Tag Archives: MOE!

Sword Art Online Alternative, Episode 12

In the final episode, we learn that LLENN is an evil genius who’s just been hiding it well this whole time. The fact that she knew that mocking Sword Art Online was perhaps the one way to really push Pito’s buttons and get her to lose her cool shows just how good she is at manipulating people when she wants to. We can only hope that she continues to use her powers for good instead of evil, and the devastating loss of the second P-chan doesn’t drive her to a life of crime.

Just like the Elder Wand will not kill it’s owner, P-Chan II will self-destruct before shooting LLENN. Oh God, I just made a Harry Potter reference, please let this be a one-time thing.

I like the fact that the final battle was relatively short, giving the story lots of time to wrap up outside the game. There was one thing I didn’t understand: why did M bother to take Fuka hostage instead of killing her? I know he wanted Pito to lose, so he could have kept Fuka alive to support LLENN (which is ultimately what happened, of course), but that gives away the game to Pito. Yet when Pito shoots him as a traitor, she does so for other reasons, not because he left one of their enemies alive for no apparent reason. It’s just a little off.

Pito thought she had prepared well, but LLENN knew her one weakness; she had no defense against vampire munchkins.

I’m just going to choose to think that M’s reasoning was “Fuka is too awesome to kill,” in which case I must wholeheartedly agree with him. In this episode, we get to see more of Miyu, the player behind Fuka, and naturally, she’s great in meatspace as well. I know M has this all-consuming, twisted love for Pito, and nothing can change that, but there’s a sick little part of me that wanted him to drop Pito like a hot potato once Miyu started hitting on him.

Goushi: “Thank you for your sexual interest in me, but I only like crazy bitches.”

Miyu: “Have you SEEN me play GGO?”

Goushi: “Holy FUCK you’re right, you are everything I’ve ever dreamed of, you barely-restrained psychopath.”

In any case, I love how brutal the final battle is; it needed to be, or else Pito wouldn’t have believed that she had met her match in LLENN. As I predicted last time (not like it was hard to see), the other team comes in from offscreen and grabs the win at the last second, but do you really think they enjoyed it? You just know that no one discussing the second Squad Jam is going to talk about the winners at all; they’ll be talking about Pito, LLENN, Fuka, and those intense Amazon women.


“We won, but…it feels so hollow…*sniffles*”

I’ll admit, they had me for a fraction of a second; when they introduced the club owner as “Pito,” I actually thought, very briefly, that she really was Pito and all of the hints that Pito was really Elsa Kanzaki were false leads. Of course, the Karen on the show is smarter than this Karen sitting right here, and knew immediately who the real Pito was. I’m telling you: evil genius. Do we know what field Karen is studying in college? If it’s political science, the world is doomed to fall under the thumb of her adorable hegemony.

Hello, cute little girl. I bet Elsa’s rage comes from the fact that she’s saddled with an acoustic guitar; if she was allowed to shred with an electric guitar in a proper band, getting all that aggression out, this whole nasty business could have been avoided. Death Metal saves lives.

At first I thought it was a little convenient that Elsa’s obsession with death was “cured” by one battle with LLENN, but I think I get it now; the fact that there’s a player out there who can match her, and there may be others that she’s not even aware of yet, keeps life interesting enough that killing herself has lost its appeal. I think Elsa is just naturally talented at most things she tries, and she was getting really bored of a life with no challenge. The fact that LLENN can kick her ass was a revelation to her. I fear for what would happen if Elsa met Kirito; she’d probably become crazy-obsessed with him, and then everyone would bitch that the show was all about Kirito again.

Despite her evil genius, LLENN lacks the self-awareness to realize that she’s as feared in-game now as Pito is, and that’s comforting; we should all fear the day when LLENN becomes truly aware of what she is and what she can do. For now, she’s satisfied to run around shooting people with a deranged pop singer in the virtual world of GGO, and that’s a good time for everyone.

Onward, to another gratuitously violent adventure!

This show surpassed my expectations by just being really solid and fun all the way through. There was some food for thought, which I wrote about earlier in the season, but overall, this was a good rippin’ yarn with characters you liked rooting for and action that kept you on your toes. When mainline Sword Art Online returns this fall, it’s going to have some mighty big shoes to fill; well, technically, tiny little pink munchkin-shoes, but you get the idea.

Summer 2018 Anime Season Preview

While last season was absolutely loaded with big-name franchises, this one only has a few; most of the shows listed here are new to anime. Because of that, anime fans seem a lot less excited for this season than they were in the spring, and maybe they’re right to be? I think a lot of people are secretly hoping for a severely sub-par anime season, so they won’t be watching much and can devote the time to catching up on their anime backlog.

You know what though? It’s never going to happen. Even if this season is horrible, I just don’t believe anyone is going to get around to finally sitting down to watch Tatami Galaxy, or the second season of Arakawa Under the Bridge. It’s probably just as well; I hear tell that if you ever finish watching everything in your anime backlog, you get transferred to another world with nothing but your smartphone and a box of Strawberry Pocky, and who needs that? I wouldn’t be caught dead in another world without Almond Crush Pocky.

I’ve used English names where appropriate; in most cases, these shows haven’t been licensed yet and do not have official English titles.

Attack on Titan, Season 3

The biggest name of the season, and consequently the show it would make the most sense to cover here at Otakusphere. Unfortunately, I jumped ship on AoT somewhere in the middle of season 2; I respect a lot of the things that it does, but I just don’t enjoy it anymore. When a story has a tone of not just darkness, but the kind of oppressive bleakness that AoT has, I think it benefits from being concise. This story has gotten dragged out past my capacity to care about this particular world.

If you’re psyched for the return of the show, hey, more power to you; I wish I could be on the same page. But unless I hear that the Survey Corps found a beautiful, Titan-free Utopian city with infinite food, where Eren and Mikasa can get some much-deserved chill time, I’m not watching this.

Free!-Dive to the Future (Season 3)

Yaay, a returning third season of a show that I’m actually up to date on!  This doesn’t happen often. Free! is really the perfect summer show. You could say it’s all pretty visuals and light on substance, but considering what a refreshing take on masculinity the show often displays, that may not even be true. What I particularly love about this show is that it makes me get off my ass and go swimming…like, I’ll be sitting around the house, about to be lazy all day, then I’ll think of how beautiful the water always looks in Free! and actually go outside. I don’t know if it’s even possible to watch Free! without jumping into the nearest pool immediately afterwards.

The thing is, much as I love it, it’d be a pretty boring show to cover episodically…unless I go to town commenting on the manservice. Then I’ll feel like a dirty old lady, but is that such a horrible thing? Is the anime blogosphere even ready for Dirty Old Lady coverage of Free!? Probably not! But now that the idea has occurred to me, I don’t think I can resist.

Everyone who isn’t a fujoshi, go hide. Find the deepest, darkest cave you can find, and hibernate. Make like Green Day and only Wake Up When September Ends, you don’t want to have to see this.

Gintama: Silver Soul Arc, Season 2

I mention Gintama out of a sense of obligation, because it’s a very major franchise that must have a whole lot of fans. However, it’s one of few big shounen franchises that I have no familiarity with whatsoever. I may not have seen every episode of Naruto, Bleach or One Piece, but I’ve seen a bunch; Gintama, not even one episode. Furthermore, I don’t even remember talking to another fan who was into Gintama. It’s always been weirdly invisible to me.

This anime has been airing in different forms since 2005, so it’s not like I’m going to catch up between now and the start of the season. But I feel a sense of what I can only call Gintama Guilt; as an aniblogger, I should at least know what this show is. Maybe I’ll just watch the first episode of this season and then try to make sense of it. I’ll be like those movie reviewers who went to see Avengers: Infinity War and then complained that it made no sense because they hadn’t seen the previous 15 movies…only in a funny, self-aware sort of way? Maybe this is a bad idea.

Overlord, Season 3

This series is a member of the elite club of “Wilson’s shows,” AKA shows my husband will sometimes watch on Saturday morning while I’m still asleep. So I’m not that familiar with it, but I have woken up in the middle of it, and let me tell you: that’s disorienting. Plus, whenever the main dude says his own name, I always think he’s saying “Own goal” and for some reason find that hilarious.

This is another one I won’t be watching– well, I’ll probably see like 5-10 minutes of random episodes while I’m semi-comatose on the couch before coffee, but that doesn’t really count. I do think it’s worth noting that in a season swamped with isekai shows, Overlord stands out as having a clear identity; there just aren’t that many shows where the skull-headed leader spends half of every episode lecturing his legions of minions on the day’s agenda.

Marvel Future Avengers, Season 2

Buh, what? Before putting pen to paper to write this season preview, I had no idea Marvel Future Avengers existed period, let alone that it was returning. Apparently it’s a kids show that hasn’t been too well-received. I wonder: does it deserve all the bad ratings it’s gotten, or is it getting slammed in the reviews because a bunch of adult Marvel fans are trying to enjoy something aimed at 6-year-olds? No idea.

Thinking back to how the X-Men anime turned out, it seems like these Marvel-to-anime productions never go that well. I guess this might have some use if you’re still hyped from Infinity War and need to get your Captain America fix from something…or if you’re six years old. Do I have many six-year-old readers? Kiddos, if you’re out there, please do not read my upcoming posts on Free! S3, okay? Kindly avert your innocent eyes.

Banana Fish

This manga is an institution. I remember hearing about it as far back as the ’90s, although I never got around to reading it. Looking at the description, it really doesn’t look like my cup of tea, but…I kind of want to try it anyway. I think I’ve always been subliminally impressed at how cool “Banana Fish” sounds when you say it out loud; it’s euphonic.

Stories about ruthless teen-aged killers and their evil mob bosses usually don’t hold my attention for too long, but you never know; it all depends on how the story is told. Maybe there’s a good reason I’ve been hearing about Banana Fish for decades now; time to find out.

How NOT to Summon A Demon Lord

One of the aforementioned flood of Isekai shows hitting this summer, this one sounds pretty typical. I’m pretty sure we have a few light novels for this series, but I haven’t read them yet. I could actually read them, then talk about what changes they’ll make to the anime adaptation like a knowledgeable person, but let’s be honest: that’s not going to happen.

The premise involves an awkward gamer guy enslaving (albeit accidentally) two hot girls, so expect the usual suspects to be freaked out by the fact that male fantasies exist. I’ll give it an episode; it’s certainly not being made with me in mind, but it at least has the potential to be funny. If it’s not bringing the humor though, I can’t see why I’d continue. I guess it’s possible that it could have an incredibly interesting fantasy world or something, but I’ll believe it when I see it.

Back Street Girls

I usually don’t do this, but this is one time where I think the capsule description should be included in its entirety:

A group of 3 yakuza failed their boss for the last time. After messing up an important job, the boss gave them 2 choices: Honorably committing suicide, or go to Thailand to get a sex reassignment surgery in order to become “female” idols. After a gruesome year long training to become idols, they successfully debut, with overwhelming popularity, much to their dismay. This is where their tragedy truly begins.

…Uh….

….where to start here….

It’s like you rubbed a magic lamp and said “Genie, please give me more representation of trans people in anime!” only to find out too late that this wasn’t a friendly, Disney-style genie; no, this was a true djinn, a proud and vengeful creature of fire and air that has existed since before the beginning of time, slumbering for strange eons, and now it’s insanely pissed at you for waking it up. So it grants your wish, but only in a way that’s more painful than killing you outright; that’s the only explanation for how this show exists.

It’s theoretically possible that this could plumb some interesting gender-bending territory, but most of the people who would be really interested in that sort of thing will probably be so put off by the premise that they won’t stick around long enough to find out. See, now I’m not sure if I want this to be good or if I want it to be terrible; defending a seemingly offensive show that actually has some redeeming value is my typical MO, but it this case….maybe it would be better if it was just God-awful from the getgo, and I never had to think about it again.

I have to try an episode of it though, because…because I just have to. Because otherwise, I’ll never believe that this was a real anime. What kind of whacked-out, fringe studio thought this would be a good adaptation to add to their catalog? It’s got to be some obscure, no-name, little…oh…oh, I see….

It’s J.C. Staff.

That makes a warped kind of sense, actually. J.C. Staff’s output is like a box of chocolates; a box of delicious chocolates that occasionally includes a sheep’s eyeball, for no reason.

Hyakuren no Haou to Seiyaku no Valkyria

One of the aforementioned torrent of isekai shows hitting this season, this one involves a guy who uses his “solar-powered smart phone” to help his allies. Geez, was In Another World with My Smartphone really that popular? Or just a harbinger of things to come?

This fantasy world appears to be Norse-flavored, so we’ll see if dipping into that rich mythology is enough to make this show stand out from the pack. The only anime that comes to mind that’s done a really good job with Norse mythology is Oh! My Goddess, which is a different genre entirely, so maybe there’s some room for them to do something new here.

Huh, now that I wrote that, now I’m sure there are probably about 30 famous anime that are heavily based on Norse mythology, and I’m just forgetting them all at the moment. If you know of any, remind me in the comments; I’ll feel stupid, but you’ll be spreading valuable knowledge.

Shichisei no Subaru

One of the absolute tsunami of isekai shows hitting this summer, except…I think this one may take place entirely in an MMO, without the MMO becoming “real,” so does that even count as an isekai show anymore? Who makes these rules?

Apparently it deals with someone who died in real life but still exists in the game, and I’m having serious .hack flashbacks. Hey, remember .hack//SIGN? Twenty-six episodes of characters saying “How is it that Tsukasa can’t log out?”, “What do YOU think of Tsukasa?”, “Is Tsukasa alive in the real world?”, “Are you waiting for Tsukasa?” “What does Tsukasa think about the fact that he can’t log out?”, oh my God, it was excruciating. But we all watched it for that gorgeous Yuki Kajiura score, didn’t we? Pretty sure Subaru doesn’t have that going for it.

I’ll give this a shot, although to be honest, I can’t be sure if I’m hoping it’s something like a new .hack or dreading it; like, I don’t want to go through another .hack//SIGN experience, but I kind of feel like it’s something we need every once in a while, like an annual physical or something? It’s hard to explain. I’m just going to have to try to get past the fact that every time someone says “Subaru,” I’m immediately going to think “Emilia-tan! Emilia-tan!”

For those not in the know, that last bit was an in-joke about the anime Re:Zero; yes, while talking about anime, I make dumb jokes about different anime. Because I feel the need to show off that I watch a lot of anime; just having this blog is somehow not enough.

Tenrou: Sirius the Jaeger

Vampires and werewolves fight each other in the 1930s; this could be fun. However, it’s being done by PA Works, which I do not associate with this kind of material. In fact, even though they just did Uma Musume and that should be my new association, I will always associate this studio with Hanasaku Iroha, a show that was as interesting as watching individual blades of grass grow. Like, they were beautiful pieces of grass, filled with morning dew and reflecting the sunshine and all, but you were still sitting there, watching grass grow.

It would be entertaining if PA Works applied that kind of languid pacing to supernatural creatures beating the tar out of each other, but they probably won’t; it’ll probably be paced appropriately, but just not that exciting. The best thing for this show would be if the vampires turned out to be crazy-ass Hellsing-type vampires, but then it would be so firmly in the horror camp that I wouldn’t want to watch it, so uh…yeah. Probably not one for me, but there’s potential here, at least.

Happy Sugar Life

LB called my attention to this one a few weeks ago, and I’ve been mildly afraid of it ever since. It’s about a teenaged girl who will do anything to protect her (underaged) love interest, including murder. These kinds of stories just don’t appeal to me, and I’m not entirely sure why.

I could say they make me uncomfortable, but it’s not like I’ve ever had an experience in real life that would give me a basis for being any more uncomfortable with this than any other story with a dark edge to it. I could say that I don’t like it because one of the lovers is underage, but a)age tends to be really arbitrary in anime anyway and b)the two girls may not even have sex, or get anywhere near having sex, so I’m not losing any sleep over that.

Basically the only thing that’s of interest to me about this show is the use of the phrase “Happy Sugar Life,” which should win some kind of prize for Most Ironic Title of Summer 2018: Ezo’la, I may not enjoy your show, but as a fan of smart-ass titles, I salute you.

Grand Blue

Remember how I said I was happy to be done with Amanchu!? Apparently I’m not really done with Amanchu!, because this show sounds exactly like a gender-swapped Amanchu!; a scuba diving show featuring a boy who hangs out around his family’s eponymous, diving-based business.

It’s possible this show will hash out it’s own identity, but I’m afraid. I’m afraid that instead of bitching every week that Pikari and Teko aren’t going scuba diving often enough, I’m instead going to be bitching that this kid and his buddies aren’t going scuba diving often enough, and I don’t want to be that person; I don’t want to be the girl always complaining that an anime isn’t doing exactly what she wants. But, gosh-darnit, is it so much to ask for a show about scuba diving to heavily feature scuba diving? IS IT?

In any case, I’m going to do my best to put thoughts of other shows out of my head when I watch this and give Grand Blue a chance to prove itself. Plus, on another level I’m kind of happy there’s going to be another ocean-centric show; just like FREE!, this kind of stuff really belongs in the summer season, after all. But God help me, if they start pulling any magical realism shit mid-season, I’m going to be pissed.

Harakuna Receive

Another summery show, this one focuses on beach volleyball. Typically you would guess that this show would be full of fanservice, via tons of bathing-suit clad babes and convenient camera angles, but I wonder; that’s not a given these days. Lately these shows about female athletes seem to focus on the athletics more seriously than you would expect. How much fan service was there in Uma Musume? Scorching Ping Pong Girls? Keijo!!!!!!!!?…okay, forget Keijo for a second, but still. There’s definitely a trend of some shows being more subtle with the fanservice and leaving the “lewding” to the doujinshi, and I’m wondering if Harakuna Receive will be one of those.

See, now that I’ve said that, this show will probably be 99% bouncing boobs and I’ll feel like an idiot for suggesting otherwise. Still, if it’s all boobs I won’t watch it, but people who enjoy boob anime will have one show they’re into this summer, so it’s all good. I’ll give this a chance to see if they’re going to take the volleyball angle seriously, but I won’t be terribly disappointed if they don’t.

Hanebado!

Another girls’ sports anime, this one about badminton. You know, a few years ago I would have passed over this without a second glance, but now I’m looking forward to it. If Scorching Ping Pong Girls could make ping pong exciting for me, when I have no interest in it, this show can probably do the same thing for badminton.

Come to think of it, whether or not I care about the real-life sport seems to have no bearing on how much I like a sports anime. I couldn’t possibly care less about football, but Eyeshield 21 is one of my favorite series of all time. Hmm, now that I’ve made that connection, I’m kind of hoping Hanebado! will turn out to chronicle the adventures of a girls’s badminton team managed by Satan, but I’ll probably have to settle for a non-hellspawn team. I’ll manage, somehow.

Cells At Work!

Of all the things to anthropomorphize, now red and white blood cells are getting a cuteness makeover. It’s a clever premise, but I feel like it might be unhealthy for me to watch this show; I’ll over-identify with all the different cellular organelles and it’ll start seeping into my daily life.

“Wow, I feel so energetic today, thank you Mitochondria-chan! I’d better eat a good breakfast to keep White Blood Cell-kun strong!” No thanks, I have enough problems overthinking my biology as it is. I approve of the fact that this show is being made in a general sense, because it’s different, but I’m not watching.

Aguu: Tensai Ningyou

This is going to be a dancing anime, which is cool; we don’t get a lot of those. I haven’t seen Welcome to the Ballroom yet, but supposedly that’s basically a shonen sports anime with dancing, so Aguu: Tensai Ningyou may be more artistic. However, instead of just being about dancing, it’s also about little palm-sized spirits and some kind of civil war going on between them: the war between the “Seamstresses” who somehow create these little spirits, and the “Saviors” who…fight them? Dance the tango with them? It’s all a little vague.

I keep thinking about the fact that “seamstress” used to be a codeword for “prostitute,” and I should really put that out of my mind, because that slang hasn’t been used in like 100 years, but I can’t help it. Now I’m imagining all sorts of things that likely have no relevance to this show, and it’s making it hard to focus. I definitely want to give this show a try, but I really have no idea what to expect. If it seems like the anime is inspired Black Swan, it will trigger my deep-seated fear of all things related to Natalie Portman and I’ll have to bail. Hopefully it won’t come to that.

Chio-chan no Tsuugakuro

A girl tries to get to school; mayhem ensues. This could possibly be really clever and fun, but it also could be really repetitive and stupid. It would be great if the obstacles that Chio encountered on her way to school started off mundane and became more and more elaborate over the course of the show, until there’s a full-fledged alien invasion or something getting in her way, but I’m not sure; the fact that one of the scenarios that Chio is going to have to fight is “a sudden urge to go to the bathroom,” does not exactly fill me with confidence.

I’m assuming this is a short, because it’s hard to imagine a full-length anime with this premise, but I’ve been wrong about that before; we’ll see. If if it’s not a short, it might be downright painful to watch; some things are charming in three-minute installments and should never break out of that mold.

High Score Girl

Hell yeah, an anime all about video games circa 1991! I’m excited for this one. I want to remember my childhood, but of course I didn’t grow up in Japan, so it won’t really be my childhood; still, it feels like a good opportunity to remember someone’s childhood.

Remember the ’90s, back when we thought Francis Fukuyama was on to something with his whole “End of History” theory, and we thought life (and video games) were just going to keep getting better and better forever? Well, we were kind of right about the video games part, but damn, things have just gotten dark since the ’90s. Granted, plenty of awful stuff happened during the ’90s too, but we weren’t aware of it at the time, so it sure seemed like the world was becoming a better, safer place every day….

Okay I’m getting too far afield of the anime preview, but I’m really interested in seeing what this anime does. If it focuses on the culture of ’91, that will be really interesting, but even if it only focuses on video game culture specifically, that too appeals to me. I just hope they don’t make the mistake of making a production that feels identical to 2018 shows with a thin overlay of ’90s era style. I want this to be so ’90s that I’m thinking about Pogs, Tamagotchis and the cool jacket that kid in the Crossfire commercials used to wear. Remember that game? I had that game. I bet you’re jealous now!

Phantom in the Twilight

A supernatural cafe in London, full of hot guys, that only opens at night; if you’ve ever read Otakusphere before, then you probably know that they had me at “cafe.”

Seriously, I’m cautiously optimistic about this one. This could be one of those classy occult shows that anime (and seemingly only anime) do so well, like Kakuriyo: Bed and Breakfast for Spirits or Mushi-Shi, but that’s far from a guarantee. Studio LINDENFILMS has a kind of odd back catalog of work, but they did make Poco’s Udon World, a lesser-known show that I really liked, so they’ve got some cred in my book. My fear is that there’s going to be too much emphasis on all the mysterious, handsome men, and the show is going to try to get by on attractive character designs instead of good writing.

The thing with mysterious, handsome male characters that writers often screw up is that if you bring them too much to the forefront, they cease being mysterious. They they’re just handsome, which is boring on it’s own. If the hot guy characters remain enigmatic figures in the background, and the story focuses it’s energy elsewhere, this could be a good show. If.

Kyoto Teramachi Sanjou no Holmes

It’s a mystery series that takes place in a coffee shop…oh wait, no it doesn’t. It takes place in an antique shop. Well then, fuck you and the horse you rode in on, show! I only watch coffee shop anime!

Okay, I am capable of watching things that take place in other places of business, I just don’t know if this series sounds that appealing. Whenever I’ve tried to watch an anime mystery show, it’s always been pretty poor– GoSick, God’s Memo Pad, etc. Then again, maybe this’ll be the one with good writing that will make me feel bad for my negative opinions toward mystery shows? The fact that the leads are chasing down the mysteries of these old antiques means that the show does have the potential to be interesting, and even poignant, but I’ll believe it when I see it.

Tsukumogami Kashimasu

Another antique shop setting…not really antiques, but miscellaneous household goods, which is close enough. Except, this one is a historical taking place during the Edo period, and the household goods tend to be haunted. I kept getting confused between this show and Kyoto Teramachi Sanjou no Holmes, trying to remember “Which is the show where the items are haunted, and which is the one where they’re worth a lot of money?”

Another show with the potential to fit into that “classy occult” category that I like so much, but it also has potential to be a bit of a snoozefest, I think. It might be entertaining to watch both this one and Kyoto Teramachi Sanjou no Holmes and see which one comes up with better episodic stories about inanimate objects. I might make a spreadsheet.

Senjuushi

Oh no. Oh noooo. It’s a gun anime. It’s a post-apocalyptic dystopia where people are forbidden from owning firearms, and then the spirits of classic guns materialize to fight for the good of the world, or something.

I have to admit, sometimes I have trouble separating a show from how it’s going to be perceived in the Western fandom, which is unfair. Because all I can think about is the complaints this show is going to spawn about “conservative propaganda” and “alt-right talking points,” and I’m already tired of that discussion, and the show hasn’t even started yet.

Look, I’m not saying that the show is going to be any good, or that political criticism is automatically bad, but can we just remember one little thing here? That this show is Japanese, made from a Japanese perspective, and applying American politics to it (especially fringe American politics that aren’t that well known outside of the U.S.) doesn’t make a helluva lot of sense?  Can we let it exist in its own proper context without dragging it into a minefield where it was never meant to survive?

I don’t know, maybe this will actually be fun to watch, but the so-called “discourse” around this show is probably going to make me want to stay far, far away.

Ongaku Shoujo

It’s about c-level idols, and I’m sorry, but isn’t this called Wake Up, Girls!? I’d like to say that I liked Wake Up, Girls! enough the first time, but the fact is that no one liked Wake Up, Girls! the first time; it’s a show that keeps getting sequels despite having , seemingly, zero fans. It’s one of those anomalies of nature, like how bumblebees can fly when all the laws of physics say that they shouldn’t.

Maybe Ongaku Shoujo will stake out an identity of it’s own, but I have enough trouble getting invested in idol shows that are happy and optimistic from the getgo; I really don’t want to watch a show about sad, wanna-be idols who are living on instant ramen to get by. Only way I’m watching this is if I hear good things about it after a few episodes have aired.

Shoujo Kageki Revue Starlight

This looks to be the more typically bright-and-happy idol show, as opposed to Ongaku Shoujo, so maybe try this if you haven’t had enough Love Live!/Idolmaster/etc. I mean, it’s hard to believe that there’s someone out there who hasn’t had enough of that, but I’m sure this person exists, and they too deserve to feel joy.

I might check out the first episode because one of the girls is named Karen and I like keeping tabs on my anime doppelgangers. But unless this show has something different to offer right out of the gate, I’m focusing my attention elsewhere.

Sunoharasou no Kanrinrin-san

This looks like it’s going to be a cute-girls-doing-cute-things show, except one of the girls happens to be a boy. This might end up being the show this season that does some exploration of gender identity, without being ridiculously offensive to 99% of the audience right out of the gate the way Back Street Girls is.

It’s hard to predict with this one; it all depends on how main-guy Aki’s issues with gender are treated. If they use them as a source of cheap jokes, that sounds pretty bad, but if it’s a CGDCT show, it’s hard to see how they could avoid those kinds of jokes even if they wanted to.

I’ll give it a shot, but if the pattern is Aki tries to act like a boy–> the girls treat him like a girl and giggle–> he gets mad, rinse and repeat, I’m not sticking around. Sadly, I think that’s the most likely scenario.

Yuragi-sou no Yuuna-san

Wow, there are a lot of haunted anime this season. This one is about a hot springs inn haunted by the ghost of a 16-year-old girl, and the poor guy who gets roped into helping her with her unfinished business. I might have skipped this one just on the basis of there being so much other occult stuff this season, but I’ve heard some good things about the source material, so I’ll at least give it a try.

It’s made by Xebec, who are largely known to the world as makers of fanservice anime, and largely known to me as makers of Softenni in particular. I doubt it’ll happen, but if this show takes the Softenni approach to broadcast censorship and covers the girls’ privates with pictures of adorable cows and sheep, this is going to rocket up to “must-watch” status.

Island

Man washes ashore on mysterious island, begins mad quest to save the island from its decline; cute girls are involved. My gut is telling me that this is going to be overly ambitious and boring, but hey, my gut has been wrong before. This was one of the first summer shows to air and the first episode is already up on Crunchyroll, so there’s no need to wait if you’re curious.

Jashin-chan Dropkick

Violent slapstick comedy where a deranged gothic-lolita type summons a demon girl, and the two beat each other up a lot or something. I have a weird feeling that this is going to be like the evil twin to Miss Kobayashi’s Dragon Maid; a story about a relationship between a human girl and a powerful, non-human woman, only instead of warming your heart and filling you with hope for the future, it just makes you want to sit down and cry.

I have a bad feeling about this for some reason, but studio Nomad does have a pretty solid comedy track record with shows like Ika Musume and Ouran Host Club to their credit. So it could be very funny, I just can’t shake the sinking feeling that the jokes are going to get old halfway through the first episode.

SHORTS:

Cinderella Girls Gekijou, Season 3

I always forget if this is a spinoff of Love Live! or Idolmaster (*checks wiki; it’s Idolmaster.*) Considering I’ve never seen any Idolmaster proper, I’m certainly not starting with this, but I mention it here for an important reason: for idol fans, it seems like this is the anticipated show of the season, more than Ongaku Shoujo or whatever else is starting this year. Which is pretty impressive, considering that it’s a short.

You go, idol fans! Wallpaper the internet with your Cinderella Girls fanart, it’s all good. I don’t have to watch the show to share a tiny piece of your happiness.

One Room 2

The big debate with the first-person-perspective show One Room was whether it was really creepy, or just sort of mildly creepy; I found the first episode so boring that I never properly found out. But apparently some people really enjoyed contemplating that question, because One Room is back with another room…or maybe the same room? It’s probably the same room.

I wonder; if I decided I wanted to watch this season, do I need to watch the original? Like, is there serious One Room continuity? Or is it like “Yeah, he talked to this girl in his room, then they went down to the vending machine and got a soda, then they went back to his room, then she said ‘bye’ and that was the end of the season.” Now I want there to be a tremendously detailed One Room wiki so I can catch up on all the lore!

(I just checked…there is no wiki…I am sad. Someone get on that, please.)

BanG Dream! Girls Band Party Pico

I am embarrassed to admit that I didn’t know what BanG Dream! was until just now. Apparently it’s a K-On-esque show about a bunch of girls who form a band, and Party Pico is it’s little chibi spinoff. If you like watching cute chibi girls do whatever, you probably can’t go wrong here.

See, I’m just mad because after finishing Sound Euphonium S2, I thought I had seen all these ‘girls in a band’ shows, but no, there’s more. I promised myself I wouldn’t watch Kids on the Slope (the boys-in-a-band show) until I finished all the girls-in-a-band shows, and now it looks like it’s never gonna happen. Damn you BanG Dream!, ruining my summer viewing plans!

Asobi Asobase

This isn’t listed anywhere as a short, but I’m putting it in the shorts category because I refuse to believe it’s a full-length show. It’s about girls who play hand games and…that’s it. They play hand games together.

Tonari no Seki-kun proved to me that a show about nothing more than kids goofing off can be great, especially if it’s a short. But unless Asobi Asobase is bringing Seki-kun levels of devious brilliance here, I find it hard to imagine this being entertaining for more than one episode. Hey, maybe I’ll be wrong; maybe Asobi Asobase will be the surprise hit of the season that we’ll all remember years from now. But right now, just thinking about it seriously makes me want to lie down and take a nap– not even kidding, I’m going to spend like two seconds writing something on Encouragement of Climb and then I’m taking a nap.

Encouragement of Climb, Season 3

FUCK YEAH MORE ENCOURAGEMENT OF CLIMB, BEST SEASON EVAH! CLIMB THOSE MOUNTAINS GIRLS, SHOW ‘EM WHO’S BOSS! AOI, TRY NOT TO GET ALTITUDE SICKNESS AGAIN, THAT SHIT IS DANGEROUS! SHOW THOSE LAZY YURU CAMP BITCHES WHAT IT MEANS TO BE OUTDOOR GIRLS!!!!!

…oh yeah, I went there, Yuru Camp fans. What are you gonna do about it, huh? I’d say COME AT ME, BRO! but I’m about to go lie down and take a nap for about three hours, so don’t come at me, that would be bad sportsmanship. Hey, have you ever heard that writing about shows you haven’t even seen for several hours can make you lightheaded and delirious? I just learned that today.

Sword Art Online Alternative, Episode 11

Oh my goodness, do I love Fuka. Everybody on this show is having huge philosophical problems negotiating the line between games and reality in a VR world, and Fuka has it all perfectly separated like she’s playing an NES on her grandparents’ couch, and that’s about how much she cares. It’s glorious.

She somehow manages to delay LLENN by tying LLENN’s shoelaces to one of her grenade launchers, and and uses a knot that would make an Eagle Scout proud. So poor LLENN has to spend seriously half the episode trying to untangle her goddamned shoelaces, meanwhile Fuka downright skips towards the enemy team like she’s playing hopscotch on the playground. Then she gets her hands and feet shot off, but no big, she walks it off in time to save LLENN in dynamic vehicular fashion, all while blatantly hitting on her with as much sass as possible.

Guys, I’m afraid. I think I may love Fuka as much as I love Rindou in Food Wars!, and if you’ve read my Food Wars! posts, you know that level of obsession probably isn’t healthy. I’m making a mental note to address that with my therapist, but the meantime, I guess we should discuss the rest of the episode.

CHERISH FOREVER

So Pito plays with some of her opponents before she gruesomely kills them, leading one to ask her if she’s having fun doing this. Uh…well, yes, it’s a video game, sport. Of course Pito is having fun. I get the point being made– at what point do acts of clear sadism stop being acceptable in virtual reality on the basis that it’s “Just a game?” It’s an interesting question, but once again, I think people who are deeply into a game as violent as GGO have probably waited too long to ask this question.

One of the SHINC ladies who got eliminated makes a mean remark that most of the players left in SJ2 are women, and “real men” would play with more guts; it seems really bizarre and out of place (albeit intentionally) not just because this woman is a member of SHINC, but because of what a feminist anime this has been all along. In addition to the obvious point that most of the characters (and the best players) are women, this is a story of a man trying to save the woman he loves, only he’s powerless to do it, and the only person who can actually save her is her female friend; it’s an inversion of the “only this special man can save the woman” narrative.

Yes, I just called an anime feminist and think that it’s basically a good thing; hell has now frozen over. Hell is even available for ski vacations, so get your reservations in before all the good bungalows are taken.

Speaking of SHINC, they seem to have used up their ingenious plans allowance for this month last time, because they don’t have much a of as strategy for taking out Pito and M. Basically the remaining members of the team sacrifice themselves so that Boss-lady Eva can try to sneak up on M from another angle, but it’s a pretty transparent gambit and doesn’t work. So that’s one more team down. We’re now left with Team Death By Loli, Team Batshit Insane Starcrossed Lovers, and some other mystery team who’s waiting in the shadows until the smoke clears; they seem like smart people.

There’s an interesting moment when LLENN starts to break down, overwhelmed by the pressure. I think the problem is that “I have to brutally kill Pito so I can save her, because she’s my friend and I care about her!” is just too confusing to understand in the heat of battle. She decides she’s going to truncate her motivation to “I am going to kill the everloving fuck out of Pito,” and forget about the larger context. I like this; it’s psychologically realistic to me that LLENN would have this problem and need to simplify her thinking.

What follows is a pretty stellar extended action sequence including jeeps, cliffs, multiple kinds of guns, grenades, natural gas explosions, and crazy stunt driving. My hat is off to the animators at 3Hz Inc., because it’s pretty rare to get a multi-part action sequence this exciting and well-animated in a TV anime. I guess I am now eating my words from earlier in the season, when I kept insisting that GGO just didn’t look fun, but hey; I like being wrong when the result is awesome anime.

“As I lay dying, I have no regrets…except for choosing Barbie Doll Pink as my color for camouflage. Not one of my better ideas.”

I said last time that I would be very excited if LLENN jumped, landed on Pito’s photon sword and then flipped off, and that did not happen; actually, now that I think about that, I think there are some mechanical problems with that. What we do get to see is LLENN stepping Pito’s face and then backflipping off, so I’m still pretty excited; not quite to the level of dancing in my chair, but it’s getting close.

Hello, my name is Karen and I approve of this face-stomping.

LLENN sacrifices the second version of P-chan to get to Pito, so we’re now left with the two ladies with no guns. They’re going to have to settle this with melee weapons, in properly brutal fashion. Meanwhile, I assume Fuka is going to take on M; I don’t expect her to beat him, but I expect her to lose in such a way as to make him wish he were dead, because that woman has a gift.

Well, one episode left, right? I think it would be really funny if the one other team that’s off in the mountains somewhere just sat on their thumbs and did nothing, only to win after the remaining foursome all take each other out in incredibly graphic fashion. In fact, I would bet money on that happening; any takers?

Amanchu!~Advance~, Episode 12

In theory, this was a really good episode. There was lots of scuba diving, the characters picked up on things that they were talking about earlier in the season, and it was all lovely to look at, as usual. Still, this episode left me a little cold; I think I just ran out of patience with Amanchu! during the second half of the season, and it kind of dulled the enjoyment of the season finale for me.

Nevertheless, here is our final Pikari Troll Face of the season; conspiratorial Pikari trying to set up a devious plan. Okay, so the devious plan turns out to be “Bring Teko’s friends to the site so they can cheer her on when she goes night-diving,” but still, I consider that devious by Pikari standards.

“Heh heh, Teko’s never going to figure out my surprise. I’m going to bring over all the annoying filler characters that have been on her like white on rice this whole season, she’ll be shocked.”

Oh yeah, and here’s a BONUS UNDERWATER TROLL FACE!!!!!

I didn’t forget that I wanted this!

There were things about this episode I really liked. The thing that really struck me as true and important was Teko’s admission that she never stopped being scared of going night-diving, but her curiosity outgrew her fear. I think that’s a really good way to think about dealing with any sort of anxiety; you never really “fight your fears” successfully, because it’s not a fair fight; you always have to fight on the enemy’s turf. What you can do instead of fighting is become so interested in what you’re doing that you might just forget that you’re afraid…for a little while. But for long enough. Long enough to see the plankton sparkle underwater like fireflies.

Pikari, to her credit, has realized that her strategy earlier in the season of having “infinite fun” with Teko is kind of flawed, because the time is still passing no matter what she does. Even someone as fun-loving and care free as Pikari has to face the fact that eventually, everyone’s going to graduate and the fun times in the diving club are going to be over. I think there was a missed opportunity here, because Pikari’s desire to stay in place with Teko and never grow up parallels the whole Peter Pan arc, only it didn’t really play out that way on screen; it was a subtle connection at best. If that whole arc had been about Pikari instead of Ai, it could’ve been a lot more connected to the rest of the season.

Speaking of that arc, look at this bullshit. Look at this absolute and total bullshit.

So we sat through three episodes of that Peter Pan arc to get Mato-chan-sensei and the other homeroom teacher together romantically, and they still act like they’re basically strangers around each other? Really? I mean, it’s implied that Mato-chan-sensei might pursue him from what she says here, but COME ON. After that storyline, I for one think I deserve to see the two homeroom teachers get it on– preferably underwater.

So ends another season of Amanchu! I actually liked this episode more the second time I watched it, while I was taking screenshots; the first time through, I was just too annoyed by the whole second half of the season to really give it a fair shake. And that’s a shame, because this show is something special when it’s firing on all cylinders. As of now, I don’t know if I would recommend it to most anime fans, and that’s a little sad.

I don’t regret watching two seasons of this show. But on average, it was just okay when it could have been stellar, and I’m a little bit mad at it for that.

Amanchu!~Advance~, Episode 11

Normally I don’t like to say things like “this episode was a giant trash fire,” because that’s harsh. No matter how much I didn’t like something, using that kind of language is unnecessarily cruel to the people who made the show, and the fans who enjoyed it. In general, I think people are way too quick to compare things to trash and/or excrement just because they didn’t happen to like them.

That said, this entire episode revolved around burning dead grass, so I feel comfortable saying that it was a giant burning grass fire of an episode; that’s just a statement of fact.

Before we go any further, your Weekly Pikari Troll Face: honestly, none of the Pikari faces were that choice this time around, so here’s a version of Pikari Entire Family Troll Face.

The sheer size of Grandpa continues to be an odd mix of adorable and terrifying.

After last episode’s neat flashback to the early days of scuba diving, this episode has the show returning to entirely land-based antics that mainly feel like a time-filling exercise. Pikari gets sick on her birthday, and everybody brings her cake; later on, they all go to a traditional dead grass fire burning ceremony on a mountain, and we learn that Kokoro is a boy. Whooop.

It had occurred to me that Kokoro might be a feminine-looking boy rather than a masculine-sounding girl, but I never mentioned it in any of these posts because I honestly didn’t care. Other than being mildly surprised, it seems like Pikari and Teko don’t care that much either, so I’m kind of flummoxed as to what the point here is. I think Pikari realizes that she’s probably his first crush, and treats that with the gravity it deserves (whereas in the past, she probably assumed it was just a kind of hero-worship on Kokoro’s part), but that’s really the only good part of this episode; the rare opportunity to see Pikari be the mature one.

Oh honey, are you ever on the wrong show. You have no idea.

While we’re talking about gender on Amanchu! here for a moment, maybe this a good time to talk about how Pikari and Teko’s relationship has been portrayed. I think during the first season, you could choose to see their feelings for one another as “just friends” if you wanted to, but it’s become increasingly difficult to do that. The imagery with the two of them has gotten more and more romantic. Still, they never refer to themselves as lesbians, are never referred to that way by anyone else, and it’s never made explicit that their love has a sexual aspect.

For me personally, it really doesn’t matter whether the two girls have sexual feelings for each other; they obviously love each other, and that’s what matters. However, if you’re watching from the vantage point of looking for an increase in LGBT representation in anime, then the fact that Teko and Pikari are strongly hinted to be lesbians without that ever being confirmed is probably annoying. I don’t really know what to make of that, by the way, I’m just noticing it.

Anyway, this show has really been trying my patience lately. The first half of the show was pretty nicely front-loaded with scuba scenes, but then spent much of the second half goofing off. I mean, I don’t even need the show to focus that heavily on the diving– I know it’s a slice-of-life series as well– but if they’re not going to do a diving plot, it would be nice if the story they did tell felt like it had a purpose. It looks like the final episode will return to diving, but unless that ends up being one hell of an episode, it feels like too-little-too-late at this point.

Oh, and would just like to point out that Mato-chan-sensei is once again hanging out with her teenaged students and blowing off the love of her life; I’m beginning to seriously worry about this woman. Oh, and they brought back Kotori, Teko’s dream buddy from the first “lucid dreaming” episode, and that’s not right! Please, I’m trying so hard to forget that those episodes happened or that I ever liked any of them in the first place!

*sigh* This episode, man. This episode.

Amanchu!~Advance~, Episode 10

Last time, I was so upset about the state of affairs in Amanchu! that I didn’t even bother to share my favorite Pikari Troll Face. My only recourse now is to share a Pikari Troll Face that’s so great, it can cover several weeks:

I love how in this sort of in-between frame she’s not sure whether she should be excited or not. Like she’s about ready to yell out “Whoop!” but Mato-chan Sensei recently told her “learn to read the room!” and now she’s questioning herself. Whoop?

Anyway, after dabbling with a well-meaning but ultimately dull storyarc, this episode was more of the Amanchu! we’ve come to know and love. In addition to having some scuba diving scenes (actual diving! Not even kidding!), it also had a really warm and cozy vibe, like you were right there hanging out with the characters and drinking pork soup with them. Considering that all the characters are basically camping out for the night at the Amanchu storefront, it was practically an episode of Yuru Camp; since everyone and their Dad loved Yuru Camp, why not? It works.

This is so snuggly, I love it. Teko and Kokoro fighting over who gets to be Pikari’s pillow is pretty cute, although the results are predictable: Kokoro is 100 years too early to challenge Teko on the subject of being all up in Pikari’s business.

I don’t know what it is about this show that makes me feel like it’s riffing on other shows so much; another show could do a camp-out New Year’s Party like this, and I probably wouldn’t immediately think “Yuru Camp vibes.” I think Amanchu! is kind of a skilled chameleon, where different episodes bring different sort of feelings up to the surface very effectively, so it tends to remind you of other good shows. Except, err, for the last three episodes.

Speaking of which, I have to wonder what Mato-chan Sensei was doing at this party; doesn’t she have a boyfriend now? If we had to sit through that insufferable Peter Pan arc, at least Mato-chan should get some action out of it, you know? I wonder if that other teacher is just sitting, drinking cheap beer at home, wondering why the love of his life ditched him on New Years Eve for a bunch of teenagers.

THIS. THIS IS WHAT I HAVE BEEN MISSING. More underwater scenery porn, please; I don’t mind if it’s flashbacks with Grandma, or Grandpa, or whatever, it’s all good.

The focus on Pikari’s grandmother was unexpected, but really pleasant. I definitely was not sitting around thinking that I needed to know more about Grandma’s past, but the whole idea that she was a pearl diver who fell in love with scuba diving back when it was new and little-known is a good hook. I would be totally up for an OVA all about Grandma Pikari back in the ’50s and ’60s; I’m pretty sure we won’t get one, but it would be amazing.

One of the lesser-known rules of anime: the more old and plain a Grandma looks now, the more insanely smoking hot she was back in the day. Seriously, she is like the hottest Amanchu girl, which is saying something.

Now that we’ve only got a few episodes left, I’m assuming (knock wood) that they will be about Pikari and Teko going diving together again. I’d love for them to have one more little adventure all by themselves, falling in love amidst the wonders of the sea. Thematically, to come full circle this season probably should involve the two girls being separated, or at least anticipating separation, but I kind of hope we don’t go there; I just want them to be happy together for a while longer.

Sword Art Online Alternative, Episodes 7 and 8

I decided to do a double post again, since not that much happened in episode 7. LLENN’s new partner Fuka is a lot of fun to watch, especially because she’s a different kind of crazy from Pito, but still pretty darn crazy. It’s like level-headed LLENN is just a magnet for crazy people, and this is something she’s just going to have to deal with for the rest of her life. Anyway, despite the fact that the show insists on calling them Team LF (boring), to me they are Team Death By Loli, and I feel good about it.

Earlier in the series I mentioned that I really don’t care about Pito, and that’s still true; I mean, I think her obsession with in-game death is somewhat interesting, but she could drop out of the story tomorrow and I wouldn’t really care. Now I’m trying to figure out if the fact that I don’t care about her is really hurting the story at this point. Technically LLENN is trying to save Pito, so being invested in Pito’s fate would make for a better story, right? But Pito is functioning as an antagonist in the competition, so it’s not like the show is asking me to root for her.

Pito is not a very nice lady, and probably a few fries short of a Happy Meal. Now if only I found her as interesting as the players of GGO seem to.

I want LLENN to succeed in defeating Pito and M in the Squad Jam for Karen’s sake, but considering the fact that Pito and M could jump off a cliff together and I wouldn’t care, it’s hard to feel like a lot is riding on the outcome of this competition. I imagine we’re going to learn something about Pito’s tragic backstory soon that will make us care about her, but I’m not sure I want that to happen; it would be refreshing if she were just a psychopath, straight-up, and that’s all there is to her. Like the show fades into a flashback, and we’re waiting to find out that her father neglected her as a child or something, and then it turns out her past was totally normal and she just really wants to die in a video game for some reason.

See, I complain that I don’t care about Pito, then I complain that I don’t want to care about her…so what do I want? What do women want? What do anime bloggers want? I don’t know. I think this setup, with LLENN being all “Don’t you dare die before I KILL YOU, Pito!” is clever and makes good use of the premise, but emotionally, it’s lacking.

Why do things look insanely cool the more physically implausible they would be in real life? I’m a sucker for the whole landing-on-the –sword/gun move, and it’s really stupid. I can’t help it though, it looks badass.

I do appreciate the fact that we jumped into SJ2 pretty fast with very little messing around beforehand, but as a result, it seems like Fuka had barely any time to get used to playing GGO. She says that she practiced lobbing grenades for hours, but is that really enough time to develop the mastery of the weapon that she has? After all, the people playing in SJ2 are supposed to be the cream of the crop, people who’ve been mastering this game for months, if not years; it seems a little convenient that Fuka got that good that fast. I guess we just have to assume that Miyu is a very talented gamer, no matter what she’s playing.

Was it really necessary to go for the crotch-kill, LLENN? I think she’s just showing off for her fangirls at this point.

So now we’re waiting for Pito to slaughter a bunch of foolish opponents; I hope the way she does it is suitably clever, because we’ve been hearing for a while what a good player Pito is supposed to be, but we’ve never really seen it. If it involves using one or more members of her team as a suicide bomber, I’m buying myself ice cream for being smart and seeing it coming.

My level of interest in this show is dropping a little, but it’s still enjoyable enough; it’s just not giving me a whole lot to talk about at the moment. I do hope that sometime before the end of the season, we see the girls’ rhythmic gymnastics team at a tournament or something, and they’re all busy on their laptops playing GGO and totally ignoring whatever they’re supposed to be doing.

“Ladies, what are you doing? it’s time for the synchronized baton-twirling prelims! Get your leotards ready!”

“Shut up Coach, we got sassy bitches to shoot!”

“But girls, we’ve practiced for months for this competition and–”

“Oh FUCK it’s that blonde chick with the twin grenade launchers, everybody hide under the truck!” *Cue Massive Explosion* “Damn You, Death By Loli!”

Comic Girls, Episode 7

Time for more horror with Fuura-sensei, which I could generally do without, however it kind of works on a meta-level this week. See, this episode is about Kaos learning how to draw backgrounds, and that’s a terrifying subject for most newbie comic artists, so it’s only fitting that she has to do it in an attic, literally surrounded by skeletons, dripping candles and creepy dolls. It’s a clever bit of juxtaposition that might not be immediately obvious, but I’m pretty sure it’s intentional.

Kaos seems to pick up background-drawing rather quickly though, while I still struggle with it, which makes me wonder; would I allow Fuura-sensei to tutor me, even if it means I have to be subjected to her horror shtick for an hour or so? I don’t know if even I love comics enough to go through with that….

This is about my reaction when I realize that I have to draw backgrounds. I have this weird mental block with linear perspective, where I never seem to do it right no matter how many times I read about it or have it explained to me. It’s actually pretty sad.

The best part of this episode is when Fuura-sensei shows Ruki a panel that Kaos drew, and Ruki doesn’t believe it because everyone knows that Kaos can’t draw well, then realizes how cruel it is to say that out loud in front of Kaos. It’s funny to me that “Kaos can’t draw” is basically a house rule that everyone acknowledges in a dorm specifically intended for artists. I would say “Git Gud, Kaos,” except now that she can draw bg, she’s technically better than me, so I’ll shut up.

The other significant thing in this episode is the revelation that Koyume got a magazine serialization, so she’s jumped ahead of Kaos in terms of professional credits. She says it’s a short serialization, so she’s not quite on Ruki and Tsubasa’s level yet, but she’s getting there. I wonder: did she ever learn how to draw guys? I feel like she must have, and I feel kind of robbed that we never got to see that. No major improvements off-camera, Comic Girls!

The rest of this episode is about Kaos getting glasses, which is typical CGDCT fodder that I really have nothing to say about. I don’t have a problem with this show having the girls do cutesy humor (it’s kind of part of the mandate and all), but I would be really stretching to find anything to say about that whole sequence beyond “it’s cute, I guess.”

Hopefully the next episode will have a little more substance, because they were on a roll there for a little while.

Sword Art Online Alternative, Episode 6

I could have sat down and guessed at potential plots for this show all day long, and I have to admit, I never would have predicted this one. I thought there would be some mysterious, shadowy conspiracy, or an evil villain trying to hack the game, but Karen drawn into the romantic nonsense of two certifiably insane people? Did not see that coming.

First, let’s deal with the rhythmic gymnastics team. Initially I thought having the girls meet up with Karen post-Squad Jam was just a pointless bit of fluff, but as the girls explained their motivation for playing GGO, they presented a good justification for the existence of violent video games in general. Thanks to GGO, the girls were able to become “war buddies,” without the risk or inconvenience of actual war. They’ve bonded as a team, and while they could have done that in many different ways, fighting for their virtual lives together was a very effective way to do it.

However, before you think the show is declaring “Violent games are great! Video Games will solve all problems!” it becomes pretty obvious that there’s a downside; the girls don’t seem to care too much about their chosen sport anymore. They started playing to improve their teamwork, but the means became an end unto itself. I wonder how often this happens in real life; people play games in part to address specific problems, only to get so into the game that they forgot about the problem in the first place. It’s something that’s likely to only become more common as games get more immersive, so it’s an important thing to look out for.

Gun Gale Online: Quite possibly the only MMO where the gamers are actually more attractive in real life than they are in the game.

Then there’s Pito, who’s so upset that she missed out on Sword Art Online the first time around that she’s trying to put another Death Game together. Logically, thinking about the way even the most horrible things seem to become memes that people want to repeat, it makes perfect sense that someone would do this. I mean, Pito and M are clearly nuts (which Karen realizes immediately), but it’s completely believable that they would be crazy in this exact way.

What this storyline seems to be dealing with is how the world would have changed in the wake of the Death Game, but from a different angle from the original series. The main show dealt with a lot of the details, like how SAO kids were sent to a special school for survivors and whatnot, but this show seems to be dealing with how the broader culture has changed as a result.*

I hesitate to bring up school shootings, because I don’t want to get dragged into a gun control argument (and whatever merits those arguments may have, I don’t think there’s any point to having one here), but there are obvious parallels. No matter what we try to do about it, school shootings are part of the culture of the United States right now: it’s awful, frightening, sickening culture, but it’s real. Now, in this anime’s world, killing and dying in real life based on video games is becoming the new culture.

I wonder how much we have to worry about this in the future. Up until now, video games (violent and otherwise) have done little to inspire real-life violence. I’m sure there’re cases where players have hunted down other players in real life to get revenge for in-game altercations, but considering just how many people play video games, that sort of thing is still astonishingly rare. Will it remain so? Are we just waiting on a grisly, seminal event, to get it ingrained in the public consciousness to the point where it becomes a meme, and thus, infinitely repeatable?

This is getting a little too dark for one of my typical anime posts, I think. But one of the things SAO does well, just like Ghost in the Shell, is get us to anticipate societal problems that new technology may enable, before that technology exists. Maybe it’ll never exist; maybe virtual reality will remain as basically clunky and limited as it is now (unlikely, but possible I guess), and we’ll never experience the full-dive games Karen and Pito play. Maybe killing yourself in real life because you died in a game will never take off as a concept. But if games continue to become more and more immersive, this is something we’re eventually going to have to deal with.

I’m impressed that this show brought this problem to my attention, but I think I probably would have been happier if I could have remained ignorant a little longer. So I’m an impressed, depressed anime blogger right now.

Just in case this was all too serious for you, here’s Goushi being ridiculous, because he is a crazy man with an even crazier girlfriend. Come to think of it, is Pito even his girlfriend? He could just work for her, for all we know.

*I don’t want to say that mainline SAO never tackles these themes, because I haven’t read novels. I’m just comparing this show to the other animated entries in the franchise that we’ve had so far.

Comic Girls, Episode 6

Sometimes my personal quirks put me in a weird position where I hate something, but I know that’s totally on me and does not reflect badly on the media in any way. I pretty much hate horror and have no tolerance for jump-scares and stuff like that, so the fact that this episode is half over-the-top horror was pretty unpleasant to me. That said, I can appreciate that it was well done; in fact, I think this show did a better job creating a horror atmosphere, even with tongue-planted firmly in cheek, than a lot of horror anime that try to do it seriously. Of course, I’ve just admitted that I don’t really watch horror anymore, so I guess I wouldn’t know? The point is, the animators captured the horror vibe really well.

Please stop with these shockingly effective mood shots, I want a tepid Cute Girls Doing Cute Things show and I won’t stand for any insubordination! Wow, I get bossy when I’m terrified.

Once again, I find myself strongly identifying with Kaos, who was screaming her head off during this whole segment; if only I, too, could harness the power of my love of boobs for strength the way she does. Unfortunately, I’m only just okay on boobs (don’t really have strong feelings for them one way or the other), and the more anime I watch, the more I’m beginning to feel that this is a disadvantage. Kaos may be a boiling cauldron of crippling insecurities, but she could probably summon the courage to slay a dragon if someone just told her that she could see some awesome boobs afterwards, and it’s kind of inspiring.

A pretty accurate depiction of my face during the first half of this episode, if only I could watch TV while I was in the bath…waitaminute. Why can’t I watch TV in the bath? A TV in the bathroom sounds unsafe, but it’s only a matter of time before they start making baths with included waterproof TVs, right?

To change the subject from my excessive wussiness, I do like the fact that the new girl embodies her genre of manga, and it would be cool to see more of this. Imagine if they introduce a magical girl manga artist, only she’s actually a magical girl? That would be surreal, but really cool if done right.

Fuura-sensei; I wish I was better able to appreciate her character, because I know a lot of fans of the show took to her immediately. I just can’t get past the fact that she shows suddenly behind people in mirrors, that’s way too creepy dammit.

The second half of the episode focuses on Tsubasa, who is my least favorite of the four main girls. I don’t dislike her exactly, but she’s just so darned successful at such a young age, it’s hard to relate to her. Ruki is successful as well, but in a different way than she expected or wanted, whereas Tsu has gotten successful drawing exactly what she wants all the time, which isn’t that interesting. We’re supposed to be sympathetic to her because she’s hiding her identity as a girl, thus she can’t go to signings and connect with her fans, but….eh, I just don’t find that very compelling. I’m pretty sure she could come out at as a girl tomorrow, and if anything it would just serve as a PR boost for her manga. It seems like a non-problem.

Homeroom teacher Nijino-sensei, as seen through patented Kaos-vision. I joke about Kaos having no talent, but to be fair, her art style is very cute and well-suited to 4Koma. Now she just needs everything else….

I like the character of the otaku teacher, and she serves an important practical purpose; now that the girls have an ally inside the school, maybe they can stop running themselves so ragged trying to keep up with academics and their manga. Look, I’m not suggesting that Nijino-sensei fabricate their grades or anything, but maybe she could cut them a little slack, y’know?

Plus, the fact that Tsubasa’s biggest fan is someone simultaneously really close to her, yet far from her in terms of social rank creates an interesting dynamic. I’m hoping they’re going to come up with some fun things for Nijino to do to try to “help” Tsubasa with her manga that add to the gleeful everyday insanity.

Finally, Kaos seems to be developing as an artist since she’s learning to create characters inspired by people she finds interesting in real life, which is a really useful tool for her to have in her arsenal. She still doesn’t know anything about writing a story, but baby steps kids; baby steps. Frankly, considering the amount of investment Kaos’ editor is putting into her development, Kaos darned well turn out to be the next Rumiko Takahashi at the end of all this, but who’s to say she won’t be? It’s a goofy, surreal, wish-fulfillment kind of anime; nothing is off the table, and that’s what I like about it.