverine, said that she always felt out of place as a tall Japanese girl, so she related to the story of the mutants in the X-Men movies. Now remember that Karen is supposed to be several inches taller than Okamoto is, and imagine how she must feel.

Also, it’s not just a cosmetic difference. Karen is used to bumping her head on signs and always being seen, wherever she goes; as the tiny LLENN, not only is she extraordinarily agile, but she can hide from other players with ease. It’s not just about being small and cute, it’s about choosing when and if people see her, after feeling like she’s been on display for her whole life. I can see why that experience would be liberating for her, and would make the game more addictive.

So I’m definitely on board with Karen’s motivations for playing the game and playing the way that she does, but I’m still not sure if I have that much interest beyond that. In addition to introducing Karen and LLENN properly, this episode also introduces Pito, another female GGO player with a penchant for PVP combat. I think I’m supposed to be anticipating the inevitable LLENN vs. Pito fight, but so far, I really don’t care about Pito. Funny note: I just dropped into Wikipedia to double-check what Pito’s name was, Wikipedia spoiled me as to Pito’s true identity (which is exactly what I thought it was), and I still don’t care about her.

Trying to work up the energy to care about Pito…trying again…caring engines at maximum thrust…Imma givin’ ’em all I can, Captain…nope just don’t care nope nope nope

Plus, GGO just looks so boring to play. At least the PVE campaign looks action-packed, but once LLENN “graduates” to PVP, she seems to spend most of her time sitting around in the desert, waiting for targets to show up. If you’re watching an anime about a video game, I think it helps if it looks like a game you’d actually like to play; then again, maybe it’s just me? Maybe a lot of viewers would love to play a game like GGO, and I’m the only one with this problem?

Anyway, I’m interested enough to keep tuning in and see what Karen/LLENN are up to next week, but for me to really get into this show, either it has to introduce more than one character that I care about, or the action has to get more interesting; or hey, even both. I wouldn’t say no to both.

Comic Girls, Episode 2

I really want to like this show, but the writers are making it hard for me. The first part of the episode, where the girls go shopping at a huge art supply store, is great (and exactly what I want from a show like this), but then there’s the second part…where the girls go to school. I really don’t need Comic Girls! to show the girls going to high school, I can see girls attending high school in virtually every other anime that has ever been made. I want to see these girls draw comics, and do other comics-related things: Don’t waste everyone’s time by showing them sitting in math class.

I don’t know if they changed her design, or I just noticed it this episode, but Kaos has noticeable fangs. I think I’m just going to start assuming all of these tiny fang-girls are actually vampires until proven otherwise; you can never be too careful. Maybe she can’t draw characters in proportion because she can’t see herself in the mirror?

They do tie in the school segment to the overall premise by showing how the comic girls try to keep their manga careers secret from their classmates, but it’s all just a little flat. I feel like this show has the potential to be really fun, but it’s afraid to stray too far from “cute girls doing cute things” genre conventions, so it wastes time on irrelevant stuff.

You might think I’d be complaining about the girls going to eat sweets, since that’s a pretty generic anime-girl activity too, but hey, I’m not made of stone; ladies gotta eat.

Don’t get me wrong, I don’t even mind the “cute girls doing cute things (CGDCT)” tropes, but they work better in some cases than in others. For instance, in last season’s Slow Start, there was no pretense that the show was about anything other than CGDCT, so seeing the girls just hanging out in school was par for the course. Comic Girls! is supposed to be about something more specific than that; I’ve seen people compare it to Slow Start, but is that really a compliment?

[For the record, I found Slow Start oddly compelling and watched all of it, so it’s not as though I hate the show. It wore it’s complete lack of interest in plot as a badge of honor, and I respect that kind of chutzpah. Still, it’s a good example of a genre show that stays firmly in it’s niche and has no further aspirations.]

Can I take a moment here to talk about how completely outdated screentone seems to me? I certainly get the appeal of doing your artwork in pen and ink instead of digitally, but screentone just seems so…anachronistic? It’s like, you notice your toast is dry, and instead of going to the refrigerator, you walk outside to the barn and spend an hour churning your own butter.

I like the way the show often breaks into moving, manga-styled panels to convey jokes; it’s appropriate, and keeps things lively. But I’m annoyed that this show seems to leave me with so little to say about it yet again; it’s just missing something that shows like Hidamari Sketch have in spades, and I’m not sure what it is. You could say that the characters are bland, but I don’t know if that’s really fair; I relate to Kaos and her boiling cauldron of insecurities, and the others are coming along. Still, something just isn’t quite gelling here.

Hopefully next episode we’ll see the continuation of the girls’ combo manga, I Can’t Believe My Neighborhood Axe Murderer is This Adorable; Protect Me Shirtless-kun!

Amanchu! ~Advance~ Episode One

This show outsmarted me, dammit. I was saying preseason that I would only keep up with Amanchu! S2 if the show actually showed the girls scuba diving, instead of just talking about scuba diving a lot and doing random, unrelated things. This episode contains not one, but two dives, only we see each of them on screen for about ten seconds.  So technically, there is a lot of diving going on, we just don’t get to see most of it.  The lion’s share of screentime is used up by Pikari accidentally going topless, surprising amounts of food porn, and perhaps the most unnecessary love confession scene in the history of anime love confession scenes.

I feel so used.

This was a lovely three seconds of animation.

Okay, so Amanchu! gamed my requirements just like films in the Marvel Cinematic Universe game the Bechdel Test; I can be salty over it or I can just get over it like an adult blogger. All that aside, this was a pretty good season opener. It could have used more scuba diving (which is always true), but it covers a lot of ground in further fleshing out the relationship between Teko and Pikari, which is the core of the show.

However, before talking about stuff that relates to plot and character development or whatnot, can we just take a moment to appreciate the return of Pikari’s Awesome Troll Face?

Oh my God, THIS. This is what I wanted from Amanchu S2, even though I was too stupid to realize it at first: Ridiculous chibi Pikari. When Pikari makes this face, all is forgiven.

I don’t really know why, but seeing Pikari’s face like this always makes me incredibly happy. Maybe it’s because it’s the closest we’re ever likely to get to an animated Yotsuba, and we all could use more Yotsuba in our lives? Possibly.

Anyway, after establishing that Teko really, really loves Pikari (duh), we get a plot where she seemingly pulls away from Pikari, and Pikari misinterprets it. Turns out that Teko is aware that all the joy in her life comes from Pikari, and she’s afraid that when she and Pikari are inevitably separated at some point in the future, she’ll have nothing left. Teko is trying to find a way to enjoy life even on her own, demonstrating a surprising amount of foresight for a high school student. Pikari’s wrong (but completely in-character) solution to this problem is that, while she can’t deny their time together might be limited, they can get around the time limitation by having “Infinite Fun!” during the time they do have. Because Fun is an infinite resource.

Oh Pikari…that’s not how this works. That’s not how any of this works. But I kind of love your optimistic cluelessness, it matches your ridiculous face.

Two of my favorite things in the universe are a)curry and b)Pikari’s Insane Troll Face, and this screenshot has both. BOTH! I told you this episode was a winner.

This episode also focuses quite a bit on the Amanchu beachside restaurant, something I barely remember existing in the previous season. Later on the girls (and one boy) have a barbecue together, and the quantity of food porn begin to approach Food Wars! levels. Come to think of it, aren’t Amanchu! and Food Wars! both JC Staff shows? I like to think that some of the Amanchu! staff went over to the Food Wars! department and were like, “We need to make a simple bowl of pork soup look insanely fucking delicious,” and the Food Wars! animators were like, “Bwahahahahaha you’ve come to the RIGHT PLACE!!!” Then they all went out for yakitori and beer afterwards.

Yes, I’m aware that the anime industry probably doesn’t work like this, with shows being made in adjacent rooms and whatnot. Still, it’s nice to think about; don’t disabuse me of this notion with any real information about how JC Staff operates, I probably don’t want to know.

Okay, it’s normal to make beef and curry and stuff look delicious in anime, but when they go to this much effort to show the perfect char on a piece of corn, you know this shit has to be deliberate. They were determined to make sure even the vegans were salivating during this episode.

All in all, I’m more excited to be watching this show again than I was expecting, and that bodes well for the future of this season– although I am fervently hoping that we’ll get a few episodes that are solidly devoted to scenic underwater dives, instead of barbecues and other silliness. Of course, if Amanchu! decides to take this new penchant for excessive food porn underwater, that would be the best possible scenario. Those tiny little fish swimming around during all the underwater shots are probably delicious as sashimi.

Stop posing, you only have ten seconds of underwater screentime and there’s no call for this silliness. Practice ballroom dancing with an octopus, or something productive like that.

Sword Art Online Alternative, Episode One

This episode was well done overall– the atmosphere was almost palpable, the action was exciting, we’re left with some intriguing questions about the characters. and so on and so forth. I have a fundamental problem with the Gun Gale Online setting though, and it’s kind of a deal-breaker.

Think about it: in the SAO continuity, in the post-“death game” world, there are a nigh-infinite numbers of MMORPGs people can play. These games have magic, fantastic creatures, beautiful scenery of the kind that it’s very difficult, if not impossible to find in real life, and even amazing features like fully-VR flight. I don’t understand why, when presented with this buffet of scrumtious RPG delicacies, people would choose to play GGO: the game where you get to experience what it was like to be fighting insurgents in Fallujah circa 2007. It’s just a dank, depressing setting, and I don’t know why anyone would spend time there if they didn’t have to.

I guess it comes down to the allure of playing around with guns for people who never get to play around with guns; after all, I was already bored of hanging around the rifle range by the time I was 14. Nevertheless, whatever the reason, I just don’t see the appeal.

LLENN’s winning strategy is to be so much shorter than everybody else that they’re usually not aiming down far enough to hit her. I wonder if this is going to keep working as she gets more notoriety in game? You’d think eventually, GGO players would just be like “when in doubt, aim waaay down.”

And yet, despite my lack of interest in the game world, there are things that make me want to keep watching. It looks like LLENN’s player, Karen (woo, that’s my name!) has a very different lifestyle than you would expect of a hardcore PVP MMO player, and I’m interested to learn more about her. Plus, I have no idea why LLENN and her teammate were competing as a duo when everyone else in the Squad Jam seemed to be in groups of six, and that’s intriguing. Then there’s LLENN’s super-speed, which, according to the reaction of the other characters, isn’t a normal thing in GGO and may be the result of some secret behind the LLENN avatar that she might not want her fellow gamers to know about.

It’s just, if they were going to make an SAO spinoff with this much potential, why did it have to be centered on Gun Gale Online? What’s wrong with Alfheim? I like Alfheim. You can tell Alfheim is better than GGO, because Sinon was huge into GGO, then she was invited to play ALO and was like “it’s been real, fellas” and booked out of there. Trust Sinon, she is a smart young lady.

Oh well. Looks like I’m interested enough to keep watching this show, at least for now, but whether or not I do anymore pontificating about it on this blog probably depends on how they develop Karen, more so than LLENN. Maybe it’s just narcissism on my part, but I’m really curious to learn more about her, and if her real life is interesting, that might cancel out my general antipathy towards the setting.

Comic Girls, Episode One

Despite how excited I was for this show in the lead-up to this season, I find myself with surprisingly little to say about it now that it’s started. It’s doing the right thing in that it’s actually about what it says it’s about, girls drawing comics– it’s not just a generic “cute girls in high school” show with a thin layer of manga-styled window dressing, which was my fear for it. The fact that the girls spend about half the of the first episode actively working on manga together makes that perfectly clear.

Here is Kaos, our protagonist. It’s like someone took Nadeshiko from Laid Back Camp and made her even cuter, which should not even be possible. I just want to hug her, feed her delicious cookies, and tell her that drawing comics is a beautiful dream that only ends in terrible emotional pain.

Plus, the challenges the girls encounter in their manga efforts (like drawing in proportion, learning to draw both sexes equally well, etc.) are things that anyone who’s ever tried to draw comics can probably relate to, but haven’t come up much in anime. Bakuman was a great show about creating manga, but in that story, Mashiro started out as such a competent artist, we never really saw him struggle with beginner problems like “Is this character’s head waaaaay too small for her body?” It’s nice to see comic artists who kind of suck at drawing, I can relate to that.

Yup, I relate to this. I don’t know why it’s so darned hard to draw people in proportion, you’ll go back the next day and the mistake will be glaringly obvious, but it never looks that way while you’re at the drawing board. WHY?

The more successful artists, Ruki and Tsubasa, have accomplished the dream of having serialized manga series in high school, which is pretty much the dream of every kid who doodles comics in their notebook. Appropriately though, the two serialized artists are too stressed out by deadlines to fully appreciate what they have, and it’s only through Kaos and Koyume’s eyes that we can really see how awesome it is to have gotten so far in the field at such a young age.

No, no no get this OFF my screen! I sat through like five seasons of Hidamari Sketch, I do not need to see even one more scene of an artistically inclined girl taking a bath. MAKE IT STOP– oh wait it was only a short scene, I guess that’s alright then.

Surprisingly, we even get some character development this early on; the episode starts with Kaos hearing bad feedback on her manga and nearly disintegrating in despair; after getting acclimated to living in the comics dorm, she’s able to accept similar bad news without getting discouraged. The fact that she’s already showing growth makes me optimistic that she (and Koyume) are really going to improve their manga over the course of the show, which will be much more interesting than if everyone just stays at the same level. I’d especially like it if Ruri and Tsubasa start hitting some walls in their careers, but that may be due to my being stupidly jealous of their success, rather than hoping for interesting plot developments. Yes, I just admitted to being jealous of fictional characters, today is really not a great day for me.

“Someday, young Comic Girl, you too will master the art of drawing characters in proportion; seriously, their arms will be the same length and everything. It’ll be totally awesome. If  you’re lucky, that might even happen before you get a repetitive stress injury in your drawing hand!”

So uh, yeah, Comic Girls: it has a nice premise, it’s funny, the characters are likable, and all that good jazz. I recommend it, I’m just hoping I start to feel a bit more passionate about it as it goes on. Because right now this show is in this weird category of “I think this is pretty good, so why don’t I care?”

Spring 2018 Anime Season Preview

It’s been almost three months; time for a deluge of new shows, and to kiss your dreams of catching up on your anime backlog goodbye for at least another season.

Now, the intelligent, useful way to do one of these season previews is to peruse the source material for the upcoming shows; research what other anime members of the staff have worked on; learn the history of the studio, and cross-reference all of this disparate information to make some educated guesses about what kind of experiences the upcoming shows will offer. I’m not going to do that (mostly because it sounds like a lot of work), but also because I don’t want to have to download anything. Checking out the source material for anime usually means reading scanlations, and whenever I try anything like that, I end up with 14 new malware-infested browsers on my laptop that all look like they came from 1998.

All that is a roundabout way of saying that this preview is mostly research-free, and it’s only real value is highlighting what shows I’m excited for this season. However, I would like to do some episodic blogging this spring (something I haven’t done for quite a while), so I’m also going to be using this to try to figure out what I might want to cover. If you see a show listed here that you’d like to see covered in the coming months (or if I totally leave out a show you’re psyched for), please let me know in the comments. I’m not going to blog a show I have no interest in just because someone requests it, but I’ll certainly give something a try if it wasn’t on my radar previously and see what happens.

Oh, and by the way, this season looks absolutely insane. The number of popular series with continuations and spinoffs airing is way above normal, and a lot of fans are probably going to have trouble keeping up. In fact, this is probably a really bad time for me to dive back into anime coverage just for that reason, but oh well, here we are somehow.

Full Metal Panic: Invisible VictoryAfter hibernating (and haunting fake anime charts) for about a decade, the fact that there’s a new FMP series coming out now is a miracle only slightly less impressive than the Biblical Parting of the Red Sea, so I should probably take notice. I’ve never been able to get into Full Metal Panic!; I don’t dislike it, but the episodes I’ve seen never quite sucked me in. However, my husband is a big fan, and if I’m not watching FMP, our dinner conversation might get awkward, so I’m probably going to catch up on the earlier seasons before the premiere if I get a chance.

Chances I will blog it: High, because it might win me brownie points with my husband, which I need; I make him eat a lot of tofu.

Sword Art Online Alternative: Gun Gale Online

I like Sword Art Online. Always have. *dodges rotten tomatoes.* No seriously, I do. Sometimes it’s juvenile and silly, but then they’ll throw you a Mother’s Rosario arc and you realize you’re actually watching a warmer-and-fuzzier Ghost in the Shell with lovely colors, and it’s really cool. Gun Gale Online was not one of my favorite parts of SAO thus far, so I don’t know if I’m going to be able to get that caught up in a side story that takes place in that particular game world. Still, my general positive disposition towards the franchise means that I plan to give it at least a few episode to impress me.

Chances I will Blog It: Medium. Really depends on whether or not the characters grab me, because GGO isn’t much of a draw in and of itself.

My Hero Academia Season 3

I watched the first episode of MHA when it came out and it didn’t do much for me; like Full Metal Panic!, I thought it was perfectly competent, but it didn’t seem like my cup of tea. Fast-forward a year or two later and everyone’s ridiculously psyched about this series, so it’s possible I missed something here. I’d like to go back and catch up on it before the third season premiere, but I’m already doing that with FMP, so I might not have enough time. I’m tempted to give it a shot anyway though; despite my general contrariness, for once I feel like it might be nice to be on the same hype train as everyone else.

Besides, this is the series with the frog girl, right? She’s cute. I want to know what’s going on with frog girl.

Chances I will Blog it: If I devote the time to actually catch up on it before April, then I’ll pretty much have to blog it to justify the time investment. Yes, I know that’s an example of the sunk-cost logical fallacy, but I never let logic get in the way of my aniblogging.

Card Captor Sakura: The Clear Card Arc (continuation)

I’ve been enjoying the return of Sakura, even though the show seems to lack a sense of urgency. It’s basically a pastoral slice of life show, then something weird will happen and Sakura will say “Oh right, magic exists,” she’ll capture a card, and then go back to lazy slice-of-life fun. It’s also very consistently repeating events from the original series, in a very self-aware way, which leads me to wonder what the point is.

It could just be, “Hey, remember the aquarium episode in the original series? Remember how cute it was? Well here, have another one!” but I think the show is doing something more sophisticated than that…like some magical entity is purposely making Sakura relive her card capturing adventures in order to mold her into something. So I guess it does have a sense of urgency, after all, but in a kind of odd, roundabout way?

Chances I’ll blog it: Low. If I wanted to blog this show I should have started with the winter season anyway, and as much as I love CCSak overall, I don’t know if I’d have much to say about these episodes. They’re oddly vacant….

Food Wars: The Third Plate (continuation)

I’ve been tiding myself over with Ms. Koizumi Loves Ramen Noodles, but I’m happy for the return of Food Porn: The Anime. There’s all sorts of drama now with Erina, Erina’s Evil Dad, Soma’s Absent Daddy, and so on and so forth, but I honestly don’t care as long as they keep preparing amazing food in ridiculous levels of detail. I’m sure some time this season will be dedicated to the plot, but honestly, the worst thing Food Wars! could do would be to start taking itself too seriously and forget that what it really is, at heart, is the show you watch when you’re trying to decide what you feel like having for dinner.

Chances I’ll blog it: High, because I’ve done it before and had fun, and because somewhere inside me is a frustrated food blogger. That frustrated food blogger usually wants to kill me for going vegan, by the way, so I should probably give her some kind of expressive outlet for my own safety.

Hoozuki’s Coolheadedness: Season 2 (continuation)

I feel guilty about this one. I really liked the first season, but when the first cour of S2 aired, I was preoccupied and didn’t get around to it. Then Sentai Filmworks decided that Amazon wasn’t their friend anymore and took all their shows off of Amazon video, and now I don’t have access to it. I guess I really need to sign up for HIDIVE one of these days.

Still, I’m excited that this show’s coming back, and I’m definitely going to catch up soon (possibly after giving myself a migraine from shotgunning FMP and MHA back-to-back?). There just isn’t any other show that meets the description of “Like Japanese Dilbert, only in Hell, with fairy tale characters and talking dogs and stuff.”

Chances I’ll blog it: Low, because I don’t feel qualified. This show draws pretty heavily from Japanese mythology, and I feel like you’d have to be pretty knowledgeable about all that rich lore to be able to do the show justice. I mean, I guess I could do actual research to write about it…waitaminute, I hate doing research…but it’s Hoozuki! I’ll do research if it’s for my darling Hoozuki…possibly? Kind of on the fence here.

Steins;Gate: 0

It’s weird: as much as I enjoyed Steins;Gate, I’m having a hard time convincing myself that I want any more of it. The other shows in the Science Adventure series that I’ve tried haven’t impressed me, and the fact that the original series was as good as it was may have been something of a fluke. It’s one of those situations where I feel like the original 24 episodes are in a perfect little world of their own and I don’t want anything else to besmirch it; a snobby opinion, perhaps, but sometimes that’s how I feel.

But I do like Okarin and Kurisu, and if I like the characters, then I should be interested in seeing more of them, right? I’ll give this a try, but if I’m not feeling good about it from the word go, I’m prepared to drop it and pretend it doesn’t exist. Seriously, if you try to talk to me about Steins;Gate 0 and I’ve stopped watching it, I’m going to play dumb and pretend I have no idea what you’re even talking about.

Chances I’ll blog it: Unless I fall in love with Okarin all over again, low.

High School DXD Hero

I’ve seen a few bits and pieces of this series here and there, but never sat down to watch it seriously. It’s a fanservice-heavy show, which isn’t an immediate bar to my watching it, but it just never seemed quite in my wheelhouse. That said, I do tend to like stories about demons and their ilk (I write about them after all), and since this series clearly isn’t going away anytime soon, maybe I should get on board?

This is what though, the fourth season of this we’re up to now? No way am I actually catching up on this the diligent way. I think I’ll watch the first episode, then read episode summaries on a wiki or something and pretend I watched it all. Only you need ever know the truth, dear readers.

Chances I’ll blog it: Low, but you never know.

Persona 5: The Animation

I really enjoyed Persona 3 Portable and Persona 4:The Golden (and come to think of it, I should do some blogging about them one of these days), so I’d love to play P5. I just don’t know when I’m going to get around to it; it’s hard to find a spare hundred hours for a meaty JRPG these days, you know? Especially when you’re spending all your free time shotgunning anime you should have already watched years ago.

I’m probably going to put this on hold until after I’ve played the game, because I want to experience the story through the game itself rather than letting an adaptation spoil that experience for me. That said, I don’t know if I’ll be able to work a P5 playthrough into my schedule until about 2033, so it’s within the realm of possibility that I will never watch this. Sigh.

Chances I’ll blog it: Low to the point of nonexistence.

Amanchu! Advance

The first season of Amanchu! was fun at times, but here’s the annoying thing about it: in a show ostensibly about scuba diving, they didn’t go scuba diving until the last episode. It made logical sense that the newbie diver needed to learn the ropes first, which is what most of the season focused on, and the show was just charming enough to get away with it, but still, it felt a little cheap.

Now, with Season 2, I don’t want to see any pussy-footing around. Those girls better get suited up and get their scuba on from the first episode, because the show is all out of excuses for lollygagging. I want to like this, but I swear, if they give us another one of those boring episodes where the kids play Red-Light-Green-Light in the school parking lot because they have nothing better to do, I’m dropping this hard.

Chances I’ll blog it: High, because if they do go scuba diving a lot I’ll want an excuse to talk about scuba diving, and if they don’t go scuba diving, I’ll want an excuse to complain about that some more– because apparently, this is a very big deal to me. I don’t know why either.

Binan Konkou Chikyuu Bouei-bu Happy Kiss

I watched the first season of this, which is about 11 more episodes of it than I should have watched. Once you get used to the idea that the show is a gender-swapped parody of Sailor Moon, there’s really not much else there; it’s basically just telling the same joke over and over again.

This is the third season, with new characters, so there’s potential for something different to happen, but I’m not expecting much. I’ll give the first episode a shot, but if it’s still doing more of the same, I see no reason to continue. Maybe it’s worth watching if seeing the guys prance around in tights works for you as fanservice (not that there’s anything wrong with that), but I can’t think of another reason to watch this.

Chances I’ll blog it: negligible.

Comic Girls

For many years, I wanted to be a comic artist. The idea of being able to go live in an all-girls comic artists’ dormitory was pretty much my dream life as a teenager, so I’m more psyched for this show than just about anything else this season. If it’s good, there’s a chance it will dredge up long-buried memories of manga-drawing ambitions and I’ll be reduced to a sobbing mess on the floor by the time the credits roll, but maybe that will ultimately be good for me. After all, if you’re crying, that means you’re growing as a person or something, right?

Anyway, I hope they focus more on the manga aspect and less on the general “bunch of cute girls living in close proximity” humor, which I can get elsewhere. I’m going to be disappointed if a lot of the run time is taken up by the girls taking baths, borrowing towels, exchanging bath salts, or doing other bath-related activities. I’ve watched Hidamari Sketch, and I know how this kind of thing tends to go down.

Chances I’ll blog it: Oh, it is on like Donkey Kong. Expect 5000 word write-ups on the regular; am I kidding? HA HAH I don’t even know

Tachibana-kan to Lie Angle

This is another show about girls living in a dormitory, only without the manga angle. So this is ideally where all the bath-related plots should take place, instead of on Comic Girls’: if they want to spend the whole show bathing, making curry and dressing each other up, I’m alright with that. Everything in its right place.

That said, “girls live in dormitory, wacky hijinks ensue!” isn’t much to go on. At best we could get another HidaSketch or Kiniro Mosaic or something like that, or we might end up with something like this season’s Slow Start, functional light comedy without really standing out. Right now, all over the world, the 12 people who really like Slow Start are shaking their fists at me through the screen, I can feel it, but I will continue on, uncowed and unrepentant.

Chances I’ll blog this: Really low, unless Comic Girls pisses me off by being too generic, in which case I’ll switch to blogging this show entirely out of spite.

Uma Musume: Pretty Derby

Okay so, let me get this straight…this anime is about girls, who are horses, so they have cute horsie ears and tails. And they also race, what being horses and all, and they also sing and dance and get all dressed up in pretty dresses because why not?

That’s…that’s just My Little Pony. They just re-invented My Little Pony from this weird sideways direction, but that’s what it is. Now, you could protest by saying “but My Little Pony isn’t sexual like this!” in which case you would be demonstrating profound ignorance of today’s MLP fanbase.

Shows like this usually aren’t half as outrageous as the premise makes them sound, and they’re usually the worse for it, but I’ll give it a try anyway. Maybe I’ll spin it that because I feel alienated in modern MLP fandom, this is the level I’ve been reduced to; watching adaptations of cell phone games about two-legged horse girls.

Chances I’ll blog this: Medium. It’ll be worth doing if the show actually embraces it’s own ridiculousness and really goes for it, instead of just doing the kind of lukewarm, not-really-naughty humor that could be done anywhere.

Hisone to Masotan

I saw “Air Force” in the description and figured this was going to be another one of those military girl shows, like Kantai Collection or High School Fleet. However, this show is adding a dragon to the mix. That sounds…like a really good idea, actually. How has no one thought of this before? Game of Thrones has been on for like 8 years, and it seems like writers are still kind of waking up to the idea that viewers really, really like dragons.

This one is written by Mari Okada, which might be a useful bit of info for some people, but it tells me absolutely nothing. I’ve seen Okada stuff that I thought was great, yet some of the most painfully awful anime I’ve ever seen has been Okada-penned, so she’s a wildcard. I don’t know if it’s that her quality is wildly variable, or if it has more to do with how some of her scripts have been directed, but her presence on the staff just increases the “wtf is this even and where did it come from?” factor that this show has for me.

All that aside, the art style looks reminiscent of decades past rather than the 2010s, and that intrigues me. I think they’re trying to invoke the Ghibli-classic feel here, and I’m curious to see if they can live up to it.

Magical Girl Ore

This is the first show that Crunchyroll announced for this season, so if nothing else, it’ll be easy to find. It’s a magical girl show, with a twist that the magical girl transforms into a muscular guy when she powers up. My gut feeling is that it’ll be amusing for about one episode, then become dull in the same way Binan High did. There’s something about idols and yakuza thrown in here as well, so maybe it’ll have enough zany appeal to stay fun after the premiere episode.

I have mixed feelings about these gender-bending magical girl shows. I get how they’re a natural progression of the genre in a lot of ways, and how they can be incredibly refreshing for people who are tired of traditional gender roles, and that’s all good. I just never find these shows as interesting or funny as I feel like I’m supposed to. Maybe I’m just not the target audience, and that’s okay.

Mahou Shoujo Site

This sounds a lot like Magical Girl Raising Project from a few years back: an incredibly dark, gritty magical girl show where love and children’s dreams go to die. I don’t have a problem with the recent trend of “dark and gritty” magical girl shows on principle; diversity within the genre is good, after all. But I’d be lying if I said I found any of those post-Madoka Magika shows particularly watchable. Madoka aside, which is an exceptional case on a lot of different levels, my taste in magical girl anime tends more towards the sweet and fluffy; I want to be reminded of my childhood, not convinced that my childhood was all a lie and the only way forward is the sweet release of oblivion, you know?

Still, I’ll give it a try. Maybe this show will have some element that MGRP didn’t have that will hook me.

Chances I’ll blog it: Very low.

Devil’s Line

Vampire show. I’m tempted to say “look, it’s anime Twilight!” except that would be closed-minded, right? I mean, the concept of vampires existed long, long before the Twilight boom, and to call every new property with a romance between a vampire and a human “like Twilight” is ignorant and reductive, right? Vampire literature is a broad sub-genre with it’s own tropes, and that should be respected.

Except this vampire dude saves a girl, and forms a bond with her…only, being close to her might test his stern resolve to never, ever drink human blood…

Yeah, it’s goddamned anime Twilight. Not that that’s a bad thing; this could be a lot of fun, repurposing old gifs from the Twi movies, photoshopping Robert Pattinson’s head on top of the main dude in every screenshot, etc. This could be the most fun I’ve had blogging since taking the piss out of Wizard Barristers every week. But should such behavior really be encouraged?

Chances I will blog it: High, for the wrong reasons.

Golden Kamuy

Historical; takes place shortly after the Russo-Japanese war, in Hokkaido. I had no idea this was coming out until five seconds before writing this post, but now I’m intrigued. First, you’ve got the Hokkaido factor, and once A Place Further Than the Universe completes, I’ll want another show that takes place somewhere cold and snowy. Second, the female character is Ainu, and despite many references to the Ainu and their culture, I don’t think I’ve ever watched an anime with an explicitly Ainu character; I feel like I MUST have, but I can’t think of one off the top of my head.

So it’s historical, it’s winter-wonderland-zoned, it’s an opportunity to learn, what more could you want? I usually hate categorizing shows into anime for smart people and dumb people (because lord knows, I am a HUGE fan of some dumb, dumb shows), but like Showa Genroku Rakugo Shinju, this kind of sounds like anime aimed at a more cerebral audience.

Chances I’ll blog it: High.

Piano no Mori

There’s an old piano in the forest and a poor kid plays it, then a rich kid wants to play it but the magical forest piano doesn’t like him as much, maybe? I’m a little unclear on whether the piano is magical or not. I’ll confess, my main interest in this show is the fact that the preview describes one of the characters as “practically breast-fed by the piano as the son of a family of prestigious pianists,” and now I can’t stop wondering what it would look like for a Grand Piano to breastfeed someone. Would you put the baby on the keys, or…?

At the very least, this show will probably be really interesting for people who have experience playing piano; how much appeal it’ll have beyond that, I wonder. Supposedly the manga is highly-regarded and it’s already been adapted into a successful film version, so there’s probably something interesting going on here. I feel like this one is easy to overlook among all the flashier stuff this season, so I’m going to try to give it a proper chance to hook me.

Chances I’ll blog it: low.

Wotaku ni Koi wa Muzuashii

This covers a romance between two otaku, a fujoshi and a gamer. My immediate thought is that it’s in friendly competition with Recovery of an MMO Junkie for the title of sweetest romcom between two nerds, but maybe sweetness isn’t even what it’s going for; we’ll see. On the plus side, unlike MMO Junkie, chances are the director of this one isn’t an absolute raging anti-Semite, so that’s a step in the right direction.

I want to be excited for this, because it could be really entertaining if done well, but something inside me is urging caution. I mean, I’m an otaku who married another otaku, so it would be nice to see that dynamic explored, but I don’t know if this is going to be the series to properly do it.

Chances I’ll blog it: Medium-high, since I can probably use posts about this show to rant about the otaku stuff going on in my own life and make it seem like I’m staying on topic, almost.

Alice or Alice

This is the show this season for people with Lolita complexes, because there’s always one. It’s only relevance to me is that it’ll act like a black hole of negativity, drawing all the self-righteous contempt and vitriol of the entire anime blogosphere to it, like moths to a flame, then hopefully I can watch the shit I want to watch in relative peace.

Okay, maybe that’s not fair. Just because the show has lolicon doesn’t mean it has nothing else to offer; a lot of shows appeal to the loli-loving demographic while providing something else to a different audience (Non Non Biyori immediately comes to mind.) But the fact that the show also appears to be an incest fantasy makes it hard for me to imagine that it’s going to offer much outside of taboo sexual situations.

And don’t get me wrong, if that’s your thing, that’s fine; I know a lot of people enjoy depictions of taboo situations because they’re taboo, and it doesn’t mean they condone the same behavior in real life. But this show is targeted at a specific audience that I am not a part of.

Chances I’ll blog it: Low, unless a secret lolicon billionaire gets involved and pays me to document the exploits of the two Alices. C’mon, Mark Zuckerberg, you know you want it.

Kakuriyo no Yadomeshi

I feel like I’ve already seen this show about fifteen times, probably because I’ve seen so many shows that take place in and around Shinto shrines. This seems like a Shinto shrine show crossed with The Ancient Magus Bride, meaning it’s creepy, and we’re all kind of on the fence about whether or not it’s creepy in a good, self-aware “we are examining the psychological ramifications of this creepiness” way, or just plain regular creepy. I have a feeling the fact that one of the neighborhood demons wants to take the main girl as his bride isn’t going to come up much after the first episode, but that plot point is going to effect how a lot of people judge this show early on.

Forced marriage aside, I tend to like these kinds of supernatural shrine-hijinks shows, so I’m cautiously enthusiastic for this one. With any luck it’ll be a slightly more adult version of Gingitsune, because I’ll watch anything that’s similar to Gingitsune.

Amai Choubatsu: Watashi wa Kanshu Senyou Pet

Wait, I was wrong before: THIS is the show that’s going to draw all the vitriol of animebloggers. Because unlike Alice or Alice, which at least deals with a specific fetish of a relatively small group, this show looks like it actually deals with female sexuality, and nothing scares culture bloggers half as much as female sexuality.

As the “pet” of a sadistic prison guard, the protagonist of this story is being dominated by a handsome man, which is a fantasy for many, many women. However, rather than acknowledging that this fantasy exists, and has logical reasons for existing, people are going to freak out that the show is “teaching” young girls that they want to be dominated. That is bass-ackwards, but whatever, let’s just pretend this is a problem with the mass media brainwashing girls. Never mind the fact that Wuthering Heights was a pretty big thing back before there was a lot of media around, and all of this stuff is ultimately derivative of Wuthering Heights and other gothic romances from that era.

To be honest, the show itself sounds like it’ll probably be pretty boring, unless you’re really into this particular fantasy; I doubt I’ll watch past the first episode. But it bugs me a little that it’s probably going to get critically crucified for the wrong reasons.

Chances I’ll blog this: Low, unless other anibloggers absolutely lose their shit condemning this show, in which case I will begin waving a flag of support just to be a pain in the ass. Sometimes, I can be a petty person.

Butlers: Chitose Momotose Monogatari

I have mixed feelings about this. It’s a show about handsome butlers, one of whom is a specialist in cafe latte art(!), but they also travel through time and fight supernatural battles and stuff. It’s like, can’t I just have a show about handsome butlers working in a cafe, serving delicious coffee? Why do they have to have superpowers and shit? You’re trying too hard!

Hopefully the show will win me over to the point that I actually enjoy the supernatural aspect and don’t just see it as a wasted opportunity to explore the refined world of handsome men in nice suits making latte art. I want to make some sort of comment here about how a show about butlers being butlers should be enough, but then again, the last anime that focused on maids was also about giant dragons fighting each other with god-tier magic, so maybe this is something about anime that I just have to accept.

Chances I’ll blog it: High. This wasn’t something I was really anticipating until just now, but something tells me this might be a lot of fun to cover.

Rokuhoudou Yotsuiro Biyori

…Oh. Here’s another show about handsome men serving drinks, so maybe I shouldn’t be so upset that Butlers won’t spend all it’s time on coffee shop life.

It’s four hot guys working in a tea shop, so due to the Immutable Law of Karen that I will watch any anime that takes place in a coffee shop, I am contractually obligated to watch all of this (and yes, I know it’s a tea shop and not a coffee shop, but c’mon.) I’m expecting a soothing, healing anime with a healthy side of food porn, and I’ll be a little miffed if I don’t get exactly that.

Chances I’ll blog this: Low, because I’ll probably have more to say about Butlers and doing both could be redundant.

Waka Okami wa Shougakusei

A young girl loses her parents and is forced to move into her grandma’s hot spring inn, where she learns to take over the family business. This sounds a lot like the premise of Hanasaku Iroha, a very pretty and extraordinarily tedious show from a few years back that I watched all of, for some reason. The art style leads me to believe that this show is going to be a bit more energetic than Hanasaku Iroha, which can only be a good thing. It also has ghosts, which is probably a plus, assuming the ghosts bathe in the hot springs at some point.

It seems like there’s going to be a lot of overlap between this show and Kakuriyo no Yadomeshi, with this one targeted a little younger. That said, the two shows could be very different tonally, so the similarities may be superficial.

Chances I’ll blog it: Low. I’m actually looking forward to watching it, but I don’t think it’s going to lend itself to posting. We’ll see.

Tada-kun wa Koi wo Shinai

“Mitsuyoshi Tada, a boy who has never known love, is taking pictures of the cherry blossoms in full bloom when he meets Teresa Wagner, a transfer student from Luxembourg. Upon arriving in Japan, she got lost, separated from her travel companion. Mitsuyoshi helps her and brings her to his grandfather’s coffee shop.”

COFFEE SHOP!? I’m on it!

It looks like a really cute romance story. Now, the question is, will it be centered around said grandfather’s coffee shop? Or do they just go to the coffee shop once or twice? I have no way of knowing yet, but I know I need to find out.

Chances I’ll blog it: Medium. I didn’t have plans for it before checking out the PV, but it just looks really pretty and soothing.

Jikken-hin Kazoku: Creatures Family Days

Crazy-abusive scientist parents turn their kids into demi-humans, and after they get arrested, the one normal kid has to try to teach the others how to integrate into human society….

…well. That’s a premise you don’t see everyday.

I would say this is just another show in the Cute Monster Girls subgenre, except one of the kids is a monster boy, so that’s novel. I’m kind of intrigued by the parents: what was their motivation for experimenting on their own children? Why did they think they were justified in doing so? Unfortunately I think the parents are going to be shuffled off into a dark corner (which, to be fair, is where they belong) while the monster-kids take the spotlight, so I’ll probably never get answers to my questions.

Chances I’ll blog it: Low. It could be a perfectly fine comedy/slice of life with supernatural characters, but the stuff I actually find interesting about the premise is probably going to be ignored on the show. I will be happy to be proven wrong about that, however.

Caligula

A virtual idol gains sentience based on feedback from her users, decides humanity is suffering, and traps humans inside a dream world to save them from their suffering. *sigh*

No, I’m not sighing because that sounds bad. Actually, I think the premise is intriguing and has a lot of potential. It’s just that ambitious, high-concept anime always seem to disappoint me lately, and the stuff that really resonates with me has a super-dull premise like “four girls hang out in the country” or “two MMO players form a relationship.” Girls Last Tour was high-concept, but that’s the odd exception.

I’ll try it to see if it has anything to offer, but I’m expecting it to feel pretentious and kind of boring from early on.

Chances I’ll blog it: So low.

3D Kanojo: Real Girl

An otaku ends up dating a gorgeous girl, mayhem ensues. Sounds innocuous enough, except for the references to “rough waves that beat the otaku out of him.” I really hope they’re exaggerating there, because I do not want to see otaku get beat out of anyone. Also, the capsule description includes “This is sure to be THE comedy program of 2018 that you won’t want to miss!”, which makes me want to snub it on principle.

I’m hoping the show is actually good and it’s just the people responsible for marketing it that are getting over-zealous. In a way, I think I’d prefer it if the MC gave up his hobbies to please his girlfriend, because that would be wrong, and the wrongness would make the show stand out; right now I’m expecting a painfully generic romcom with copious references to “save points” and “flags.”

Chances I’ll blog it: Only if it’s so horrible that so-bad-it’s-good applies…which means there’s a decent chance, actually.

Koneko no Chii Ponpora Dairyokou

I love the anime for Chi’s Sweet Home, and I own the manga in its entirety. To be honest though, I’m a little weirded out by Chi in 3D. It’s still really cute, but for some reason I don’t find myself wanting to watch it anywhere near as much as the original. This is the second season of Chi-in-3D, and I’m still not caught up on the first season, so it’s not high on my priority list.

That said, this is one of the few anime my daughter is familiar with, and will even ask for specifically by yelling “Kitty Cat!”, and for that reason alone, it has a prominent place in my life right now. I’m probably not going to watch it as it airs, but you can be pretty darn sure it’s going to be playing in my house eventually.

Chances I’ll blog it: There’s a better chance that my 2-year-old will write about this one, but don’t count her out; she knows all her letters and everything. She’ll probably be taking over this blog by next year.


So, what do you guys think? Does it look like a good season, or just a bunch of hype that isn’t going to amount to much? Is anyone mad that I totally ignored all the sports anime? Please tell me you’re not mad, I know sports anime is important and stuff but it’s just, this post was getting SOOooo long and just looking at pictures of people kicking soccer balls and stuff was making me feel really tired.

Winter 2018 Anime Impressions, Part II

This season, I find myself gravitating towards slice-of-life shows and comedies more than anything else. I know there are action shows this season that are getting people excited, but I just don’t feel the urge to watch that kind of thing right now. Maybe it’s because there’s some challenging stuff going on in my life that makes me long for the anime equivalent of comfort food, or maybe I’m just not in the mood for giant robots doing fisticuffs.

Perhaps I’ll check in with some of the flashier, high-profile shows sometime midseason, but for now, here’s the rest of the warm-and-fuzzy stuff I’ve been cozying up to.

Card Captor Sakura: Clear Card Arc– It’s impressive how good the art and animation was in the original series back in the late ’90s, because this show simultaneously looks state-of-the-art and just like the CCS you remember. Yes, there’s a bit more detail and the CGI effects for the magic are more sophisticated, but it just feels like proper CCS on some level I can’t explain– as opposed to say, Sailor Moon Crystal, which always seemed a bit off to me.

I read a little bit of the manga for this arc while it was running in Nakayoshi, and it kind of seemed like same-old, same old. Oh noes, the cards have changed again and Sakura has to hunt them all down, how can this beeeeeee? Still, it’s interesting to see the cards becoming more aggressive, like Windy becoming “Gale.” If there’s some larger theme about the stakes escalating as you get older, I’ll be impressed.

Really, the only thing I don’t like is the fact that they’ve added about a foot to Sakura’s height. I know this was to be expected, but dammit, it’s Sakura! I never wanted her to grow up to be a CLAMP Noodle Person! I feel like Sakura’s original design was like the Golden Mean or something, it was the essence of perfection the way it was and messing with it is just stupid.

“But she’s in middle school now!” you say? Yeah I don’t care, too busy making Short Sakura-chan FOREVER banners to plaster all over my neighborhood.

School Babysitters– Moe shows (or shows with cute-appeal for the uninitiated) harness our natural desire to love and protect children to get the viewers to have feelings for the characters; usually moe characters aren’t young children, but they have sufficiently childlike proportions that our protective instinct is invoked. What’s special about a show like School Babysitters is that since it’s actually about really young kids, you’re kind of cutting out the middle man: straight-up cuteness without having to do the mental gymnastics to convince yourself that everyone is really in high school or whatever.

This kind of show defies analysis, at least at this point; it’s just a piece of feel-good mind candy that makes the world a slightly better place whenever you watch it. The only thing that mars the perfection is the fact that one character hits his kid brother– and I don’t mean a spanking (where at least you are bonking the kid on their natural shock-absorber), but he hits the kid in the head. Kind of disturbing, but considering the fact that the hitting clearly creates more behavior problems than it solves, it doesn’t seem like the show is condoning this behavior; more just acknowledging that it happens.

One nitpick is that several of the kids in the daycare program look like one-year-olds and speak more like three-year-olds, but that’s the kind of thing only viewers with kids will probably notice or care about. I’m still a little bitter about Hanamaru Kindergarten from years ago, so maybe this will be the show about adorable little rugrats that pulls out all the stops.

Karakai Jozu no Takagi-san– Kind of weird that there’s no official English title for this one. This has a really simple premise: a clever girl teases the boy sitting next to her. Unbeknownst to him (but totes benownst to us) Takagi actually really likes the object of her torment, Nishikata. Nevertheless, liking him doesn’t stop her from messing with his head in every conceivable way.

This show reminds me of Tonari no Seki-kun, with it’s emphasis on two kids goofing off in the back of the classroom. However, whereas the genius of Seki-kun was that it was ambiguous how much Seki-kun was actually trying to distract Rumi, and how much he was just amusing himself, the deliberate nature of Takagi’s teasing can get kind of annoying. Considering the amount of mental anguish Nishikata goes through trying to anticipate how she’ll torture him next, sometimes she just seems like a cold bully instead of a charming scamp.

Still, considering how ingenious Takagi’s schemes are, it’s probably for the best; if she weren’t so busy teasing her crush, she’d probably be hatching supervillain-level plots to take over the world. Way to take one for the team, Nishikata.

Anyway, this one is in the “maybe I’ll keep up with it if I’m in the mood” pile. Whether or not I watch it probably depends on how nostalgic for Tonari no Seki-kun I’m feeling on any particular day.

Sanrio Boys– Considering that I was expecting this show to feel like a commercial for Sanrio products, it’s doing a pretty good job telling an actual story, albeit a simple one. I mean yeah, it is a commercial for Sanrio merch, but the main character spends the first two episodes going through an actual emotional arc and everything. Add the fact that it’s exploring the feelings of teen boys who enjoy things that are considered non-masculine, and how they reconcile that with their still-emerging gender identity, and there’s some genuinely interesting stuff here. All shows that are meant to pimp tiny little erasers and keychains should only be half this interesting.

All that said, I have personal baggage here that makes it difficult to fully enjoy Sanrio Boys. As far as I’m concerned, Badtz-Maru, the grumpy penguin, is the best Sanrio character by a country mile, and all of the other ones are just taking up space that should rightfully belong to my Badtz. As I write this, there is a Badtz-Maru plushie staring at me from the exalted shelf meant for Special Toys that Little Hands Are Not To Touch.

GREATEST. BOY
BEST. BOY.

So when the guys on this show go on about their love for Pompompurin, or Hello Kitty, it’s like, hello, aren’t you forgetting someone?!? They’ve shown Badtz-Maru briefly (in a scene using live-action footage from a Sanrio store), but he’s clearly not a favorite for any of the boys on the show, thus will likely play a diminished role, if any; we’ll be lucky to see him show up in group shots with all the Sanrio characters. He’ll probably be standing behind Keroppi and we’ll only see like, one of his hair spikes sticking out or something.

So, uh, on the one hand, this show is a pleasant surprise; on the other hand, they are not focusing on my favorite Sanrio character and thus should be punished severely. I haven’t yet figured out how this punishment will be meted out, but trust me, it will occur.

…crap, I’m going to end up buying Sanrio merchandise again thanks to this show, won’t I? Goddammit.