Tag Archives: convention

Anime NYC Part Two

As you already know if you saw my status update, trying to attend a huge, huge convention didn’t work out so hot for me. That said, there’s still some stuff I did at the con that I wanted to write a little about before we get too far past it. Besides, whatever problems I was having, at least I had tons of cool cosplayers like the above gender-flipped Sailor Moon Boy Band to cheer me up.

Saturday, Nov. 17 was unofficial Manga and Light Novel Day at the con, since most print publishers had their panels that day. I was able to attend panels for Kodansha, Denpa Books and Vertical, Inc.; I wanted to attend the Viz Media panel, but that was full to capacity before I even got there. Curses! It’s like Viz has mega-popular franchises in their catalogue or something. Yen Press also had their panel that day, but unfortunately, I was getting sleepy and dragged my sick ass back to the hotel instead of staying for it. Unfortunately, I couldn’t attend nearly as much as I wanted, but on the plus side, I found the panels I did attend to be quite interesting.

Manga Library

They had twice as much manga as this, but I didn’t take a pic of the whole room because I didn’t want to get photos of people reading their manga. Privacy, yo.

Not a panel, but I wanted to at least duck my head into the Manga Library while I was there. For a while, I didn’t really get the point of manga libraries at conventions, to be honest. It’s like, “I just moved heaven and Earth to get to this convention, at great expense; why don’t I just squander this opportunity by ignoring all the con programming and reading Fruits Basket in a corner for four hours?”

What I didn’t realize then, but has become increasingly obvious to me now, is that it’s really nice to have a quiet place at a major con where you can just relax, without being surrounded by thousands of other people. I don’t think the main purpose of manga libraries is to cater to people with anxiety, but if you do happen to have anxiety, being able to tuck yourself away somewhere nice and quiet with a favorite manga for distraction can be extraordinarily helpful. I know some cons have instituted “quiet rooms” or what have you for this reason, but I like the manga library better specifically because it serves multiple purposes. Even people who really like the hustle and bustle of a big con can benefit from spending a quiet hour or two in the manga library, and then people with anxiety aren’t effectively segregated from everyone else.

The manga library at Anime NYC was provided by the Carolina Manga Library. Carolina doesn’t just do conventions, but also schools and libraries, so check them out if you want to set up a manga book fair in your neighborhood– because why wouldn’t you?

Kodansha

The Kodansha/Vertical, Inc. panel was a long list of manga and light novel announcements, which are by now old news, so I won’t detail all of them here. They did spend some time talking about the new Sailor Moon Eternal Edition, which kind of annoys me; I just bought the complete English-language Sailor Moon manga that Kodansha put out a couple of years ago, and now they’ve got this whole new version with interior color pages and all that great stuff. Similarly, they’re releasing a hardcover “Collector’s Edition” of Card Captor Sakura in spring 2019, right after I just bought the omnibus editions of that series not long ago.

This is like when you rush out to buy a great JPRG, only to have it come out later for PSP or Vita with better graphics and added dungeons and all kinds of new stuff, and I’m getting tired of it. I guess I am happy for fans who get to buy these better-than-ever editions, but I’m not buying either magical girl series again; do I look made of money to you? Anyway, my personal regrets and bitterness aside, it’s a good time to be a magical girl manga fan (who isn’t me).

They also talked about a title called Gleipnir, which is supposedly like  “Pokemon meets Prison School,”; Kodansha editor Ben Applegate confessed to being “deeply ashamed” of how much he enjoys this manga, so if nothing else I’ve got to find out what’s going on there. Gleipnir comes out March 5, 2019.

Denpa Books

I didn’t even know Denpa Books existed until Anime NYC. They just started up this year, and considering that I haven’t exactly been watching the manga industry like a hawk, it’s not surprising that they’ve been kind of under my radar. But I was really impressed by what they had to show at the convention. Their publishing schedule for the next six months or so is full of unusual, quirky manga that you might not expect to see published stateside…and the manga version of the especially fluffy Fate/Stay Night spinoff, Today’s Menu For The Emiya Family.

Huh. I guess even artistic, boutique publishers need to milk the Fate cash cow every now and then to keep the money flowing (and who am I to judge?) To be fair, Denpa Founder Ed Chavez straight-up admitted at the panel that some of the titles that his company would be licensing would be done for financial reasons, despite the company’s general preference for more obscure titles with high artistic merit, so there’s no obfuscation about this.

Anyway, what’s particularly impressive about Denpa is that they’re a standalone company; they aren’t a subsidiary of Hachette, or Penguin, or any other large publisher, which is what you would usually expect. Out of their upcoming releases, personally I’m most interested in Maiden Railways. The fact that someone made a josei manga, focused on love stories, but said manga is also all about trains, sounds like something I would make up as a joke for the podcast, but no, apparently it really exists. I’m fascinated by the prospect of examining fanatical railroad obsession through a uniquely feminine lens, and if you’re not…well, let’s just say I question whether or not you know how to party.

In any case, I want to read pretty much everything Denpa has in the pipeline, so don’t be surprised if you see reviews of some of their manga pop up here in the future.

Vertical, Inc

Most of Vertical’s panel was dedicated to the forthcoming release of the Katanagatari light novels and uh…I’m not a fan of that series. I watched the first episode of the anime when it came out years ago and was hella bored, so I’m not that interested in going back to read the source material. Translator Sam Bett of BestBettJapanese had a lot of interesting things to say about the translation process though, so it was still interesting on that level.

Just to give you an example, Bett replaced the term “deviant blades” in Katanagatari with “mutant blades,” because in his opinion, the term ‘deviant’ brought up moral, Christian associations that weren’t appropriate to the setting. I liked this anecdote because it goes to show just how complex the process of translation really is; you’re not only dealing with the literal meanings of words, but also their connotations, and where those connotations came from.

He also noted that he decided to use a lot of footnotes in a “Jokey, kind of postmodern way,” which almost makes me want to buy Katanagatari despite my general lack of interest in the series; I’m a sucker for footnotes. Perhaps I will review it just so I can talk about the footnotes…stranger things have happened.

That’s all for my Anime NYC experience; it may not have been a good time for me, but I still feel comfortable saying it was a good convention in general. It has pretty much everything you could want at an anime con, and then some.

 

Status Update

Hey guys. I know I kind of disappeared during Anime NYC, so I thought I’d take a few minutes just to let you know what’s up.

I knew the con was going to be difficult for me, since I haven’t been to such a big convention in quite a few years, and I struggle with crowds (among other things). Not only did I underestimate just how difficult it was going to be, but I also caught a cold, which made everything worse. I ended up leaving early, and haven’t really felt up to posting since then.

I’m disappointed I couldn’t do more at the con, but in some respects this isn’t such a terrible thing. I’ve always been torn in several directions terms of what I should try to cover on Otakusphere, and I think it’s safe to say I have now ruled out large cons as something I do. I may return to some of my smaller, comfortably-sized local cons, but in general I’m going to avoid con coverage; it’s just not my thing anymore.

Needless to say, getting sick +other problems knocked me off schedule with episodic blogging/podcasting etc., which I’d like to get back to ASAP. I’d still like to post my photos from the con, but for the most part I’m going to be focused on catching up on That Time I Was Reincarnated As A Slime and Sword Art Online. I will also catch up on My Sister My Writer, not because I’m covering it in any capacity, but because I hate myself and I deserve to suffer.

Thanks for your patience 🙂

 

Anime NYC: Day One

I’m going to level with you all: I didn’t actually do that much at Anime NYC today. I was really tired by the time I even got here, and I only ended up making it to maybe half the panels that I’d planned on. I’m hoping a good night’s sleep in our (tiny) hotel room will help, and I’ll be able to see more of the sights tomorrow. Also, you can bet I’m loading up on that complimentary Continental Breakfast, so I should be well-fueled. Screw keto, I’m all about the free carbs.

First, I dropped into the Arc System Works Panel, where they were showing off their upcoming Kill La Kill game. The trailers and such they showed have already been posted online, however, new characters are now playable that were not ready at previous conventions, including Nonon. I hope I get a chance to make my way to the Arc System Works booth in the exhibition hall and try out the game tomorrow.

Next, I checked out the How to Live and Study in Japan panel, presented by Go! Go! Nihon. Frankly I think I missed my window of opportunity to study in Japan (*sniff*), but the service also offers Study Trips that combine a vacation with Japanese learning, so that’s a possibility for me– not right now, but maybe someday.

Presenter Christopher Lee detailed his own experience, and gave some details about the schools this program is affiliated with. I was interested to learn about Nihon Kogakuin Japanese Language School; it’s actually a top school for animation and design, but it also has a Japanese language program that’s open to total beginners. For Westerners who want to become fluent in Japanese and perhaps work in the anime industry someday, it sounds like about as good a deal as you’re going to get.

Next I sat in on a spotlight panel with voice actor Toru Furuya. Furuya has had about a billion different anime roles, including Yamcha from Dragonball Z and Sabo from One Piece, but he’ll always be primarily known to me as Tuxedo Mask from Sailor Moon. In fact, when it was time to put in interview requests for the guests for this con, I didn’t even try to get some time with Furuya, because if I tried to interview him in any capacity, I’d just be sitting there bug-eyed like “OH MY GOD IT’S TUXEDO MASK,” and that would just waste everyone’s time.

Furuya graciously answered questions about his roles in a long list of anime productions, but naturally I was most interested in his comments on Sailor Moon. When asked about his favorite part of that show, he noted that the actresses playing the Sailor Senshi were all very pretty, and he liked attending the recording sessions because of that. Heh. Gotta love the honesty.

Probably more interesting for long-term anime fans were Furuya’s comments on Gundam. He talked about the possibility of the original Mobile Suit Gundam series being remade with modern animation techniques, which prompted the question of whether or not he’d reprise his role as Amuro Ray if such an opportunity presented itself. Furuya answered in the affirmative before his translator even had a chance to translate the question. In general, Furuya seemed very enthusiastic about his involvement in the Gundam franchise (although he denied wanting a cameo in an American Gundam movie, should one ever be made.)

Next, like any self-respecting otaku with the desire to burn money I don’t have on keychains, plastic swords and wall scrolls, I checked out the exhibitors hall. Actually I behaved myself (for once) and didn’t buy much at all, but there was some interesting stuff going on in the hall aside from all the cool merchandise on sale. Yen Press has a bunch of little events going on to promote That Time I Got Reincarnated As A Slime, and as a pretty big fan of the show right now, I was pleased to see it. First, they had a “draw your own Rimiru” board:

Many slime fans had come this way before me.

So you know I had to get in on that:

There may have been better-drawn Rimuru’s on the board, but were any of them happier than this little guy? DOUBT IT.

Finally, I got to hug Rimuru! Yen Press is running some kind of contest where you get your picture taken with Rimuru and post it on Twitter and then you could win a prize or something, but honestly, I just wanted to hug Rimuru. Maybe I’m no Elven tavern wench, but I like to think that my Rimuru was reasonably happy with this turn of events.

He’s so squishy!

That’s it for Day One of the con. “But where are all my licensing announcements? Where are my copious cosplay photos?” We’ll get there. I just nearly started an electrical fire in the hotel room trying to make a cup of decaf, so I think I’m going to cut my losses for today and GO TO SLEEP.

Long Island Retro Gaming Expo 2018: Picks From the Dealers’ Room

This may shock you, but I spent too much money in the Dealers’ Room once again. I joked after Cradle Con that I wasn’t going to spend any more money on games or anime for the rest of the year and uh…yeah, I lied. I am a liar. I am setting a bad example for my family.

Nevertheless, I cannot go back in time and unspend all this money (not that I would), so I may as well take advantage of my fevered shopping spree by getting a blog post out of it. Seriously, if I go to Anime NYC (or any other con) anytime soon, I’m probably going to have to make a point of avoiding the dealers room, since I really can’t afford to do this. But enough realistic negativity, I have swag to show off!

I filled out my PS1 RPG collection with these two gems, which I’ve wanted for a long time. I’ve always been intrigued by the dating/weapon forging mechanics in Thousand Arms, and the job system in Star Ocean: The Second Story always sounded exactly like my cup of tea. There are PSP remakes of the early Star Ocean games, but from what I’ve read, I’m better off with the original here anyway. I wish I’d bought more of these games back when they came out, but back then, I only had so much babysitting money….

Speaking of RPGs, I needed this to fill out my FF collection so I can make good on my ongoing threat of Let’s Playing them all some day. Technically I do own these games already (Final Fantasy: Dawn of Souls for the GBA), but I’ve decided recently that I’d rather have everything in Playstation format when possible. PSX discs are readily available, usually inexpensive, and easy to (legally) play on the computer with an emulator.

For the record, I’ve never actually finished FF1; I’ve played about 75% of the way through it several different times, but just never completed it for some reason. I need to fix that sometime soon. FF2 I have yet to even attempt.

Not JRPGs? There must be some mistake!

I wasn’t planning on buying these, but I’ve been hearing since the ’90s that the Legacy of Kain series is high-quality, and these were really inexpensive. As an Eidos series, Kain is kind of like Lara Croft’s brother anyway, right? It made sense in my head.

After attending Leonard Herman’s panel on video game history, I was really curious to read his book. Phoenix has been around since 1994, but the fourth edition covers games history through 2015, so there’s a lot to go through here. I’ve started reading it and find it quite addictive, even if a lot of it is dedicated to covering dodgy peripherals for obscure systems I never knew existed.

Mr. Herman was really nice and even offered to help me raid the Strong National Museum of Play in Rochester to get at their JRPG collection, although I was kidding about that. Or…maybe he was kidding. Let’s assume someone was kidding.

Most of you probably need some background in order to understand why I absolutely lost my shit when fell over this. Versus Books was a company that put out unauthorized game guides back in the ’90s, and they’ve been all but forgotten today. What a lot of people don’t know is that in addition to being very thorough, the Versus guides were also hilarious; reading the Metal Gear Solid book is almost as fun as playing the game itself. Years ago, my brother wrote to the company to try to get a copy of this guide, but they were out of business at that point and it seemed like there was no way to get it.

I don’t know if they used this book to take the piss out of FF7 the way they did for MGS and Resident Evil 2, but if there’s even a chance, I have to find out. Plus, maybe I’ll finally learn how to master all those stupid Gold Saucer minigames that I suck at.

One of the only early Tomb Raider guides that I didn’t already have. I like to collect the TR strategy guides because I need them to complete the damned things I like the extra stuff that’s often included in these books. Chronicles was the installment of TR that came with the infamously robust Tomb Raider Level Editor (TRLE), so I’m curious to see what the book has to say about that.

Apparently magazine ads for games have become collectibles, which makes sense; they often make nice mini-posters. I didn’t think this was something I was that interested in until I saw that they had an add for Ehrgeiz, then I just had to get it. I got a few more of these while I was there (see header). Sadly, they did not have any ads for Parasite Eve. I also picked up one for the original Advance Wars for my brother, since that’s one of his all-time favorites.

These were free, yaaay! Old School Gamer Magazine was kind enough to give away sample issues to anyone who signed up for their email list. I’m glad to discover another print game magazine, since all my favorite ones ceased publication long ago. This mag just started last year, but it has a very experienced team of writers. I’m definitely going to keep up with it and hope they keep publishing it for a long time.


This concludes my posts on LIRGE for 2018. I hope you all enjoyed getting a peek at this fun convention, and consider coming down in 2019 if you’re anywhere near the NY area. LIRGE also includes Tabletop Expo, which I did not cover because I had my hands full with the video game component, but I hope to spend more time there next year. Tabletop Expo might be spun off into it’s own convention next year, so definitely keep tabs on the LIRGE website if you’re interested in attending either or both.

Long Island Retro Gaming Expo 2018: Cosplay!

The Long Island Retro Gaming Expo may not be a cosplay destination in the same way that say, Anime Expo is. That said, there was some pretty impressive cosplay on display, and even the simpler costumes shined when their wearers went all-out with roleplaying. Since it was a gaming convention, obviously most of the characters depicted were from games, but there were also some costumes from anime and films. There was even a roving gang of Star Wars cosplayers, but I never got a good picture of them because they only seemed to show up when I was a)eating a sandwich or b)in the bathroom.

No one literally said, “You just missed them; the elusive Star Wars cosplayers!” but that was kind of how it felt. I hope that was the only group cosplay that I missed; if I find out there was a Final Fantasy VII troop somewhere that I just never ran into, I’m going to be upset.

A note on lighting: The Expo holds its cosplay contest in the Planetarium, which is a really cool venue in general, but it doesn’t have the best lighting for photography. I took a lot of these photos during the contest, meaning the photos are a bit dark. I’ve done my best to compensate, but there’s a limit to what I can do. Geek-E Magazine sponsors the cosplay contest, and they had a professional photographer taking pictures, so better pics will be available through them at some point.

Let’s start with a character close to my heart, a gorgeous Lara Croft. Man, I want to cosplay as Lara Croft now…maybe next year. Of course, if I was going to do that, I should have probably done it before I cut off nearly all my hair. Maybe I can cosplay Dora the Explorer in the meantime?

The only Star Wars cosplayer I was able to track down. Was he part of the roving gang of Star Wars people, or an independent agent? Not sure. I should have tried to follow him and see if he’d lead me to the Jedi or whoever, but I’m pretty sure that would have violated the con’s no-stalking rules….

A great Street Fighter group cosplay; so glad I caught these guys on my way out. Sadly, there was no group of X-Men cosplayers for them to fight with; I’ll have to wait for next year in the hopes of seeing an X-Men vs. Street Fighter reenactment. But it’s possible! Keep hope alive!

The judges for the Kids Cosplay contest. I didn’t take pics of the kids for the most part (as a parent, I feel weird about it), but this Little Sister from Bioshock 2 crept in there.

I’m going to level with you, I have no idea what’s going on here. Bunny Sailor Mercury hanging out with…The Riddler? Not a clue. Why didn’t it occur to me to ask them while I was taking the picture? I am an AWARD-WINNING journalist goshdarnit, you’d think I’d know better than to embarrass myself like this.

Awesome Breath of the Wild Zelda. Not to be confused with the Hyrule Warriors version of Zelda, who was also in attendance. It’s almost like this Zelda series is popular or something.

Ness from Earthbound. I’ve really gotta play that game one of these years….

Crash Bandicoot.

This costume is of a Clow Card from Card Captor Sakura, but I’ve been looking for a while and I can’t figure out which card it is. It sound like she said the “Fate” card, but I can’t find any reference to a Fate Clow Card on CCSak sites. Any Sakura superfans able to help me out here?

Your friendly neighborhood Tobi from Naruto.

Hyrule Warriors Zelda. It’s a shame I couldn’t get a better picture, because this was an awesome costume. She won Best in Show.

Cube from Jet Set Radio Future. Love the skates!

Finally, a Mario! Worth the wait.

It’s another Ness from Earthbound. Uh, I really need to play that game….

The Squid Sisters from Splatoon.

Awww, it’s an entire Mario family! I’ve never seen Peach in a cowboy hat before, but I’m sure that comes from somewhere. Their performance was hilarious; they split the Best Group Cosplay trophy with the Splatoon group.

This is a cosplay from the movie The Hangover 2. I haven’t seen the movie, so I have no idea what’s going on here, but it looks like a really good attempt at…at…at a costume. Way to think out of the box there, friend.

A lovely Princess Peach. Not that I have anything against “casual Peach” above, but this is what I think of when I think of the Princess of the Mushroom Kingdom. This cosplay won the Best Craftsmanship award.

Liu Kang from Mortal Kombat. He did not do any huge acrobatics (which are against con policy anyway), but he did a nice routine featuring Kang’s trademark kicks. I wonder: did he have a violent confrontation with the Street Fighter team above? The mind boggles.

Remember Breath of the Wild Zelda from alllll the way back at the beginning? She found herself a Link! Okay, obviously these two came together, but I like the idea that they just randomly found each other at the convention. Then it was love at first sight.

Thank you to all the cosplayers for allowing me to photograph you. To those cosplayers at LIRGE that I missed (and I know there were some), my apologies; I was trying to get as many of you as possible, but I’m only one person and can’t be everywhere at once. I’ll probably be dressed as Dora the Explorer next year, so if I missed you this time around, you know where to look to get your picture taken.

Keep in mind I’m in my 30s though, if you see an age-appropriate Dora the Explorer cosplay, that is an actual child and you should probably leave them alone.

 

Long Island Retro Gaming Expo 2018

The Long Island Retro Gaming Expo is probably the warmest convention I’ve ever been to. I’m not referring to the ambient temperature; the AC was working fine (and in the Planetarium, arguably too well.) I mean it felt warm in the sense of being incredibly inviting and friendly. Part of this is no doubt due to the efforts of the con organizers (who deserve plenty of credit for putting together a great event), but I think it’s also due to what the gaming community looks like in 2018.

You had babies in strollers clutching beloved Pikachu plushies, little kids wearing Mario t-shirts, older men and women who vividly remembered playing their Magnavox Odyssey in the ’70s, and everything in between. It was really a family event, not just because there was all-ages programming, but simply because there were a whole lot of families walking around. You had hardcore game collectors, anime cosplayers, tabletop enthusiasts, professional game historians, indie game developers, and little kids who just wanted to play Sonic all day long, and everyone seemed to be having a wonderful time together. I know that this one convention does not represent the state of gamer culture in the entire world, but the attendance at this event couldn’t be further from the stereotype of the stand-offish, “toxic” gamer.

The whole second floor of the Cradle of Aviation Museum in Garden City, NY was filled with dozens and dozens of consoles playing retro games. There were also plenty of classic Arcade cabinets. 

The main Freeplay arcade area, minutes before the doors opened at 10 a.m.; once the con was open, it was standing-room only in here.

Even though the con is primarily focused on the gaming of yesteryear, there was plenty of talk at panels about recent developments in the industry. About half the convention was in morning after the apparent Death of Luigi during Nintendo Direct; streamer Vinesauce even held a “moment of silence” for Luigi during his panel. (It lasted about one second, but hey, it’s the thought that counts, right?) More importantly, everyone was talking about Nintendo’s aggressive targeting of ROM sites; in some cases, it came up because I asked about it specifically, but a lot of other congoers broached the subject during Q&A sessions as well.

While no one condemned Nintendo for shutting down emulation sites, many guests expressed concerns about how this move could effect the preservation of video game history.

“Taking such a broad approach to the issue does actual harm to the medium,” said Jeremy Parish of the Retronauts podcast. “As it is, it feels like they’re cutting off access to the past.” Parish went on to suggest that Nintendo continue taking down ROMs of their own games, but perhaps allow ROMs for more obscure titles to remain available.

From left to right: Jeremy Parish and Bob Mackey of Retronauts, and Kurt Kalata, Editor-in-Chief of Hardcore Gaming 101. Their panel covered the history of SuperJoe.

“This is a tricky topic….there are some games that are out of print, that the only people that would be making money from them are second-hand sellers– for like $400, for some of these games,” said @VinnyVincesauce, a popular streamer. “So you want a game that is, let’s say, from 1989, that you can’t get on the Virtual Console, that you can’t legally own. Now they’re making it harder for you to get it, so it’s just gone now.”

To Vinny’s surprise, the Vinesauce panel filled pretty much the entire Planetarium at the museum. This was about as close as I could get.

Leonard Herman, video game scholar and author of Phoenix IV: The History of The Videogame Industry, had a different perspective on Nintendo’s actions. “I’m for that…As a writer, you have copyrighted materials. The copyright lasts the life of the person who wrote it plus 50 years, and whether you’re making money on it–whether it’s available or not– those copyrights should be preserved. And I found my book, the earlier editions, on the internet for download, and it infuriates me…not that I’m losing a sale…I just don’t believe, unless the person who put it out agrees to it, I don’t agree with that.”

Right: Video game collector and educator John Hancock, and Leonard Herman, known as the Father of Videogame History. Their panel together covered not only milestones in video game history, but how to dispel misconceptions about videogames and disseminate the facts instead.

“I’m torn, because as a preservationist, emulators are the only way to play prototypes and hacks and all that stuff, and I think that’s awesome,” said game collector John Hancock, Herman’s co-panelist. He went on to say how frustrated he was as a collector to see Nintendo pass on the opportunity to allow people to legally purchase ROMs for individual games, and instead focus on “half-baked” options like the NES Classic. “It frustrates me to no end.”

Shawn Long, better known as RGT85 on Youtube, also lamented the inability to legally purchase older games directly from Nintendo, using the example of Mario Sunshine for the Gamecube. “This should be done more on a case-by-case basis,” said Long, echoing what Parish had said earlier in the convention.

Naturally, there were plenty of other things to talk about besides Nintendo’s recent shenanigans. Pete Dorr of Pete’s Game Room hosted a very entertaining panel about collecting games for older systems, speed-running, and finding underrated gems in older console libraries. He has also very nearly convinced me that I need to speedrun Ehrgeiz: The Forsaken Dungeon, so if you hear any tortured screaming coming vaguely from the Tri-State Area, know that it’s all Pete’s fault.

The guys from the Stone Age Gamer podcast used their panel to pit controller-against-controller in a no-holds-barred Best of 16, “The Best WORST Controller.” With the help of the audience, they picked the Dreamcast controller as their favorite “bad” controller; personally, I think the fix may have been in for the Dreamcast from the start, but I will give the SAG guys the benefit of the doubt here.

The Stone Age Gamer panel: Kris Randazzo, Dean DeFalco, and Marc Raimo.

I even got to attend a panel on NESMaker, something I didn’t know existed before this convention. Software that allows you to make videogames without coding has proliferated in recent years, but what makes NESMaker particularly special is that you can burn your creation to an actual cartridge and play it on an NES console; obviously, you need to invest in some hardware to be able to take advantage of that particular feature, but it’s pretty amazing to me that this is even possible. In terms of features, the program looks to me like it has a lot in common with RPG Maker, although with fewer options; however, that might be a good thing. Apparently you can knock out a game in NESMaker in a weekend if you feel like it, whereas RPG Maker can consume your entire life if you let it (believe me, I know this from experience.) I’m not sure if I’m quite ready to drop $36 on the software myself, but for hardcore NES-era fans, this looks like a dream come true.

I have some other stuff from the con to post for you: keep an eye out for cosplay photos and my pick ups from the dealers room (aka “The Reason Karen Can Not Afford to Go To Conventions Anymore). Now I’m going to go obsessively look up information on speedrunning, because surely I can find the time to fit that into my schedule, right? Don’t answer that.

Cradle Con 2018

I hadn’t been to a con in years and felt like it was time to get back in the swing of things. Still, I didn’t want to deal with the crowds and hassle associated with a major convention. Cradle Con, a brand-new comic convention, held at The Cradle of Aviation Museum in Garden City, New York, fit the bill very nicely. I ended up deciding to go pretty much at the last minute, so I wasn’t really prepared to cover it anime-blog-style; plus, for some of the time I had a two-year-old in tow, and she was low on patience. Nevertheless, there were some aspects of the con that I wanted to mention here.

The first is the venue. The Cradle has been host to a bunch of cons (including the Long Island Retro Gaming Expo, which is coming up again in August), but this is the first time I’ve actually been there for an event. I’m pretty sure I’ve been to the museum in the past for normal museum-going purposes, but being there while an event is going on is a unique experience. You’ll be cruising through the dealers’ room, looking for good deals on comic books and video games, and next thing you know, you’re navigating around a fully restored WWII-era bomber. They didn’t really separate the museum exhibits from the convention activities, so it was an interesting mixing of worlds. Most of the conventions I’ve attended have been in boring hotels, or the hellmouth that is the Jacob Javits Center in Manhattan (don’t get me started on that place), so this sort of eclectic atmosphere was inviting.

The first event I went to was a Jpop concert with Nicole Oliva. I hadn’t heard of Oliva before, but she’s an operatically trained singer, and takes her anisongs quite seriously. She’s got a powerful set of pipes and a really laid-back stage presence that makes you feel at ease, and her concert easily surpassed my expectations. I mean, of course she sang Moonlight Densetsu, which I expected, but then she also sang the Sailor Stars! theme from the fifth season, and the newer theme to Sailor Moon Crystal. Her version of 1000 Words from Final Fantasy X-2 gave me chills, and I don’t even like Final Fantasy X-2.

The A10 Thunderbolt II behind Ms. Oliva made a better backdrop for an anime concert than you might think.

Sometimes while in the shower, I imagine getting up on stage at a con and singing my version of Suteki da ne from Final Fantasy X, or Hacking to the Gate from Steins; Gate. The only problem with this plan is that I’m a tremendous coward and will probably never do this. In the meantime, while I try to grow a spine, we can all appreciate Oliva’s performance, since she actually knows what she’s doing.

Next I attended a panel on self-publishing by comic artist Jay Stuart of Poppycock Productions. Most of his work is horror, which isn’t my cup of tea, but he had a lot of good tips on self-publishing…the kind of nuts-and-bolts stuff they don’t tell you until you’re halfway through formatting your comic for print, and then you realize you have a major problem. His advice will likely prove very useful in the event that I ever get back into making comics, which will totally happen as soon as I catch up on my novels and all of my other projects for this blog. Totally.

I also attended the costume contest, which was a lot of fun. Technically Cradle Con has three costume contests: one for kids, one for teens, one for adults. I’m surprised a new con can get enough cosplayers to hold three separate cosplay contests, but I guess that’s the advantage of Long Island; we are stupid overpopulated. We can always find enough kids who want to dress like Pokemon and women who want to dress like Spider-Woman. Anyway, I only attended Saturday, so I only got to see the Adult cosplay contest. Some of the franchises that were represented on stage included Sword Art Online, Sailor Moon, and Final Fantasy XV. There were also quite a few excellent Star Wars costumes; I may not be a Star Wars fan myself, but man, are those people dedicated.

A  note on cosplay photos: I did actually take photos during the con, but I wasn’t sure whether or not I should post them. People who go to Otakon and AX in cosplay know that they’re going to end up included in photo galleries on numerous websites, but that’s not necessarily true of a local con like this. I also didn’t have a press pass, and there was no indication when I was taking photos that I was taking them for any larger purpose, so it just felt kind of morally questionable posting these pictures to Otakusphere. If I go to Cradle Con again next year, which I hope to do, I’d like to go officially as press and then take photos of EVERYTHING.

Lastly, it wouldn’t be a con without my husband and I spending way too much money in the dealer’s room and Artist’s Alley; here’s our haul:

If you’re wondering “How can you afford all that stuff?” the answer is hahaha, WE CAN’T. We kind of blew all of our fun money on this one event and can’t buy anything else for a while. If I go to Anime NYC in the fall, I’m not going to be able to buy anything there except a keychain and a can of soda.

Our loot included three My Little Pony Classic Blind Boxes (which caused me a lot of pain, since I got TWO freakin’ Princess Sparkles and not one Glory), a bunch of Frozen toys to keep the little one happy, a collection of Suburban Fairy Tales by Francis Bonnet, (which came with a neat-o Rapunzel sketch), Suikoden II for PS2 with the strategy guide, a set of Magic cards that my husband just had to buy because he is a slave of WoTC, some X-Men issues from the early ’90s to fill out my collection, an X-Factor trade paperback, a really cool figure of Saber from Fate/Stay Night riding a motorcycle, and a helpful pocket-sized container of hand sanitizer.

All in all, good clean fun. It seemed like everyone around me was really happy to be there, and I think there’s an excellent chance I’ll be heading back to my favorite aviation museum in 2019 for Cradle Con 2.