Tag Archives: fantasy

First Look: Goblin Slayer

Karen:

Lifesong warned me that there was going to be some really dark stuff at the beginning of this series, so I thought I was prepared for it. This is how I got through the first four seasons of Game of Thrones; I don’t like violence and gore, but if I know when the really bad parts are coming, I can emotionally steel myself, and then I’m generally okay. (In the case of GOT I had already read the books, so I knew where the gory parts were.) Unfortunately for me, even having a pretty good idea what to expect, I wasn’t really prepared for the level of violence on this show; after the fact, I kind of wish I hadn’t watched it.

That’s on me though. There’s a reason I haven’t watched Berserk, despite the praise it gets. There’s a reason why, even though I watched all of Claymore, I kind of wish that I hadn’t. It’s not Goblin Slayer‘s fault that I suddenly decided that I must have become less sensitive this stuff than I actually am.

Violence aside, there are some interesting ideas here. I like the fact that the scenario the show opens with is like a bog-standard JRPG opening: a party plans to go to a minor dungeon, fight some small monsters, get some coin, rinse and repeat. I think we’ve gotten so used to this scenario in both anime and games, that we forget that this still involves fighting monsters who are trying hard to kill you. Goblin Slayer is like a reminder that “Hey, you know all those games you play where you feel badass for beating up on Level 1 monsters? If those games had any realism at all, you would be dead the moment you made a mistake– because the monsters would fight back.” Maybe it’s not so bad to be reminded of that; that the fantasy media so many of us enjoy tends to lie to us about that, constantly.

I also appreciate the fact that the main character is a healer with limited abilities, as opposed to the standard fighter/ninja-type main character. Granted, by the end of the series she’ll probably get some kind of super-holy mega spell that immolates dozens of monsters at once, but for now, she’s extremely vulnerable. Considering the fact that the goblins prey on young women in particular, choosing to continue adventuring after learning about the danger she faces seems courageous almost to the point of insanity. What happened to her to make her so determined? Was she just born with a will of iron, or is there something in her backstory that was even more scary to her than a pack of murderous goblins?

As far as the sexual violence is concerned, I’m not sure what to think. I think the important question in situations like this is “do they show the horror of sexual violence without eroticizing it?” but even that question is more complex than it seems. You would think simply implying that sexual violence is going on without actually showing it is the least dangerous course, but in some respects that might be worse; because if you don’t show some aspect of the sexual part of sexual violence, then you’re glossing over what makes it so horrible. Is it worth sanitizing the sexual element of the violence, in order to prevent it from reading as erotic to some viewers, even at the risk of minimizing it? I don’t think there are any good answers to that question, and I’m suspicious of anyone who claims to have a simple answer.

Considering the fact that this show is just too dark to be in my wheelhouse, you’d think I’d drop it like a hot potato…but I’m not certain. At least if I watch it, I’ll get to see the party kill a lot of evil goblins; if I don’t watch, then in the back of my mind I’ll always be wondering what kinds of horrible stuff is going on in this world that I just can’t face. This is what happened with Claymore, by the way; I really wasn’t comfortable with the subject matter, but at some point, it felt like if I tried to drop it, I was just going to have nightmares wondering about what horrible things were happening in it, as opposed to just biting the bullet and getting it over with. That way, at least I got proper closure.

So…do I recommend this show? I don’t think I want to go on record as recommending it. However, if I’m engaged enough in the world that I still plan on watching it, isn’t that a form of approval? Perhaps more significant than saying “I like this/didn’t like this,”? I have no idea; I’m still trying to figure out how I feel. Ask me again in January how I feel about this series and I’ll probably have a better idea– assuming I’m not just hiding in a little ball in the corner at that point, whimpering to myself that I should have stopped this anime habit back in the Sailor Moon days.

Lifesong:

Goblin Slayer wastes no time showing us exactly how nasty goblins are. Kidnapping, rape and poison are just a few of their tricks.

I read the first chapter of the manga back when YenPress first picked it up, so I knew what I was getting into. To the anime’s credit, it does give several big hints that our band of adventurers aren’t prepared. The manga was far more shocking. Even knowing how the manga plays out, this first episode was hard to watch.

Goblins are nasty and goblin slaying is nasty. This first episode did a flawless job of selling both of those aspects. When asked the question “But what if there’s a good goblin?”,  the Goblin Slayer responds by saying they’ve already failed the alignment test when they leave their hole.

Goblin Slayer is the type of anime to draw a lot of attention from people who wish it didn’t exist. If you are in the “disturbing things shouldn’t be on TV” camp, then you aren’t going to like Goblin Slayer.

The story is well told. The storytelling attempts something brutal, and nails the delivery. Say what you like about the content, but it is compelling. I’m both curious and horrified to think about what other nasty things goblins get up to.

The justification given for wiping out goblins is hard to argue with. Where this anime excels is in making sure you want the Goblin Slayer to continue his job; That’s successful storytelling in my book. Even if you come away feeling too squeamish to watch more, the story accomplished its goals. Goblins are a nasty blight, and they need to go.

First Look: The Girl In Twilight

Karen:

This show has some unique little touches that make me want to like it, but it’s missing a hook. I’ve seen one episode, the second one has actually been up on HiDive for a few days now, and I’ve felt zero urge to watch it. I probably will at some point, but more out of a questionable sense of trying to be fair to the show than out of genuine curiosity.

And that’s a shame, because there should be a draw here. People using old-fashioned radios to travel to snowy in-between dimensions where they meet battle-hardened doppelgängers of themselves should be interesting, but somehow it just misses the mark here. The alternate dimension the girls stumble their way into just isn’t that interesting; it’s just a snowy plain with some monsters. The magical girl/resistance fighter version of the lead character should be intriguing, but so far she’s just a boring character, dour and serious to a fault. I want to say that the battle scene in this episode was good, but I’m not even sure; it was reasonably well animated, but felt generic somehow.

I think the main problem is that the characters just don’t pull you in. There’s definitely attempts to give them personalities; I appreciate the fact that there’s one girl who acts like she’s completely above all this silly occult stuff, but never fails to participate. Asuka’s obsession with chikuwa (a kind of processed fish paste) could be cute, but they overdo it to the point where it’s annoying. Somehow, even with the obvious effort made to keep the girls’ personalities distinct, it doesn’t quite take.

The one thing I do really like is the radio angle; amateur radio is this whole world unto itself that very few people know about these days, and I think it’s a really good subject to use as fodder for a sci-fi story. My dad uses a ham radio, and sometimes he’ll pick up nothing, and sometimes he’ll end up in a long conversation (in Morse code, of course), with someone from Lithuania or something. Like, ham radio is already kind of creepy and mysterious to me in real life, imagine what someone could do with it if they were actually trying to make it interesting.

There’s really nothing egregiously wrong with this show, but there’s nothing great about it either, and there’s way too much competing for my attention to keep up with something mediocre. If the second episode brings some much-needed excitement to this, I’ll keep up with it. If not, it’s out of chances to win me over.

Lifesong:

Asuka wants to go to another world and after some antics she and her friends actually pull it off. Weird scifi elements all relating back to sound waves and timelines get thrown around. It all felt careless at first, but I suspect it will come back into play later on as the story progresses.

So far Asuka doesn’t have a particularly good reason for wanting to go to another world. She and her friends seem to be trying it out more because they are board and want to try out something new. Maybe it’s an excuse to do something as friends. Each of them seem to have their own expectations of it.

When this group of friends ultimately end up in another world things get weirder. Asuka meets another version of herself fighting some sort of digital monster. I found it strange that an old analog tape recorder is what transfers the girls into this other world. The enemies explode into digital pieces Sword Art Online style when they die. There were other hints of digital things that caught my eye. The contrast of analog and digital makes for an interesting if not exactly compelling visual gimmick.

The Girl in Twilight took a very low key, subdued approach to storytelling for this first episode. Even with an action scene to pump some adrenaline into the mid point of the episode it felt low on energy. It knew what it was doing well enough to introduce elements that are interesting. It managed to make Asuka an immediately likable character with minimal effort. I like the approach, but I’m worried the story will become boring. We need something more exciting to take this story from mildly interesting up to compelling. Episode one fell short of that mark.

I had expected the story would be written by Kotaro Uchikoshi, but that isn’t the case. As it turns out the original concept is his, but Shogo Yasukawa handles writing the script. Perhaps that helps explain the difference in tone from other works by Kotaro Uchikoshi. Or maybe they wanted to do something different and I’m not completely on board for it.

The sense of mystery and the odd group of friends who don’t seem to take life seriously have my attention. I liked the odd visual gimmicks and potential mystery. It just wasn’t compelling. This anime will need to throw a more compelling hook at me within the next few episodes if it wants to keep me around.

First Look: Sword Art Online III, Alicization

Lifesong:

Digital spirituality is a theme that’s had hints in past story arcs. This is the first time the show addresses the idea so directly. All the jargon Kirito was throwing around as he explained where soul lives in the human mind was a bit much. The system he’s been helping to test didn’t immediately click into place with the story like I felt it should, and I had a strong urge to pull out a book on neuroscience by the end of it all. I guess that’s that not an awful thing for an anime to accomplish, but it felt a bit weird. I don’t mind some technobabble, but I don’t know enough to appreciate it yet.

Child Kirito in Underworld was an interesting way to start the new season. I felt like it wasn’t a particularly good hook, but the end of the episode made up for that. I have a feeling I’ll be going back through the first 25 minutes of this episode in a few weeks. There were a dozen concepts thrown around. They seemed important, but didn’t connect to anything I’m aware of in the SAO universe. Once the story has started to develop a bit more and I understand what the Taboo Index is, I’ll want to look back. For now, I’ll be happy to know why Alice and Eugeo are important enough to warrant so much early attention.

I was a little put off by the way the show starts without giving context. A few hints at who Alice and Eugeo are or why I should care would have been awesome. Why do I need to care about them? Overall I still liked their story, I just found the introduction odd.

I loved the short GGO sequence that followed immediately after Kirito leaves Underworld and reunites with his friends; Lightsaber Asuna was looking badass in her GGO attire. The vehicular mini-gun seemed like a perfect fit for Silica. It was good fun to see this cast again and begin a new adventure with them, and nearly everyone got a chance to show up and contribute something here.

That ending… Kirito and Asuna are all having a sappy moment, talking about their future and American… Kirito is all excited about leaving Kayaba Akihiko’s influence on behind to focus on the future. BAMN, bad things. You’ll need to watch to know what those are. I guess the story wouldn’t be as interesting if that worked out too easily for them.

It was a bit of a rough start, but not an uninteresting one. I’m super exited to see where this story arc is going.

LB:

Without a single doubt in my mind, SAO III was my ‘go to’ this season. No matter what other dreck the season churned out, this was my golden, shining ray of hope. Something that I could undoubtedly look forward to. Well, the first episode is out. Does it live up to the lofty standards that I’ve come to hold for this series?

Starting things off, it should be noted that SAO III starts with a double-length premiere which begins with Kirito as a child in a strange fantasy village with two other young children. Over the course of the first half, these children face a big event which separates them in a very dramatic fashion. Flash forward to the present and we learn that Kirito is testing a new piece of full-dive equipment which stimulates a person’s soul (which apparently resides in little tubes inside someone’s brain).

This was not an easy episode to get into. I absolutely understand why they went with an hour-long premiere, there was just so much that had to be told right away and there was no way to do it in only 25 minutes. That said though, with absolutely zero context given for why we were seeing the events of the first half until late in the episode, there is going to be a lot of confusion from longtime fans who haven’t yet read the light novels. Then Kirito’s technical monologue about soul technology in the second half made my head hurt even more, which did this episode absolutely zero favors. I get that they were trying their best to cram in a lot of information that the audience needed to know right away but good gods, that speech absolutely killed me.

Additionally, it should be noted that this is not a season for newbies to try and jump into the middle of. All throughout the episode, the series references major events of the past two seasons and does absolutely nothing to remind viewers of what happened during those events, so if you’re not already up to date on SAO history and lore, you’re flying SOL.

That said though, there were still a ton of fantastic things in this episode that fans of the franchise will adore. Besides the story set up, there are a couple of fun action sequences that remind us that Kirito and Asuna are badasses who don’t take any crap from anyone. Specifically, I’m talking about Asuna in her GGO gear kicking ass with a laser sword to take out another group.

Overall, this is the same SAO that we’ve come to know and love. While the first episode gets off to a bit of a rocky start due to the sheer amount of exposition we’re forced to swallow, I have absolutely zero doubts that the next year is going to be completely and totally worth it.

Karen:

For a fan-favorite series, it’s kind of impressive that SAO would do something as potentially alienating to its fanbase as start out with a mysterious, half-hour-long sequence that does nothing but baffle everyone. Of course, this is the show that started out in season one by skipping two years of story continuity in Aincrad, with only the barest acknowledgement, so I really shouldn’t be surprised at this point. SAO takes a lot of risks that I still don’t feel like it gets proper credit for.

I was spoiled for this season, because I knew what was going to happen to Kirito at the beginning of this arc; I don’t know anything that happens afterward, but I knew that going in. So I spent this whole episode waiting for Kirito to get stabbed, and it kind of became this weird horror movie experience. It was actually a relief at the end of the episode when it finally happened, because then I could stop worrying about it.

This arc looks like it’ll be dealing with really huge themes, like the nature of the human soul and how far artificial intelligence can be pushed to resemble human intelligence. This is a good thing, because it’s really interesting territory for just about everyone (who isn’t interested in the future of AI?), but it’s also fraught with peril. I mean, do we really want SAO attempting to explain things like where the human soul exists in the body, and the nature of sentience, etc.? I mean, maybe Kirito is not the person I want exploring the subjects that humanity’s brightest minds have been grappling with for eons, you know? Maybe Kirito is not that guy.

Still, even if this storyline ultimately fails, it’s pretty much guaranteed to be a really ambitious failure, and I can get behind that.

On a more casual note, it was nice to see the whole gang together again. Early on, the strength of SAO was in the setting, and the characters were kind of perfunctory, but I’ve grown fond of them over time. I don’t stay up at night wondering what Klein or Liz do during the day, but I still smile a little bit when both of them show up…not to mention Silica with a Jeep-mounted machine gun; that was inspired.

Asuna I do care about a little more, seeing how she’s grown over time, and seeing her in GGO wielding a sword was gratifying. I wonder: can Asuna perform Mother’s Rosario in GGO? I need to know the answer; SAO, please don’t make me wait on this. Mother’s Rosario can make me cry, and I need to know if I should have tissues handy during any future GGO sequences.

Another interesting note was how Agil was just hanging out unobtrusively in the background while Kirito gave his whole “Let me tell you how human souls work” speech. Bet you $10 that it’s going to end up being significant that Agil heard that conversation, and he’s going to use that info to end up saving everyone’s asses, since that’s what he does. Best coffee shop barista/ bartender ever.

I’m withholding judgement on the whole Alice-in-Wonderland theme until I have a better idea what they’re doing with it, but on the whole, I’m excited to see if this series can really do something with these high concept, unapologetically intellectual themes while doing them real justice. Oh, and I hope that Kirito gets better and stuff, if he dies that really messes up my headcanon for everything that’s supposed to happen later on in Accel World.

First Look: Between the Sky and Sea

Karen:

So, let me see if I understand the premise here. There are no fish in the oceans left on Earth, so the Japanese made giant water balls full of fish in space so they can still have fish for sushi. In addition to having the technology to somehow create these giant space aquariums, they’re also capable of going back and forth from space via rocket whenever they want. So far, it seems like we’re dealing with a pretty high level of technological achievement here, right? Go, future Japan!

However, in this glistening hi-tech world, somehow, all of the lore of fishing– including simple concepts like “bait” and “nets”– has apparently been lost. For some reason, the only way to procure a fish to make into a delicious Crunchy Tuna Roll is to beat it up; and not just beat it up, but beat it up in a mech. And not just beat it up in a mech, but beat it up in a mech powered by a deity you summoned from your smart phone.

Unfortunately, deity-enhanced-vehicular-fish-homicide is a man’s world, meant for manly men who don’t think twice about punching a Beluga whale in the face with a magical truncheon. Now a bunch of young girls, featuring lots of pluck and significant cleavage, want to prove that they can fuck up space fish just as well as any man, thank you very much. Except how can they prove their mettle in pitched tuna-to-mech combat when the completely untrained Haru hasn’t even installed the God app on her cell phone, and giant, bellicose crustaceans are on hand to crush the women’s empowerment movement ONCE AGAIN?

Jesus Christ, this show is ludicrous. From the beginning, I thought this might be a semi-serious sci-fi series, albeit a very optimistic one. Then we got to summoning Gods with your phone and I had no idea what this show even was anymore.

It’s pretty clear that we’re supposed to be feeling righteous indignation over the way the male fisherman treat the female cadets, but the old-fashioned sexism just seems so out of place in this setting. You mean, in a world where they have space travel, enabled by female mathematicians, and they still don’t realize that women can perform traditionally male jobs? Or does this anime take place in an alternate universe where women have done nothing but cook and have babies for the entirety of human history, but they somehow have The Jetsons-level technology anyway? If that’s the premise, in some ways that’s even more bizarre than the whole space fishing thing.

I can’t deny that this episode was entertaining, but mostly because I couldn’t believe the logic of what was supposed to be happening. The main character’s cluelessness annoyed me; I understand how that kind of character can be charming if handled properly, but her excessive ditziness just made me think that she really isn’t cut out for space fishing. The other characters didn’t make much of an impression, except for the female teacher, who just seemed overexcitable and unprofessional. Based on the way the female characters act, it’s almost like the men are right to assume that they can’t do an actual job.

Is it wrong if I watch this show rooting for the girls to fail, and hoping that the sexist oaf fishermen dudes end up being right about everything? Okay, I know that’s not how this works and the girls are going to end up being the very best space fishermen ever by the end of it, but wouldn’t it be kind of hilarious if it didn’t work out that way? Like, in episode 12, Haru was just like “Wow, space fishing is really hard if you’re a girl! My feminine little hands can’t even grasp the controls! I think I’ll just go back home and marry my cousin, that sounds easier.”

So yeah, I’m watching this show in the hopes that everyone fails miserably in their goals. This is usually called hate-watching, but you can’t hate a show where people fight space fish using magical spears; you just can’t. There is nothing hateful or hatable about this show, it’s just really bizarre that it exists and the fact that it’s based on a cell phone game doesn’t seem like a good enough reason for said existence. I will admit that the underwater environments are rather pretty, and that’s going to be my excuse for the 3-4 hours of my life that I will now waste on this series.

LB:

One thing I love about anime is that every time you think Japan has run out of ideas and is in a slump, something comes along to completely shatter that perception. In this series about grrl power, a group of young girls aim to go into space so that they can become space fisherwomen despite the odds stacked against them.

Right away, this series sets up the story and the challenges/sexism that these girls are going to face throughout the entire run of the series and it works. Within fifteen minutes I was cheering for these girls to show the boys what-for and give them a good space fishing whupping. Sadly, that doesn’t happen in this episode but I am absolutely dead set on watching these girls do their best to make the boys eat their words.

If the first episode is any indication, this is going to be a very fun series to watch this season and I can’t wait to see more!

Lifesong:

Fighting for equality against the patriarchy has never before been so filled with mobile game gimmicks. Taking on the force that kidnapped all the fish on earth and brought them to space is a rough job for a bunch of young women, but someone has to do it. It wouldn’t be fair to let the men have all the space mech fish fighting with mobile app fun to themselves. Fair warning, trying to follow this story requires a generous amount of suspending brain activity. Part of my mind is still in denial that this anime exists. Maybe it’s all just a hallucination? Nope! It’s still listed on Crunchyroll… And the episode still plays! Here we go…

Between the Sky and Sea felt like it was trying to capitalize on a popular political concept. Rather than attempt to make any kind of serious political statement, this anime exists to draw attention to a mobile game. The characters play the mobile game in space to power up their mechs and fight fish. The women are bad at it and that seems to be the story hook? I’m not sure. The sense of denial I’m dealing with here won’t be gone while writing this first episode is still relevant.

Oddest of all the bizarre elements at play is their teacher. She freaks out when one of her students uses a masculine pronoun to refer to herself. I get that she is sensitive because women have only recently earned the right to play mobile games in space, but… She needs to calm down. Patriarchal mobile games don’t justify freaking out at someone for referring to themselves with a masculine pronoun. More seriously, is that actually a problem in Japan or just a fantasy element added to this anime? I feel like heroines who use boku are common enough. I had to watch the scene a few times to make sure I understood why she was so panicked. I don’t know.

Despite all the ridiculous world building I did find Haru’s personality charming. She just wants to fish in space and seems to ignore all the nonsense going on around her. Can the politics go away and leave pure Haru alone to her mobile game fish-fighting in peace? I’m ignoring my suspicion that she isn’t smart enough to care and hoping the story isn’t planning to go there. It will, won’t it?

Maybe the message of this story will end up being politics suck, go fishing in space and play your mobile games. Don’t mind what others say even if people hate you and your stupid, worthless mobile game deity; Have fun and own it. If that’s the point this anime was trying to get at, then more power to it. I’m almost certainly giving it too much credit in an attempt to explain nonsense. I’m going to move on to something else before I spend more time looking to make sense of this anime, before my own sense of reality is harmed.

First Look: That Time I Got Reincarnated As a Slime

Lifesong:

Why is some robot voice granting special powers to a dying salary man? What kind of nasty stuff does he have on his PC? What exactly does it mean to be reborn in a fantasy world as a slime? That Time I Got Reincarnated as a Slime doesn’t attempt to answer the first two questions it throws at us; I fear it might cop out on the third.

Our protagonist isn’t an ordinary slime. If that’s what you wanted out of this anime, you had best give up now. Given the speed he is powering up I suspect he won’t be spending too much time as a blob- like object. Promo art and then the ED animation all but confirm a more humanoid form.

The pacing takes a slow approach to introducing us to our slime’s new home. The unique aspect of being reborn as a slime carries the episode and makes it into something funny. I’m glad the episode decided to focus in on the little details of what it means to be a slime. We don’t know why he is special exception to the general “slimes are mindless” rule, but the comedy makes it work. The implications of being a super powered slime are amusing to think about if nothing else.

How long it will be before Satoru has a reason to ingest a human and take on their form? Will he even keep the same name? Is he even still a he? I bet slimes are gender neutral and… Oh god, what is the appropriate gender pronoun for a slime?

To its credit and my surprise, none of the heroines show up in episode one. Instead, the first companion for our slime protagonist is Storm Dragon Veludora. I had a good laugh at his tsundere act. I’m not entirely convinced he won’t turn out to be a she and transform into a humanoid loli dragon form, but so far so good.

I expect this anime to have harem elements so it’s interesting the first episode didn’t feel a need to show any of it. We got a quick mention of wanting to “screw every girl I see” as he is dying, but that was it. It’s a safe enough bet the “predator” skill our slimy protagonist gets out of the whole dying deal will be the cause of harem antics. I liked the way episode one dodged around that for an episode and introduced us to dragon bro instead.

I’m not sure what I expect out of That Time I Got Reincarnated as a Slime, but episode one sold me on watching more. I felt like the storytelling both knows what it’s doing and feels confident about it. Those are good signs. I can’t wait to see how it all plays out as the implications of becoming a slime god in another world unfold.

Karen:

Funny, I had just been reading complaints about how the isekai genre was played out and creatively bankrupt, and then I saw this show. I don’t know if it’s going to prove to be all that innovative (time will tell), but it did an excellent job of reminding me why isekai stories are fun in the first place. It’s light and playful, but also goes into considerable detail about the kind of issues you might face if you suddenly found yourself reincarnated in another world. Questions like, can a slime see without eyes? And if you were reincarnated as a monster, how would you know what you were?

Probably the most interesting idea here is the notion that your “powers” in the other world are determined by your last words/thoughts in the human world. Granted, it seems like a lot of people would say some variation of “ow,” so pain nullification should be a common skill. Still, it’s intriguing to wonder where this system comes from. Is some benevolent, God-like creature trying to correct the injustices of life by giving good people another shot at existence, but kind of screwing up the finer details? Considering the way all-powerful dragon Verudora acts, I think powerful characters on this show may all be slightly confused and incompetent, which I dig personally.

I’m also really curious to find out what the deal is with the girl who apparently died during WWII. Maybe her last words were “Damn, I really hate fascism,” and her powerset involves being super-libertarian? Does that count as political humor, and if so, should I flog myself?

Just about the only thing I didn’t like about this show was the fact that the OP gives away the fact that Satoru, our slime-protagonist, eventually gets some sort of human form. You would think that would be a secret to keep under wraps for at least an episode or two, right? Of course, this may only bother me because I’m intrigued by the idea of the main character being stuck as a bouncing slime for 24 episodes, because it seems like it would be a nightmare for the writers. So basically, I’m a sadist who wants to see the staff of this show suffer, but you should probably ignore that and just focus on the fact that this show looks like it’s going to be some good, clean, JRPG-inspired fun.

Well, relatively clean; I don’t think we really want to know what was on Satoru’s hard drive.

LB:

I’m going to sum up why you need to watch this series in two words: tsundere dragon.

What? You need more? Alright, here goes… while I’ve said out loud in public that I am feeling “over” the isekai genre, this one caught me off guard with how downright cute it is. While the initial set up of Satoru getting stabbed out on the street and being worried about people finding out what porn he has on his computer during his dying moments is a little bizarre, the subsequent time that we spend with him in his slime form was absolutely charming.

While I didn’t like the change from his original gruff male voice to something much more high pitched and perky, that’s a minor complaint, since it ended up growing on me within a matter of minutes.

The only really frustrating thing about this episode is that most of it is spent explaining Satoru’s new basic slime skills rather than setting up the story and world that we’ll be spending the next 24 episodes in. With that much time to kill though, there is no real rush and while some people might find the pace to be a bit too relaxed, I have full confidence in what I’m now certain will be an enjoyable ride. Pick this one up early and get ready for two cours of fun.

Long Island Retro Gaming Expo 2018: Picks From the Dealers’ Room

This may shock you, but I spent too much money in the Dealers’ Room once again. I joked after Cradle Con that I wasn’t going to spend any more money on games or anime for the rest of the year and uh…yeah, I lied. I am a liar. I am setting a bad example for my family.

Nevertheless, I cannot go back in time and unspend all this money (not that I would), so I may as well take advantage of my fevered shopping spree by getting a blog post out of it. Seriously, if I go to Anime NYC (or any other con) anytime soon, I’m probably going to have to make a point of avoiding the dealers room, since I really can’t afford to do this. But enough realistic negativity, I have swag to show off!

I filled out my PS1 RPG collection with these two gems, which I’ve wanted for a long time. I’ve always been intrigued by the dating/weapon forging mechanics in Thousand Arms, and the job system in Star Ocean: The Second Story always sounded exactly like my cup of tea. There are PSP remakes of the early Star Ocean games, but from what I’ve read, I’m better off with the original here anyway. I wish I’d bought more of these games back when they came out, but back then, I only had so much babysitting money….

Speaking of RPGs, I needed this to fill out my FF collection so I can make good on my ongoing threat of Let’s Playing them all some day. Technically I do own these games already (Final Fantasy: Dawn of Souls for the GBA), but I’ve decided recently that I’d rather have everything in Playstation format when possible. PSX discs are readily available, usually inexpensive, and easy to (legally) play on the computer with an emulator.

For the record, I’ve never actually finished FF1; I’ve played about 75% of the way through it several different times, but just never completed it for some reason. I need to fix that sometime soon. FF2 I have yet to even attempt.

Not JRPGs? There must be some mistake!

I wasn’t planning on buying these, but I’ve been hearing since the ’90s that the Legacy of Kain series is high-quality, and these were really inexpensive. As an Eidos series, Kain is kind of like Lara Croft’s brother anyway, right? It made sense in my head.

After attending Leonard Herman’s panel on video game history, I was really curious to read his book. Phoenix has been around since 1994, but the fourth edition covers games history through 2015, so there’s a lot to go through here. I’ve started reading it and find it quite addictive, even if a lot of it is dedicated to covering dodgy peripherals for obscure systems I never knew existed.

Mr. Herman was really nice and even offered to help me raid the Strong National Museum of Play in Rochester to get at their JRPG collection, although I was kidding about that. Or…maybe he was kidding. Let’s assume someone was kidding.

Most of you probably need some background in order to understand why I absolutely lost my shit when fell over this. Versus Books was a company that put out unauthorized game guides back in the ’90s, and they’ve been all but forgotten today. What a lot of people don’t know is that in addition to being very thorough, the Versus guides were also hilarious; reading the Metal Gear Solid book is almost as fun as playing the game itself. Years ago, my brother wrote to the company to try to get a copy of this guide, but they were out of business at that point and it seemed like there was no way to get it.

I don’t know if they used this book to take the piss out of FF7 the way they did for MGS and Resident Evil 2, but if there’s even a chance, I have to find out. Plus, maybe I’ll finally learn how to master all those stupid Gold Saucer minigames that I suck at.

One of the only early Tomb Raider guides that I didn’t already have. I like to collect the TR strategy guides because I need them to complete the damned things I like the extra stuff that’s often included in these books. Chronicles was the installment of TR that came with the infamously robust Tomb Raider Level Editor (TRLE), so I’m curious to see what the book has to say about that.

Apparently magazine ads for games have become collectibles, which makes sense; they often make nice mini-posters. I didn’t think this was something I was that interested in until I saw that they had an add for Ehrgeiz, then I just had to get it. I got a few more of these while I was there (see header). Sadly, they did not have any ads for Parasite Eve. I also picked up one for the original Advance Wars for my brother, since that’s one of his all-time favorites.

These were free, yaaay! Old School Gamer Magazine was kind enough to give away sample issues to anyone who signed up for their email list. I’m glad to discover another print game magazine, since all my favorite ones ceased publication long ago. This mag just started last year, but it has a very experienced team of writers. I’m definitely going to keep up with it and hope they keep publishing it for a long time.


This concludes my posts on LIRGE for 2018. I hope you all enjoyed getting a peek at this fun convention, and consider coming down in 2019 if you’re anywhere near the NY area. LIRGE also includes Tabletop Expo, which I did not cover because I had my hands full with the video game component, but I hope to spend more time there next year. Tabletop Expo might be spun off into it’s own convention next year, so definitely keep tabs on the LIRGE website if you’re interested in attending either or both.

Summer 2018 Anime Season Preview

While last season was absolutely loaded with big-name franchises, this one only has a few; most of the shows listed here are new to anime. Because of that, anime fans seem a lot less excited for this season than they were in the spring, and maybe they’re right to be? I think a lot of people are secretly hoping for a severely sub-par anime season, so they won’t be watching much and can devote the time to catching up on their anime backlog.

You know what though? It’s never going to happen. Even if this season is horrible, I just don’t believe anyone is going to get around to finally sitting down to watch Tatami Galaxy, or the second season of Arakawa Under the Bridge. It’s probably just as well; I hear tell that if you ever finish watching everything in your anime backlog, you get transferred to another world with nothing but your smartphone and a box of Strawberry Pocky, and who needs that? I wouldn’t be caught dead in another world without Almond Crush Pocky.

I’ve used English names where appropriate; in most cases, these shows haven’t been licensed yet and do not have official English titles.

Attack on Titan, Season 3

The biggest name of the season, and consequently the show it would make the most sense to cover here at Otakusphere. Unfortunately, I jumped ship on AoT somewhere in the middle of season 2; I respect a lot of the things that it does, but I just don’t enjoy it anymore. When a story has a tone of not just darkness, but the kind of oppressive bleakness that AoT has, I think it benefits from being concise. This story has gotten dragged out past my capacity to care about this particular world.

If you’re psyched for the return of the show, hey, more power to you; I wish I could be on the same page. But unless I hear that the Survey Corps found a beautiful, Titan-free Utopian city with infinite food, where Eren and Mikasa can get some much-deserved chill time, I’m not watching this.

Free!-Dive to the Future (Season 3)

Yaay, a returning third season of a show that I’m actually up to date on!  This doesn’t happen often. Free! is really the perfect summer show. You could say it’s all pretty visuals and light on substance, but considering what a refreshing take on masculinity the show often displays, that may not even be true. What I particularly love about this show is that it makes me get off my ass and go swimming…like, I’ll be sitting around the house, about to be lazy all day, then I’ll think of how beautiful the water always looks in Free! and actually go outside. I don’t know if it’s even possible to watch Free! without jumping into the nearest pool immediately afterwards.

The thing is, much as I love it, it’d be a pretty boring show to cover episodically…unless I go to town commenting on the manservice. Then I’ll feel like a dirty old lady, but is that such a horrible thing? Is the anime blogosphere even ready for Dirty Old Lady coverage of Free!? Probably not! But now that the idea has occurred to me, I don’t think I can resist.

Everyone who isn’t a fujoshi, go hide. Find the deepest, darkest cave you can find, and hibernate. Make like Green Day and only Wake Up When September Ends, you don’t want to have to see this.

Gintama: Silver Soul Arc, Season 2

I mention Gintama out of a sense of obligation, because it’s a very major franchise that must have a whole lot of fans. However, it’s one of few big shounen franchises that I have no familiarity with whatsoever. I may not have seen every episode of Naruto, Bleach or One Piece, but I’ve seen a bunch; Gintama, not even one episode. Furthermore, I don’t even remember talking to another fan who was into Gintama. It’s always been weirdly invisible to me.

This anime has been airing in different forms since 2005, so it’s not like I’m going to catch up between now and the start of the season. But I feel a sense of what I can only call Gintama Guilt; as an aniblogger, I should at least know what this show is. Maybe I’ll just watch the first episode of this season and then try to make sense of it. I’ll be like those movie reviewers who went to see Avengers: Infinity War and then complained that it made no sense because they hadn’t seen the previous 15 movies…only in a funny, self-aware sort of way? Maybe this is a bad idea.

Overlord, Season 3

This series is a member of the elite club of “Wilson’s shows,” AKA shows my husband will sometimes watch on Saturday morning while I’m still asleep. So I’m not that familiar with it, but I have woken up in the middle of it, and let me tell you: that’s disorienting. Plus, whenever the main dude says his own name, I always think he’s saying “Own goal” and for some reason find that hilarious.

This is another one I won’t be watching– well, I’ll probably see like 5-10 minutes of random episodes while I’m semi-comatose on the couch before coffee, but that doesn’t really count. I do think it’s worth noting that in a season swamped with isekai shows, Overlord stands out as having a clear identity; there just aren’t that many shows where the skull-headed leader spends half of every episode lecturing his legions of minions on the day’s agenda.

Marvel Future Avengers, Season 2

Buh, what? Before putting pen to paper to write this season preview, I had no idea Marvel Future Avengers existed period, let alone that it was returning. Apparently it’s a kids show that hasn’t been too well-received. I wonder: does it deserve all the bad ratings it’s gotten, or is it getting slammed in the reviews because a bunch of adult Marvel fans are trying to enjoy something aimed at 6-year-olds? No idea.

Thinking back to how the X-Men anime turned out, it seems like these Marvel-to-anime productions never go that well. I guess this might have some use if you’re still hyped from Infinity War and need to get your Captain America fix from something…or if you’re six years old. Do I have many six-year-old readers? Kiddos, if you’re out there, please do not read my upcoming posts on Free! S3, okay? Kindly avert your innocent eyes.

Banana Fish

This manga is an institution. I remember hearing about it as far back as the ’90s, although I never got around to reading it. Looking at the description, it really doesn’t look like my cup of tea, but…I kind of want to try it anyway. I think I’ve always been subliminally impressed at how cool “Banana Fish” sounds when you say it out loud; it’s euphonic.

Stories about ruthless teen-aged killers and their evil mob bosses usually don’t hold my attention for too long, but you never know; it all depends on how the story is told. Maybe there’s a good reason I’ve been hearing about Banana Fish for decades now; time to find out.

How NOT to Summon A Demon Lord

One of the aforementioned flood of Isekai shows hitting this summer, this one sounds pretty typical. I’m pretty sure we have a few light novels for this series, but I haven’t read them yet. I could actually read them, then talk about what changes they’ll make to the anime adaptation like a knowledgeable person, but let’s be honest: that’s not going to happen.

The premise involves an awkward gamer guy enslaving (albeit accidentally) two hot girls, so expect the usual suspects to be freaked out by the fact that male fantasies exist. I’ll give it an episode; it’s certainly not being made with me in mind, but it at least has the potential to be funny. If it’s not bringing the humor though, I can’t see why I’d continue. I guess it’s possible that it could have an incredibly interesting fantasy world or something, but I’ll believe it when I see it.

Back Street Girls

I usually don’t do this, but this is one time where I think the capsule description should be included in its entirety:

A group of 3 yakuza failed their boss for the last time. After messing up an important job, the boss gave them 2 choices: Honorably committing suicide, or go to Thailand to get a sex reassignment surgery in order to become “female” idols. After a gruesome year long training to become idols, they successfully debut, with overwhelming popularity, much to their dismay. This is where their tragedy truly begins.

…Uh….

….where to start here….

It’s like you rubbed a magic lamp and said “Genie, please give me more representation of trans people in anime!” only to find out too late that this wasn’t a friendly, Disney-style genie; no, this was a true djinn, a proud and vengeful creature of fire and air that has existed since before the beginning of time, slumbering for strange eons, and now it’s insanely pissed at you for waking it up. So it grants your wish, but only in a way that’s more painful than killing you outright; that’s the only explanation for how this show exists.

It’s theoretically possible that this could plumb some interesting gender-bending territory, but most of the people who would be really interested in that sort of thing will probably be so put off by the premise that they won’t stick around long enough to find out. See, now I’m not sure if I want this to be good or if I want it to be terrible; defending a seemingly offensive show that actually has some redeeming value is my typical MO, but it this case….maybe it would be better if it was just God-awful from the getgo, and I never had to think about it again.

I have to try an episode of it though, because…because I just have to. Because otherwise, I’ll never believe that this was a real anime. What kind of whacked-out, fringe studio thought this would be a good adaptation to add to their catalog? It’s got to be some obscure, no-name, little…oh…oh, I see….

It’s J.C. Staff.

That makes a warped kind of sense, actually. J.C. Staff’s output is like a box of chocolates; a box of delicious chocolates that occasionally includes a sheep’s eyeball, for no reason.

Hyakuren no Haou to Seiyaku no Valkyria

One of the aforementioned torrent of isekai shows hitting this season, this one involves a guy who uses his “solar-powered smart phone” to help his allies. Geez, was In Another World with My Smartphone really that popular? Or just a harbinger of things to come?

This fantasy world appears to be Norse-flavored, so we’ll see if dipping into that rich mythology is enough to make this show stand out from the pack. The only anime that comes to mind that’s done a really good job with Norse mythology is Oh! My Goddess, which is a different genre entirely, so maybe there’s some room for them to do something new here.

Huh, now that I wrote that, now I’m sure there are probably about 30 famous anime that are heavily based on Norse mythology, and I’m just forgetting them all at the moment. If you know of any, remind me in the comments; I’ll feel stupid, but you’ll be spreading valuable knowledge.

Shichisei no Subaru

One of the absolute tsunami of isekai shows hitting this summer, except…I think this one may take place entirely in an MMO, without the MMO becoming “real,” so does that even count as an isekai show anymore? Who makes these rules?

Apparently it deals with someone who died in real life but still exists in the game, and I’m having serious .hack flashbacks. Hey, remember .hack//SIGN? Twenty-six episodes of characters saying “How is it that Tsukasa can’t log out?”, “What do YOU think of Tsukasa?”, “Is Tsukasa alive in the real world?”, “Are you waiting for Tsukasa?” “What does Tsukasa think about the fact that he can’t log out?”, oh my God, it was excruciating. But we all watched it for that gorgeous Yuki Kajiura score, didn’t we? Pretty sure Subaru doesn’t have that going for it.

I’ll give this a shot, although to be honest, I can’t be sure if I’m hoping it’s something like a new .hack or dreading it; like, I don’t want to go through another .hack//SIGN experience, but I kind of feel like it’s something we need every once in a while, like an annual physical or something? It’s hard to explain. I’m just going to have to try to get past the fact that every time someone says “Subaru,” I’m immediately going to think “Emilia-tan! Emilia-tan!”

For those not in the know, that last bit was an in-joke about the anime Re:Zero; yes, while talking about anime, I make dumb jokes about different anime. Because I feel the need to show off that I watch a lot of anime; just having this blog is somehow not enough.

Tenrou: Sirius the Jaeger

Vampires and werewolves fight each other in the 1930s; this could be fun. However, it’s being done by PA Works, which I do not associate with this kind of material. In fact, even though they just did Uma Musume and that should be my new association, I will always associate this studio with Hanasaku Iroha, a show that was as interesting as watching individual blades of grass grow. Like, they were beautiful pieces of grass, filled with morning dew and reflecting the sunshine and all, but you were still sitting there, watching grass grow.

It would be entertaining if PA Works applied that kind of languid pacing to supernatural creatures beating the tar out of each other, but they probably won’t; it’ll probably be paced appropriately, but just not that exciting. The best thing for this show would be if the vampires turned out to be crazy-ass Hellsing-type vampires, but then it would be so firmly in the horror camp that I wouldn’t want to watch it, so uh…yeah. Probably not one for me, but there’s potential here, at least.

Happy Sugar Life

LB called my attention to this one a few weeks ago, and I’ve been mildly afraid of it ever since. It’s about a teenaged girl who will do anything to protect her (underaged) love interest, including murder. These kinds of stories just don’t appeal to me, and I’m not entirely sure why.

I could say they make me uncomfortable, but it’s not like I’ve ever had an experience in real life that would give me a basis for being any more uncomfortable with this than any other story with a dark edge to it. I could say that I don’t like it because one of the lovers is underage, but a)age tends to be really arbitrary in anime anyway and b)the two girls may not even have sex, or get anywhere near having sex, so I’m not losing any sleep over that.

Basically the only thing that’s of interest to me about this show is the use of the phrase “Happy Sugar Life,” which should win some kind of prize for Most Ironic Title of Summer 2018: Ezo’la, I may not enjoy your show, but as a fan of smart-ass titles, I salute you.

Grand Blue

Remember how I said I was happy to be done with Amanchu!? Apparently I’m not really done with Amanchu!, because this show sounds exactly like a gender-swapped Amanchu!; a scuba diving show featuring a boy who hangs out around his family’s eponymous, diving-based business.

It’s possible this show will hash out it’s own identity, but I’m afraid. I’m afraid that instead of bitching every week that Pikari and Teko aren’t going scuba diving often enough, I’m instead going to be bitching that this kid and his buddies aren’t going scuba diving often enough, and I don’t want to be that person; I don’t want to be the girl always complaining that an anime isn’t doing exactly what she wants. But, gosh-darnit, is it so much to ask for a show about scuba diving to heavily feature scuba diving? IS IT?

In any case, I’m going to do my best to put thoughts of other shows out of my head when I watch this and give Grand Blue a chance to prove itself. Plus, on another level I’m kind of happy there’s going to be another ocean-centric show; just like FREE!, this kind of stuff really belongs in the summer season, after all. But God help me, if they start pulling any magical realism shit mid-season, I’m going to be pissed.

Harakuna Receive

Another summery show, this one focuses on beach volleyball. Typically you would guess that this show would be full of fanservice, via tons of bathing-suit clad babes and convenient camera angles, but I wonder; that’s not a given these days. Lately these shows about female athletes seem to focus on the athletics more seriously than you would expect. How much fan service was there in Uma Musume? Scorching Ping Pong Girls? Keijo!!!!!!!!?…okay, forget Keijo for a second, but still. There’s definitely a trend of some shows being more subtle with the fanservice and leaving the “lewding” to the doujinshi, and I’m wondering if Harakuna Receive will be one of those.

See, now that I’ve said that, this show will probably be 99% bouncing boobs and I’ll feel like an idiot for suggesting otherwise. Still, if it’s all boobs I won’t watch it, but people who enjoy boob anime will have one show they’re into this summer, so it’s all good. I’ll give this a chance to see if they’re going to take the volleyball angle seriously, but I won’t be terribly disappointed if they don’t.

Hanebado!

Another girls’ sports anime, this one about badminton. You know, a few years ago I would have passed over this without a second glance, but now I’m looking forward to it. If Scorching Ping Pong Girls could make ping pong exciting for me, when I have no interest in it, this show can probably do the same thing for badminton.

Come to think of it, whether or not I care about the real-life sport seems to have no bearing on how much I like a sports anime. I couldn’t possibly care less about football, but Eyeshield 21 is one of my favorite series of all time. Hmm, now that I’ve made that connection, I’m kind of hoping Hanebado! will turn out to chronicle the adventures of a girls’s badminton team managed by Satan, but I’ll probably have to settle for a non-hellspawn team. I’ll manage, somehow.

Cells At Work!

Of all the things to anthropomorphize, now red and white blood cells are getting a cuteness makeover. It’s a clever premise, but I feel like it might be unhealthy for me to watch this show; I’ll over-identify with all the different cellular organelles and it’ll start seeping into my daily life.

“Wow, I feel so energetic today, thank you Mitochondria-chan! I’d better eat a good breakfast to keep White Blood Cell-kun strong!” No thanks, I have enough problems overthinking my biology as it is. I approve of the fact that this show is being made in a general sense, because it’s different, but I’m not watching.

Aguu: Tensai Ningyou

This is going to be a dancing anime, which is cool; we don’t get a lot of those. I haven’t seen Welcome to the Ballroom yet, but supposedly that’s basically a shonen sports anime with dancing, so Aguu: Tensai Ningyou may be more artistic. However, instead of just being about dancing, it’s also about little palm-sized spirits and some kind of civil war going on between them: the war between the “Seamstresses” who somehow create these little spirits, and the “Saviors” who…fight them? Dance the tango with them? It’s all a little vague.

I keep thinking about the fact that “seamstress” used to be a codeword for “prostitute,” and I should really put that out of my mind, because that slang hasn’t been used in like 100 years, but I can’t help it. Now I’m imagining all sorts of things that likely have no relevance to this show, and it’s making it hard to focus. I definitely want to give this show a try, but I really have no idea what to expect. If it seems like the anime is inspired Black Swan, it will trigger my deep-seated fear of all things related to Natalie Portman and I’ll have to bail. Hopefully it won’t come to that.

Chio-chan no Tsuugakuro

A girl tries to get to school; mayhem ensues. This could possibly be really clever and fun, but it also could be really repetitive and stupid. It would be great if the obstacles that Chio encountered on her way to school started off mundane and became more and more elaborate over the course of the show, until there’s a full-fledged alien invasion or something getting in her way, but I’m not sure; the fact that one of the scenarios that Chio is going to have to fight is “a sudden urge to go to the bathroom,” does not exactly fill me with confidence.

I’m assuming this is a short, because it’s hard to imagine a full-length anime with this premise, but I’ve been wrong about that before; we’ll see. If if it’s not a short, it might be downright painful to watch; some things are charming in three-minute installments and should never break out of that mold.

High Score Girl

Hell yeah, an anime all about video games circa 1991! I’m excited for this one. I want to remember my childhood, but of course I didn’t grow up in Japan, so it won’t really be my childhood; still, it feels like a good opportunity to remember someone’s childhood.

Remember the ’90s, back when we thought Francis Fukuyama was on to something with his whole “End of History” theory, and we thought life (and video games) were just going to keep getting better and better forever? Well, we were kind of right about the video games part, but damn, things have just gotten dark since the ’90s. Granted, plenty of awful stuff happened during the ’90s too, but we weren’t aware of it at the time, so it sure seemed like the world was becoming a better, safer place every day….

Okay I’m getting too far afield of the anime preview, but I’m really interested in seeing what this anime does. If it focuses on the culture of ’91, that will be really interesting, but even if it only focuses on video game culture specifically, that too appeals to me. I just hope they don’t make the mistake of making a production that feels identical to 2018 shows with a thin overlay of ’90s era style. I want this to be so ’90s that I’m thinking about Pogs, Tamagotchis and the cool jacket that kid in the Crossfire commercials used to wear. Remember that game? I had that game. I bet you’re jealous now!

Phantom in the Twilight

A supernatural cafe in London, full of hot guys, that only opens at night; if you’ve ever read Otakusphere before, then you probably know that they had me at “cafe.”

Seriously, I’m cautiously optimistic about this one. This could be one of those classy occult shows that anime (and seemingly only anime) do so well, like Kakuriyo: Bed and Breakfast for Spirits or Mushi-Shi, but that’s far from a guarantee. Studio LINDENFILMS has a kind of odd back catalog of work, but they did make Poco’s Udon World, a lesser-known show that I really liked, so they’ve got some cred in my book. My fear is that there’s going to be too much emphasis on all the mysterious, handsome men, and the show is going to try to get by on attractive character designs instead of good writing.

The thing with mysterious, handsome male characters that writers often screw up is that if you bring them too much to the forefront, they cease being mysterious. They they’re just handsome, which is boring on it’s own. If the hot guy characters remain enigmatic figures in the background, and the story focuses it’s energy elsewhere, this could be a good show. If.

Kyoto Teramachi Sanjou no Holmes

It’s a mystery series that takes place in a coffee shop…oh wait, no it doesn’t. It takes place in an antique shop. Well then, fuck you and the horse you rode in on, show! I only watch coffee shop anime!

Okay, I am capable of watching things that take place in other places of business, I just don’t know if this series sounds that appealing. Whenever I’ve tried to watch an anime mystery show, it’s always been pretty poor– GoSick, God’s Memo Pad, etc. Then again, maybe this’ll be the one with good writing that will make me feel bad for my negative opinions toward mystery shows? The fact that the leads are chasing down the mysteries of these old antiques means that the show does have the potential to be interesting, and even poignant, but I’ll believe it when I see it.

Tsukumogami Kashimasu

Another antique shop setting…not really antiques, but miscellaneous household goods, which is close enough. Except, this one is a historical taking place during the Edo period, and the household goods tend to be haunted. I kept getting confused between this show and Kyoto Teramachi Sanjou no Holmes, trying to remember “Which is the show where the items are haunted, and which is the one where they’re worth a lot of money?”

Another show with the potential to fit into that “classy occult” category that I like so much, but it also has potential to be a bit of a snoozefest, I think. It might be entertaining to watch both this one and Kyoto Teramachi Sanjou no Holmes and see which one comes up with better episodic stories about inanimate objects. I might make a spreadsheet.

Senjuushi

Oh no. Oh noooo. It’s a gun anime. It’s a post-apocalyptic dystopia where people are forbidden from owning firearms, and then the spirits of classic guns materialize to fight for the good of the world, or something.

I have to admit, sometimes I have trouble separating a show from how it’s going to be perceived in the Western fandom, which is unfair. Because all I can think about is the complaints this show is going to spawn about “conservative propaganda” and “alt-right talking points,” and I’m already tired of that discussion, and the show hasn’t even started yet.

Look, I’m not saying that the show is going to be any good, or that political criticism is automatically bad, but can we just remember one little thing here? That this show is Japanese, made from a Japanese perspective, and applying American politics to it (especially fringe American politics that aren’t that well known outside of the U.S.) doesn’t make a helluva lot of sense?  Can we let it exist in its own proper context without dragging it into a minefield where it was never meant to survive?

I don’t know, maybe this will actually be fun to watch, but the so-called “discourse” around this show is probably going to make me want to stay far, far away.

Ongaku Shoujo

It’s about c-level idols, and I’m sorry, but isn’t this called Wake Up, Girls!? I’d like to say that I liked Wake Up, Girls! enough the first time, but the fact is that no one liked Wake Up, Girls! the first time; it’s a show that keeps getting sequels despite having , seemingly, zero fans. It’s one of those anomalies of nature, like how bumblebees can fly when all the laws of physics say that they shouldn’t.

Maybe Ongaku Shoujo will stake out an identity of it’s own, but I have enough trouble getting invested in idol shows that are happy and optimistic from the getgo; I really don’t want to watch a show about sad, wanna-be idols who are living on instant ramen to get by. Only way I’m watching this is if I hear good things about it after a few episodes have aired.

Shoujo Kageki Revue Starlight

This looks to be the more typically bright-and-happy idol show, as opposed to Ongaku Shoujo, so maybe try this if you haven’t had enough Love Live!/Idolmaster/etc. I mean, it’s hard to believe that there’s someone out there who hasn’t had enough of that, but I’m sure this person exists, and they too deserve to feel joy.

I might check out the first episode because one of the girls is named Karen and I like keeping tabs on my anime doppelgangers. But unless this show has something different to offer right out of the gate, I’m focusing my attention elsewhere.

Sunoharasou no Kanrinrin-san

This looks like it’s going to be a cute-girls-doing-cute-things show, except one of the girls happens to be a boy. This might end up being the show this season that does some exploration of gender identity, without being ridiculously offensive to 99% of the audience right out of the gate the way Back Street Girls is.

It’s hard to predict with this one; it all depends on how main-guy Aki’s issues with gender are treated. If they use them as a source of cheap jokes, that sounds pretty bad, but if it’s a CGDCT show, it’s hard to see how they could avoid those kinds of jokes even if they wanted to.

I’ll give it a shot, but if the pattern is Aki tries to act like a boy–> the girls treat him like a girl and giggle–> he gets mad, rinse and repeat, I’m not sticking around. Sadly, I think that’s the most likely scenario.

Yuragi-sou no Yuuna-san

Wow, there are a lot of haunted anime this season. This one is about a hot springs inn haunted by the ghost of a 16-year-old girl, and the poor guy who gets roped into helping her with her unfinished business. I might have skipped this one just on the basis of there being so much other occult stuff this season, but I’ve heard some good things about the source material, so I’ll at least give it a try.

It’s made by Xebec, who are largely known to the world as makers of fanservice anime, and largely known to me as makers of Softenni in particular. I doubt it’ll happen, but if this show takes the Softenni approach to broadcast censorship and covers the girls’ privates with pictures of adorable cows and sheep, this is going to rocket up to “must-watch” status.

Island

Man washes ashore on mysterious island, begins mad quest to save the island from its decline; cute girls are involved. My gut is telling me that this is going to be overly ambitious and boring, but hey, my gut has been wrong before. This was one of the first summer shows to air and the first episode is already up on Crunchyroll, so there’s no need to wait if you’re curious.

Jashin-chan Dropkick

Violent slapstick comedy where a deranged gothic-lolita type summons a demon girl, and the two beat each other up a lot or something. I have a weird feeling that this is going to be like the evil twin to Miss Kobayashi’s Dragon Maid; a story about a relationship between a human girl and a powerful, non-human woman, only instead of warming your heart and filling you with hope for the future, it just makes you want to sit down and cry.

I have a bad feeling about this for some reason, but studio Nomad does have a pretty solid comedy track record with shows like Ika Musume and Ouran Host Club to their credit. So it could be very funny, I just can’t shake the sinking feeling that the jokes are going to get old halfway through the first episode.

SHORTS:

Cinderella Girls Gekijou, Season 3

I always forget if this is a spinoff of Love Live! or Idolmaster (*checks wiki; it’s Idolmaster.*) Considering I’ve never seen any Idolmaster proper, I’m certainly not starting with this, but I mention it here for an important reason: for idol fans, it seems like this is the anticipated show of the season, more than Ongaku Shoujo or whatever else is starting this year. Which is pretty impressive, considering that it’s a short.

You go, idol fans! Wallpaper the internet with your Cinderella Girls fanart, it’s all good. I don’t have to watch the show to share a tiny piece of your happiness.

One Room 2

The big debate with the first-person-perspective show One Room was whether it was really creepy, or just sort of mildly creepy; I found the first episode so boring that I never properly found out. But apparently some people really enjoyed contemplating that question, because One Room is back with another room…or maybe the same room? It’s probably the same room.

I wonder; if I decided I wanted to watch this season, do I need to watch the original? Like, is there serious One Room continuity? Or is it like “Yeah, he talked to this girl in his room, then they went down to the vending machine and got a soda, then they went back to his room, then she said ‘bye’ and that was the end of the season.” Now I want there to be a tremendously detailed One Room wiki so I can catch up on all the lore!

(I just checked…there is no wiki…I am sad. Someone get on that, please.)

BanG Dream! Girls Band Party Pico

I am embarrassed to admit that I didn’t know what BanG Dream! was until just now. Apparently it’s a K-On-esque show about a bunch of girls who form a band, and Party Pico is it’s little chibi spinoff. If you like watching cute chibi girls do whatever, you probably can’t go wrong here.

See, I’m just mad because after finishing Sound Euphonium S2, I thought I had seen all these ‘girls in a band’ shows, but no, there’s more. I promised myself I wouldn’t watch Kids on the Slope (the boys-in-a-band show) until I finished all the girls-in-a-band shows, and now it looks like it’s never gonna happen. Damn you BanG Dream!, ruining my summer viewing plans!

Asobi Asobase

This isn’t listed anywhere as a short, but I’m putting it in the shorts category because I refuse to believe it’s a full-length show. It’s about girls who play hand games and…that’s it. They play hand games together.

Tonari no Seki-kun proved to me that a show about nothing more than kids goofing off can be great, especially if it’s a short. But unless Asobi Asobase is bringing Seki-kun levels of devious brilliance here, I find it hard to imagine this being entertaining for more than one episode. Hey, maybe I’ll be wrong; maybe Asobi Asobase will be the surprise hit of the season that we’ll all remember years from now. But right now, just thinking about it seriously makes me want to lie down and take a nap– not even kidding, I’m going to spend like two seconds writing something on Encouragement of Climb and then I’m taking a nap.

Encouragement of Climb, Season 3

FUCK YEAH MORE ENCOURAGEMENT OF CLIMB, BEST SEASON EVAH! CLIMB THOSE MOUNTAINS GIRLS, SHOW ‘EM WHO’S BOSS! AOI, TRY NOT TO GET ALTITUDE SICKNESS AGAIN, THAT SHIT IS DANGEROUS! SHOW THOSE LAZY YURU CAMP BITCHES WHAT IT MEANS TO BE OUTDOOR GIRLS!!!!!

…oh yeah, I went there, Yuru Camp fans. What are you gonna do about it, huh? I’d say COME AT ME, BRO! but I’m about to go lie down and take a nap for about three hours, so don’t come at me, that would be bad sportsmanship. Hey, have you ever heard that writing about shows you haven’t even seen for several hours can make you lightheaded and delirious? I just learned that today.

Finishing up the Spring 2018 Anime Season

Here are some closing thoughts on shows I didn’t blog, but still watched this season.

Comic Girls— I lost interest in blogging this episodically about halfway through the season, but still kept up with it. It was a perfectly nice slice-of-life show about girls who draw manga, except I wanted something a little more serious– like Bakuman, only with girls– and that was not this show. I think it’s okay to acknowledge that a show turned out to be different from what you wanted, as long as you realize that the creative team had no responsibility to deliver specifically what you wanted. There was never any indication that the show was going to be anything other than what it was, so really, the fault is with me for looking for something that was never meant to be there.

Still, even if the show wasn’t quite what I was looking for, it did have its moments. Kaos’ struggle with finding her voice through manga was a very relatable depiction of artistic insecurity, and as a result, her eventual success feels more hard-won than it usually does in these learning-your-craft tales. Her self-deprecation and frequent crises of confidence may have seemed over-the-top, but that’s what made it work; she basically acted out every insecure thought that many artists have, but usually force themselves to hide. People who say “I suck” over and over again in real life tend to be annoying, but it works when you’re an adorable anime character with pink braids running down your back, I guess.

This is another one of those shows with yuri moments all over the place, but nobody ever actually uses the word “lesbian,” or any other terminology that would make it explicit. I wonder; do people not count shows like this as increasing LGBT representation because they don’t label it that way? Are they right to feel that way? Nevertheless, I can’t imagine anyone even trying to deny that Kaos is a lesbian; the evidence is overwhelming. Maybe there’s one person out there somewhere who thinks that Kaos isn’t gay, but that person probably also thinks that Attack on Titan is really about bowling.

Uma Musume— This show is unusual in that it ended up being good in a completely different way than I anticipated. At the beginning of the season, I thought that if Uma Musume was going to be watchable to anyone but people with a highly specific horsie-girl fetish, it would need to embrace it’s own audacity: Go big or go home, make it as nuts as possible. Like Keijo!!!!!!!!, I guess.

Instead, they went the other route and made a show that was entirely about female athletes, with the gimmicky elements substantially toned down. Not only was the idol singer aspect minimized after the first episode or two, even the “girls based on famous horses” shtick wasn’t that important; you could take the racehorse connections out of this show, make it entirely about female track runners, and it would remain pretty similar. The horse aesthetics add charm and flair and whatnot, but end up being pretty unimportant in the grand scheme of things.

Above all, they managed to make the race sequences exciting, which I wasn’t expecting. Main girl Special Week lost often enough that victory never felt pre-ordained, and the show managed to drag out the races a little bit for drama without slowing them down too much, not an easy balance to achieve.

All in all, a really pleasant surprise this season. I seem to be in good company with this opinion, because despite the jeers before it started airing, I don’t think I’ve heard a bad word about it since it started.

Kakuriyo, Bed and Breakfast for Spirits— This is continuing for another cour, but I wanted to mention it here since I don’t think I’ve talked about it since the Spring Season Preview. Anime seems to have a monopoly on this kind of show: a story that focuses on sometimes-creepy occult creatures, yet with tons of class, warmth and playfulness. If any non-Japanese creators have ever done a show with the feel of this (or Kamisama Kiss, or The Morose Monokenean), I’ve never come across it.

Ai is a great heroine, because she’s a strong character who displays that strength in ways other than kicking ass. I hate this idea that for a character to be “strong,” they have to be a badass ninja who can beat up all of their enemies or something. Ai mainly influences her world through cooking, but she does it in a very assertive, decisive way.

She also doesn’t fall into the typical anime trap of compromising her own safety just to make a stupid point. She refuses to marry the Ogre Inn Master, instead opting to work off her family’s unpaid debt as a cook. However, characters frequently call her “the Ogre Bride” or “The Ogre Master’s Intended,” and she never corrects them, because for a fragile human in the spirit world, having that perceived status is helpful. Either that, or she doesn’t bother correcting them because she really doesn’t give a toss what anyone else thinks.

I don’t know if this really needed to be two cours; my gut feeling is that I’m going to find it dragged out by the time it stops airing in the fall. But maybe the second cour will introduce some twists that keep things lively.

Isekai IzakayaWhen it started, I thought this show was just an inferior version of Restaurant to Another World, and it never did anything to disabuse me of that notion. It’s a serviceable food anime, if you like watching anime characters cook and eat things that look delicious, but that’s really all it has going for it. While Restaurant had this delightful air of magic and mystery, we never get to learn much about the world of Isekai Isekaya; it seems to be a vaguely medieval setting with little character.

That said, this show is pretty much critic-proof. If you like food anime, like I do, then you tend to watch everything, because there isn’t all that much of it; if you don’t like food anime, this would never be on your radar in the first place. The live action bits at the end were intriguing, but sometimes it felt like I was sitting through a boring episode to get to the interesting 3 minutes at the end, which is a shame.

Yotsuiro Biyori— This show gave me exactly what I asked for, nothing more and nothing less: a relaxing, slice-of-life show taking place in a cafe, focusing on four handsome dudes, with a healthy side of food porn. There is a larger plot involving main guy Sui and his cold-as-ice, businessman brother, but honestly, very little happens with that and it doesn’t even matter. This show isn’t quite Yuru Camp levels of comforting, but it’s kind of along that same continuum. As the season progressed, I found myself looking forward to this one more and more every week.

I’m afraid this show will likely be forgotten in the future, but I think it should be added to the list of shows that are great to watch when you really need to chill out: Yuru Camp, Non Non Biyori, Three Leaves, Three Colors, etc.  I don’t feel like there’s any real need for a second season, but if they make one, I will watch it.

Final Fantasy, Part 1

FinalFantasy

I figured that it was time to make good on my ongoing threat to start blogging the Final Fantasy series from the beginning. I’ve played many of the games, some of them multiple times, but there are several entries I’ve either left unfinished or never even tried. This seems like a good opportunity to raise my FF fandom level from “considerable” to “nuclear,” and that kind of upgrade is always appealing.

However, trying to think of any kind of structure for this beyond “I am playing the games and writing stuff down,” felt pretentious, so I’m just going to do this in the form of sharing my notes as I play. This may change as I get to later FFs that I could probably write entire books about; I will try to restrain myself (but not very hard.)

Continue reading Final Fantasy, Part 1

Sketchblog: Yet More Riorla

Riorla_leaflJust a sketch I did of Riorla the other day that came out pretty well. It was weird, because I started this drawing all wrong– no stick figure or anything– but it didn’t seem to matter in the end. I should probably try starting the “wrong” way more often and see what happens.

Even though I draw her differently pretty much every single time, Riorla has become my go-to character to draw when I feel like doodling but don’t have anything particular in mind. Back in the day, it was Aeka, but my favorite Dryad has replaced her. I’m still working on Riorla’s game, but it’s been hard to find the time to finish it now that I’m back at Japanator. One of these days I need to sit down at the computer and bang out a few more illustrations for the opening cut scene, because that’s the main thing I still have left to do at this point.

Oh, and of course there’s balancing the battles and whatnot, but who needs that? Meh! Details!