Tag Archives: anime

Otakusphere Weekly #19: Like Steins;Gate Ate Durarara!!

victoronice

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This week, we survey the full range of fanservice available this season by examining both Yuri!!! on Ice and Keijo!!!!!!!!, which have, between them, 11 exclamation points. I think between this overabundance of exclamation points and the unnecessary semicolons that the Occultic;Nine people love using, we may need to implement some kind of punctuation tax; this is getting ridiculous. Oh crap I just used an unnecessary semicolon, now I’m part of the problem ><.

In other news: Hamburgers, a bi-coastal survey, and Magical Girl Raising Project turns LB into this:

gendopose

On AniFem

If I have any reputation at all in the anime blogosphere (which is optimistic), it’s for being critical of feminist criticism when applied to anime. So, when a site crops up that’s all about applying feminist criticism to anime, you might think I would be against it on principle, but that’s not true; in fact, it’s the opposite.

I don’t plan to support AnimeFeminist on Patreon, but I don’t have a problem with what they’re doing. A site by feminists, for feminists? Sure; that’s not my jam, but so what?

So why talk about it at all, when it has nothing to do with me? Mostly just because I see anime fans demonizing the site right from the getgo, which– in addition to coming off as just mean-spirited–implies that they don’t understand what the most dangerous problem is with current anime criticism. The problem is not the fact that feminist criticism, as one particular lens through which to examine media, exists; it’s when it’s treated as the default for ALL criticism, and anyone who doesn’t agree with its usage is in serious danger of being branded a misogynist.

Let’s look at AniFem: it’s clearly by feminists, for feminists. It wears what it’s doing 100% on it’s sleeve. There is the whole Patreon angle, but the only people who are going to contribute are people who genuinely want to read this kind of criticism; no one else is forced to pay one red cent. If you don’t find value in feminist criticism, you can simply not visit the site and it will never effect your life.*

Now let’s look at other sites, like Anime News Network and other sites that want to be Anime News Network. These sites use terms like “toxic masculinity,” “male gaze” as though they’re completely accepted mainstream terms, with no indication that these terms are associated with a certain ideology. Typically, fans who ask inconvenient questions like “Is masculinity really toxic?” and “Why are you using the original form of gaze theory, and ignoring how the concept has evolved?” are ignored at best, branded misogynists at worst. There’s a generally unspoken rule (although some people take care to make it explicit) that if you have any issue with the terms of academic feminism being engaged in pop culture criticism, it’s because you’re an anti-feminist, a.k.a. misogynist.

Perhaps worse, in this environment, anime criticism that doesn’t use feminist theory is seen as not doing its due diligence; it’s basically taken as an article of faith that a review MUST come from a feminist perspective, or else it’s lacking in intellectual rigor.

Now let’s compare ANN and to AniFem. If ANN were say, Anime Feminist News Network, it would be one thing, but it’s not: it is THE anime news network. You can ignore it if you want, but then you’re kind of shooting yourself in the foot; ANN provides a valuable service in terms of providing otaku news from Japan for English- language fans, and you’ll have a hard time keeping current on anime (and several related fandoms) if you refuse to use either ANN, or sites that source at least partially from ANN. Basically, it’s a hotbed of feminist criticism that you literally cannot avoid if you want to participate in the fandom.

Everybody is allowed to do whatever kind of criticism they want; if a bunch of Marxist fans want to set up a site to review anime from a Marxist perspective, they’re welcome to do that; wild horses couldn’t drag me over to read it, but that’s beside the point. If mecha fans want to build a site that critiques anime solely based on the inventiveness of a show’s mechanical design,** they’re welcome to do that. Many people feel burned out by feminism because of the feeling that they can’t escape from it on major outlets; that doesn’t mean that feminists don’t have the same right as absolutely everyone else to make sites, with their own labor, that cater to their own interests.

TLDR: Even if you have no interest in patronizing AniFem, and even if you blatantly disagree with the show’s approach to criticism, for me it’s still part of the solution, not the problem, because engaging with feminist theory via the site is 100% a choice.

I think the anger of the fandom should be directed at those situations where we don’t really have a choice.

 

*Of course, you might see references or links to it in your Twitter timeline, but if you’re such a special snowflake you can’t even handle THAT level of engagement with views you disagree with, then you’re just being a hypocrite. After all, one of the best arguments in favor of letting all kinds of shows exist, no matter how ‘offensive’, is that if you don’t like it, you don’t have to watch it; similarly, if you don’t like an anime criticism website, you don’t have to visit it.

**I’d kind of like to see more stuff like this, although I can’t guarantee it doesn’t already exist and I’m just ignorant of it– for better or for worse, I spend more time watching anime these days then keeping track of anime fan projects online. I’m sure I miss stuff.

Otakusphere Weekly #18: Pretty Boy Overload

mgrp_snowwhite

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Otakusphere Weekly is back for fall, the perfect accessory for your SuperCool Autumn Otaku Life. This week, we take on the beginning of the fall season’s offerings including Magical Girl Raising Project, Izetta:The Last Witch, Magic-Kyun Renaissance, Uta no Prince-Sama Maji Love Sparkle Sparkle Legend Star Sparkle Sparkle Whatever, Scorching Ping Pong Girls, and many more. We also discuss which shows from last season we watched until the bitter end, the dangers of scuba diving, and the fact that my neighborhood is lacking a Denny’s.

Why can’t I have a Denny’s? Is that really so much to ask?Sometimes you just wake up and want a Grand Slam Breakfast, know what I’m saying?

Otakusphere Weekly: The Lost Episodes

Back in the summer, when we put the podcast on hiatus, we had two episodes recorded that never got edited and posted. Now, stopping the podcast with no warning and leaving finished episodes in limbo is obviously not a good way to do things and not how I like to operate, but to paraphrase the wise Kero-chan:kerochan

“A lot of stuff happens in life!”

Yeah, so that happened, but here’s episode #16: Tales of Lemon Zest:

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Obviously this is from a while ago so we’re still discussing summer shows like Sweetness and Lightning and Amanchu! and stuff, but probably worth a listen if you’ve enjoyed the show thus far. Episode 17 is still being edited, but I’ll update this post with it as soon as it’s done.

Finishing Up Food Wars!: The Second Plate

screenshot-2016-10-01-12-58-13I was a bad girl and didn’t keep up with blogging Food Wars! episodically for most of the season. Part of this was because I discovered Chef’s Table on Netflix, and I was so enraptured by the most pretentious cooking documentary I had ever seen that my quota of food television was temporarily filled. I mean, how can poor Soma hope to compete with chefs who say things like “I won’t let my plating canvas be limited by the profit motive of plate manufacturers?” How can he compete with people who think that they are CHANGING THE WORLD with their approach to root vegetables? It’s just not fair.

However, since I did finish watching the cour, I felt I may as well do a bit of wrapping up here. On the whole, I enjoyed The Second Plate, but it had a few problems:

  1. The Stagiaire arc was much more interesting than the Autumn Elections, so it was a shame that it took up only a third of the screen time. It featured the show starting to veer away from the shonen battle format, and as someone who hasn’t read the manga, that was a pleasant surprise to me.
  2. I’m not sure I’m satisfied with how Soma finally experiencing a decisive loss played out. Sure, just about every protagonist in a shonen story loses eventually (so they can reassess their strategy and come back even stronger, then win a million more times), but something about it just felt…off. They made such a big deal about Soma promising his Dad that he would never lose to anyone else before he could beat him, I felt like he should have apologized to his Dad or something after he lost to Hayama. Not because any sane person should feel the need to do that, but because it would have felt thematically appropriate for the show. I don’t know, I can’t quite put my finger on it, but something was missing there.

Of course, there were good things too. Erina has gone from a stone-cold bitch to a stone-cold bitch who likes shoujo manga; Megumi is gaining more and more confidence, even without Soma there to back her up; Soma has learned some humility, and even more importantly, realized that his family’s diner was never just a diner; The judges occasionally refrained from using the word “umami” 47 times when critiquing any one dish.

I don’t have much else to comment on though. I think Food Wars! is going to take its place next to UtaPri as one of those shows I always watch and enjoy, but don’t expect anything new and different from. That’s probably a weird thing to say, since I just pointed out that the Stagiaire arc was an example of the show branching out, but my gut tells me that was an anomaly; manga readers, feel free to butt in and tell me I’m wrong. I just feel like, for whatever reason, at one point I was really invested in the whole idea of shonen battles being fought with cooking instead of violence (not that that in and of itself is an new concept, but it is still somewhat unusual), and now I’m just kind of over it. I still like the show, but if they never made a new season ever again, I’d be okay with it.

Now I feel like I’m ending my coverage of the show with a downer, which is a shame because it really was an enjoyable season that I don’t regret watching in the slightest. I think I’m realizing I can be surprisingly fickle in terms of what concepts I’m into, though.

July: “OMG they’re fighting with burgers instead of their fists, that is so fun and neat and novel and I get to use lots of food porn vocabulary if I write about it!”

October: “Meh.”

What is First Love Monster?

screenshot-2016-09-30-14-20-54Normally, when I want to write about a show, I have something in mind that I’d like to say about it. This is the exception: I am writing about First Love Monster in the hopes that by writing about it, I will figure out what I just watched. Considering the fact that I’m admitting up front that I have no plan, and this is more a form of attempted therapy than analysis of said show, I will not blame anyone for bailing out at the end of this paragraph.

Preamble covered, just what the hell is First Love Monster?  When I watched the first episode three months ago, I was confused about who the show was targeted at. Now, after catching up on the 11 remaining episodes, I’m still asking the same question. This is somewhat unique in my anime-viewing history.

It’s ostensibly shoujo, right? It’s a rom-com, and the guys are pretty much all tall and all handsome (with a few token moe boys who’re more cute than hot), and one of the really tall handsome guys has a thing for pushing the heroine up against the wall, and there’s even an episode where the dudes get shirtless. But most of the guys are also elementary schoolers who happen to be in fully adult male bodies for no reason that is ever explained, meaning they constantly talk about poop and wieners– especially poop. And even though Kanade and his friends are said to be in fifth-grade, to me they act more like second-graders, making the whole thing even more ridiculous.

So the premise of the show is that a high school girl, Kaho, ends up dating a fifth-grader, Kanade, because he looks so mature that she assumes he must be her age, if not older. However, since the constant potty-mouth antics make Kanade seem even younger than a fifth-grader, it feels like a high school girl is dating a developmentally delayed fifth-grader.

If you want to just write the whole thing off as ridiculously offensive and not spare it a moment’s more thought, I’m certainly not going to blame you. The whole show should really be five minutes long: Kanade saves Kaho, Kaho develops a crush on him and asks him out, he says “actually, I’m still in fifth grade,” and Kaho responds “Oh wow, I had no idea, why don’t you go back to the playground with your friends.” Of course, since Kaho’s social cluelessness is almost as overpowering as Kanade’s immaturity, she agrees to date him, and we have a situation.

The thing I can’t get past is just who the audience is supposed to be. Usually, when a show is pretty dumb in concept and just exists on pandering to its audience, at the very least, you know who’s being pandered to. But how does that work with this show? Sure, the guys are hunky-looking, but the constant potty humor is bound to be a turn-off for a lot of girls. It’s hard to think of a guy as hot when he’s talking about how he hurt his pee-pee when he sat down on a swing. I mean, I reckon there’s some girls somewhere who have that fetish, but there can’t be that many of them, right?

And since the boys are wearing elementary-school clothes that are way too small for them, I guess you could argue that the guys are showing lots of skin, hence pandering-to-the-ladies. However, tall anime guys squashed into tiny short sets and knee socks don’t look sexy; I’m hardly the arbiter of female sexuality, but I have to assume this is closer to fan disservice for many girls than fanservice. It just looks ridiculous, which is the point of course, since the show’s a comedy. But I don’t think I’ve ever seen a comedy where the style of the humor has the side effect of rendering the fanservice unpalatable.

Maybe I’m looking at this the wrong way, and it’s actually very simple: First Love Monster is a comedy, and the fact that it’s also shoujo is more or less incidental. Maybe the entire appeal of the show is supposed to be the contrast between these guys who look like typical anime dreamboats acting like little children, and the target audience is “anyone who finds that funny.” Of course, it’s basically the same joke over and over again, but whatever.

screenshot-2016-09-30-14-25-52

Taga thinks he’s a character on Diabolik Lovers and treating his love interest like garbage will result in her falling in love with him. However, because this is not Diabolik Lovers, he’s going to lose to a guy who still believes in Santa Claus. So that’s something.

Still, it’s clear that Kanade is actually supposed to be taken seriously as a romantic lead. He sometimes sounds wise beyond his years (which is why Kaho has a thing for him in the first place) when he parrots things his mother once said to him– something that, if you ignore what it’s surrounded by, is kind of touching. And the last episode has a pretty amazing sequence where the premise is basically “What if this were a normal shoujo, and Kanade was a proper romantic hero because he wasn’t 10 fucking years old?” Said episode also contains Kaho having an epic meltdown about how her show makes no sense, which is probably worth watching in and of itself (I could say “it makes the show worth watching,” but let’s not get carried away.)

So it’s just a silly comedy that’s not meant to be taken seriously as a romance…except for those times when it’s explicitly presented as a romance. Throughout the show, I kept expecting a twist that would give the show some further identity beyond “hot guys say the word poo.” For a while, since they say that Kanade is in fifth-grade but never give his actual age, I was sure that Kanade and his buds were actually in a coma for a few years after a bus accident or something, making the boys older chronologically than they are behaviorally. Whether that would make Kanade’s relationship with Kaho much less inappropriate is debatable, but at least there would be something for the writers to explore there. Alternately, I thought that maybe Kanade had regressed to a childlike state after the death of his mother, but was actually the same age as Kaho.

If there had been some twist like the ones I was speculating about, then the show could explore the idea of a high school student dating someone with childlike tendencies without literally being a child. Then maybe something would happen to help Kanade start acting more like his chronological age, and Kaho and Kanade would become viable as a proper couple. But no: that is not this show. This show really is about a high-schooler dating a fifth-grader, with no mitigating circumstances.

The show isn’t entirely without, err, charm; it’s at it’s best when it becomes a total screwball comedy and ignores the romance angle entirely, like when Kanade befriends a crab that the crew is supposed to eat for lunch, names it “Crabita,” and starts using it like a Pokemon. And the aforementioned sequence in the last episode works pretty well as a parody of standard shoujo cliches.

One other thing that’s kind of interesting is the character of Taga, who tells Kaho that she is “lower than dogshit” and treats her in the same fashion, despite the fact that he clearly likes her. He acts like the romantic leads in shows like Diabolik Lovers, only instead of being seen as desirable, he’s pretty much cast aside as irrelevant. If you want to be generous– and I do mean incredibly, almost unreasonably generous– you can interpret the show as a critique of a certain kind of masochistic shoujo. The tall, hot guy who treats the heroine like dirt ends up alone and lonely, because he’s a massive asshole and the fact that he’s really hot doesn’t mitigate the fact that he’s a massive asshole, while the heroine falls for the genuinely nice guy. Of course, in this case, the nice guy happens to be 10, but let’s not quibble on details here.

So, yeah…First Love Monster is a show that doesn’t work as a romance, features leads that are largely unappealing to women, and only occasionally works as a comedy. Who bought enough copies of the manga for this to get made into an anime? What was Studio DEEN thinking when they adapted this? DEEN makes Super Lovers, so they’re clearly not afraid of salacious material, but what’s the point of a show being salacious if it’s so thoroughly un-sexy?

I just…I just don’t get it, guys. I’m not even saying the show is bad, because I don’t think of it a TV show so much as some strange science experiment, imposed by some mysterious alien intellect with motives I cannot begin to comprehend. I just wrote (checks) 1400 words and no, I still don’t know what I just watched. You win this round, Japan.

screenshot-2016-09-30-14-23-11

Alderamin on the Sky: Episodes 3 &4

8

No two ways about it: Ikta just spanked a foolish child. The older Torway brother got beat something bad.

These latest two episodes covered ground fast: Ikta and friends get to school, participate in a mock battle, then show everyone up save the princess from some diabolical revenge scheme. I’ll try not to act like I’m too impressed that this whole story played back into the events that lead to our five heroes joining the military in the first place, but I totally was.

I’m always a bit worried when anime characters go to school; all too often, no matter what they might have been doing beforehand, they get stuck in trope-riddled, silly comedy hell. Not that I have a problem with school comedies, but that isn’t what I want from Alderamin. Ikta quickly laid those fears to rest in these past two episodes. Even if we are stuck in school– sort of– this isn’t the usual oh-so-plucky anime school of my nightmares.

Yatori's smug says more about Ikta's investment in tactical knowledge than he is likely to ever say for himself.
Yatori’s smug look says more about Ikta’s investment in tactical knowledge than he is likely to ever say for himself.

Overall, it’s impressive just how fast these two episodes managed to progress without feeling rushed. One dynamic I’m loving about Alderamin is how the world building is painted by Ikta’s relationship with Yatori; Ikta does something and Yatori follows up. Ikta makes a joke about the Alderamin scriptures banning hot guys from his presence, and Yatori calmly reminds Ikta that he could get hauled off for blasphemy.

“Show, Don’t Tell” is a storytelling concept that early light novel -based episodes tend to fail at. For that reason, it was encouraging to see Ikta put his strategic knowledge to use so viscerally. Sure, we heard about it first in a classroom, but it was promptly demonstrated. There’s no need to question Ikta’s knowledge of tactics after this demonstration of wits. Of course, Yatori showed up exactly when she needed to and was totally okay with being used to teach some brats a lesson. [I think Yatori is totally okay with most things as long as she gets to kick lots of ass.- Karen]

Ikta might enjoy showing off a bit too much for his own good.
Ikta might enjoy showing off a bit too much for his own good.

Ikta and Yatori are both interesting in that they seem to think of themselves as above their political situation…not necessarily in an obnoxious, arrogant way, but more of a looking-into-the-future -with-a-plan kind of way. It’s something that conflicts with Ikta’s lazy persona. Taken at face value, laziness isn’t exactly the most admirable quality, but no matter what Ikta says, I can’t see him as entirely unmotivated. He’s clearly willing to put in the effort when it’s needed and when it will accomplish his goals.

Put another way, he is willing to earn his laziness.

In case you missed what this episode was doing, this is an example of what happens when you are not lazy.
In case you missed what this episode was doing, this is an example of what happens when you are not lazy.

Really, the most interesting thing about the show (besides the Ikta/Yatori dynamic in general) is Ikta’s spin on laziness as a thing to be valued. I’m reminded of the T-shirt I commonly see at anime conventions: “I’m not lazy, I’m energy efficient.” It’s hilariously out of place as a military slogan, but then I guess that’s the point.

I feel like I should hate Ikta, but I don’t. A big part of what’s selling me on Ikta’s character is how sarcastic he is. When he gives his ridiculous speech on laziness he is serious to a point, but he’s also putting on a show for his own amusement. He never wastes an opportunity to get a hit in on the popular ideology of his nation. In fact, most of what we know about the setting has been painted by his sarcasm.

Yatori and Ikta are strong, but they aren't the only ones who are.
Yatori and Ikta are strong, but they aren’t the only ones who are.

So far we’ve seen Itka put up a strong argument for science and logical thinking.  It feels a bit cheesy when Ikta talks about science all the time, but in a world where science has little value, his strong feelings make sense. After all, there’s nothing cheesy about losing loved ones to a war fought with outdated ways of thinking.

Or that lead to a bloodbath like this.
Or that lead to a bloodbath like this.

If there’s one moral point Ikta deserves credit for it’s that he always speaks his mind. I feel like he’s usually putting on an act, but that act is a genuine reflection of what he wants to say. I came away feeling like he may have seriously considered joining the rebels if they had tried to include him in their plot.

The fight at the end of episode four deserves some special attention. Yatori’s adrenaline high was scary. In general I find the combat in Alderamin inspires a level of terror unfamiliar to most anime. Part of that terror is inspired by how coldly enemies are treated when push comes to shove; part of it from how neutral Ikta is about the morality of it all.

I wonder if Yatori would point her blade at Ikta so easily if had joined these rebels.
I wonder if Yatori would point her blade at Ikta so easily if had joined these rebels.

As for the fight itself I was impressed by how it played out; it felt real. Sure, it was an incredibly one-sided massacre once Yatori freed herself, but looking at the encounter as a whole? It had me on the edge of my seat. I wonder if this is the first time Yatori has come so close to getting herself killed?

I want to see the story of how Ikta and Yatori grew close in the first place. I have a hard time imagining either of them had a kind childhood; Yatori kills without hesitation and Ikta doesn’t seem bothered by that in the least. They have the type of relationship that you only really see in people who have overcome huge obstacles together.

More backstory please!
More backstory please!

Yatori’s post-bloodbath scene did a number on me: The heavy breathing, the sound of Yatori’s own voice amplified by her adrenaline high, the way she couldn’t release her grip on the swords…it had a mesmerizing weight to it. I had to watch it a few times to fully process it.

I’m not sure where the story will go from here, but as long as it continues to focus on Ikta and Yatori’s relationship I’ve little doubt it will keep my attention. [That’s all well and good, but I want more of the mini Care Bears.-Karen] For now, I think Yatori needs some proper chill time in a hammock– and maybe I do too! That closing scene was downright exhausting.

I find myself just a bit overwhelmed by how tragic this is.
I find myself just a bit overwhelmed by how tragic this is.

Fun fact: Alderamin is the name of a star. According to Wikipedia the Arabic meaning is “the right arm”. That seems fitting after Ikta tells Yatori that he is her left hand.

Otakusphere Weekly #15: Guts Sings I’m Lady!!

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This week, the podcast is rocked by the events of Re:Zero 15, which were so traumatizing we needed to watch Sweetness and Lightning over and over again to remind ourselves that there is still good in the world. Other topics, besides the End of Evangelion-esque gorefest that Subaru & co. just pulled on us, include an Amanchu! girl’s amazing Creepy Yotsuba Face, relieving oneself of gas in the face of a loli ghost,  the correct pronunciation of “ufotable,” and the theory that Bananya is not a charming story of cats who live in banana skins, but a psychological profile of a shattered mind.

Oh, and we predict the end of Berserk, just in case you were curious. Everyone can stop reading the manga now.

Show Notes:

00:00:46 General Otaku Chat: Pokémon Go takes over the world

SEMPAI LEAGUE:
00:09:41 Re:Zero 15
00:19:29 Sweetness and Lightning 2
00:23:24 ReWrite 2
00:26:33 Orange 2
00:30:47 The Morose Mononokean 2
00:31:33 New Game! 2
00:36:01 Cheer Boys! 2
00:38:02 D. Gray Man HALLOW 2
00:44:13 Berserk 2

KOHAI/ NEW STUFF LEAGUE: 
00:51:13 Alderamin On The Sky 1
00:54:35 Tales of Zesteria 0 & 1
00:58:36 Mob Psycho 100 1 
01:03:23 Amanchu 1

chibi league
01:08:22 Bananya 2
01:11:05 The High School Life of a Fudanshi 2
01:12:18 The Disastrous Life of Saiki K. 2

Notes of Note:

  1. Check out the Florida International University Pokémon Go safety video, featuring an adorable Charmander. 
  2. The creator of One Punch Man and Mob Psycho 100 is ONE.
  3.  Lifesong and Sal are both still watching Macross Delta, but haven’t had time for it amidst all the summer craziness; it will return to the Senpai League soon. I sure hope what’s-her-name is alive….

Food Wars! S2: Episode 3

Screenshot 2016-07-21 14.02.28

Well, I was wrong: I called the previous quarterfinal match for Megumi, only it was Ryo’s name that got written down with the Giant Brush of Gastronomic Victory. I really felt like the show was telegraphing that Ryo’s strong flavors were too palette-fatiguing and Megumi’s dish was more inviting to actually eat, but I guess his seafood ramen was just that good, overbearing or not. Besides, it was a big deal for Megumi to make it to the quarterfinals in the first place, so even though she got knocked out of the contest, the fact that she earned the respect of her peers makes it a net victory for her.

The kids watching in the peanut gallery note that Heihachi did not go shirtless for Megumi’s dish the way he did for Ryo’s, meaning they should have predicted who was going to win. However, in a scene I’m not sure I fully understand, Heihachi excuses himself to the bathroom and thinks about what an amazing cook Megumi is becoming; he took his shirt off for her deep down in his heart, or something like that.

The main event for this episode is the match between Hisako, Erina’s uptight secretary who specializes in medicinal food, and Hayama, the dude who is all about spices. They’re facing off in Battle Hamburger, which is interesting because it doesn’t seem to play to either of their particular strengths. Come to think of it though, very little would really play to Hisako’s strengths in this competition; the person who cooks with health as their primary goal is always at a disadvantage when the contest is being judged solely on taste and texture. It’s not that healthy food can’t be tasty, but when your goal is to make something as tasty as humanly possible, that doesn’t lend itself to using ingredients that also aid digestion and such.

Screenshot 2016-07-21 13.47.39

Hey good luck Secretary-chan, hope you have a good recip OMG SHE CUT ITS HEAD OFF

In any case, Hisako’s first association when someone says “hamburger” must be “callously butcher a live turtle on the spot,” because that’s what she does. I thought I was totally on Hisako’s side in this bout, but I think I started rooting for her to lose once she cut the turtle’s head off. I mean…ok, I’m not a vegetarian, so I’m probably a hypocrite for expressing distaste at an animal being killed for food, but dammit, turtles are just so darned cute.

Is it so wrong that I’m okay with cows and lambs being killed for meat, but turtles are where I draw the line? Besides, not only does she kill it, she DRAINS ITS BLOOD, like some kind of sick Rachel Ray-inspired vampire, and uses the fresh blood to pump up the flavor of her hamburger patties. She also adds a bunch of medicinal herbs, so this Turtle Murder Burger probably cleans up congestion, gout and erectile dysfunction (not that I’m implying anything about Heihachi).

Screenshot 2016-07-21 13.52.01

Unusually for this show, Hisako’s burger doesn’t really look all that appetizing. It’s karma for Hisako’s shameless, turtle-slaughtering ways.

She also uses Asian-style soft steamed buns, which seems really weird, if not quite offensive to my western palette. I don’t have anything against steamed buns, it just seems like the doughiness would be a really strange combination with a meat patty. The judges appreciate the fact that her turtle-and-pork concoction gives them all a healthy glow (and brings out a lot of umami, seriously enough with the umami quotient already), and it seems like Hisako has met the challenge head-on.

We learn via flashback that Hisako is obsessed with Erina…well, we knew that already, but we learn just HOW obsessed Hisako is with Erina. Her goal in her cooking is to always stay just a few steps behind Erina, always in reach of her Glorious God Tongue…it’s like they were going for some lesbian subtext, then said “you know what? Fuck it,” and went with full-on lesbian text instead. Good for them, I think.

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Thank you, Food Wars! for giving us a helpful diagram illustrating what a hamburger is. It would be terribly inconvenient if anyone was confused.

But hark, Hayama the Cold-Hearted Spice Boy has yet to present his burger! Not only does he fill the whole auditorium with yellow fumes from his abundant spices (Team Instinct shout out?) he makes a gyro-inspired burger, using seasoned Turkish lamb meat and yogurt sauce and pita and…waitaminute. That’s not even a “gyro-inspired burger,” that’s a gyro, straight up. I guess the fact that the meat is in the form of a patty instead of strips kind of pushes it slightly over to burger territory, but seriously, the flavor profile is 100% gyro.

This would put me in an ethical quandry as a judge, because while gyros are absolutely delicious and one of my favorite things to eat, they are not hamburgers; we know this because when you go to a Greek or Turkish restaurant, “gyro” and “hamburger” are always listed as separate menu items. I mean, maybe you’ve gone to some weird hellhole that has a “Gyroburger” on the menu, but it’s not my problem if your local restaurants are terrible.

Speaking of which, I would like to go out to Greek restaurants way more often than I do, but all the ones in my neighborhood have a severe parking shortage. How am I supposed to stuff myself full of delicious donor meat, grape leaves and spanakopita if I have nowhere to park? Do you expect me to pay for a taxi, like some kind of fancy lady? But just think of a delicious gyro, that delectable, mouth-wateringly salty seasoned lamb meat, balanced by the refreshing tang of fresh yogurt sauce, accompanied by crisp, fresh greens and delicately sweet tomatoes, all offset by the contrasting textures of crunchy bread, the oven-baked pita imparting a subtle, earthy aroma along with a gentle heartiness…..

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What is this? DELICIOUS!

But it’s not a hamburger! NOT A HAMBURGER AT ALL!!!!!

ahem. Anyway, I really like gyros, but I think Hayama should have been disqualified for making the wrong food. Unfortunately, the judges are still on their insane umami-worshipping kick, and the pickling agent that Hayama used as a topping does more to enhance the (god-forsaken) umami of his burger than the ginger Hisako used, so he wins. Hayama tells Hisako that she can’t beat him while she keeps aiming for second place, and he’s probably right, but I still think he cheated and is pretty much a bad guy.

Speaking of bad guys, this episode also introduces Subaru, whose shtick is that he looks like a big punk, but he’s actually extremely detail-oriented. Clearly he’s the villain of this arc, because he insults Aldini’s little brother Isami and, err, spits out his gum on Aldini’s special knife. Err, who does that? Even in Food Wars!, who does that?

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This was the only screenshot featuring Subaru I could bring myself to take. Normally he has some dark stuff on his face that I think is supposed to mean he’s always in shadow, but it mostly looks like he just came out of a coal mine.

The last thing we learn is that the quarterfinal match between Aldini and Subaru has been declared a Shokugeki, or official food duel; I think we’re supposed to infer that Aldini was so pissed about the insult to his brother’s cooking skills that he upped the stakes, but personally, I think he’s more upset about Subaru messing with his prized knife.

Does the loser of a Shokugeki get expelled from the school? It’s been a while since I watched the first season and I don’t remember exactly how the rules for a Shokugeki differ from any other match, but if the loser gets kicked out of Totsuki, I have a feeling Aldini is about to be toast; they did not introduce Subaru with all this fanfare for him to lose in the quarterfinals.

Next episode: One character I really don’t like squares off against a character I don’t really care much for one way or the other. I’ll probably spend the whole recap talking about how much I like fried shrimp with tartar sauce or something.

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I probably should have put this screenshot up higher, but let’s be honest: it’s better without context.

Otakusphere Weekly #14: Orange You Glad We Didn’t Say Bananya?

Download this episode (right click and save)

Listen to the show on iTunes

This time around, we’re dealing with a weird kind of reverse-disappointment; we sort of wanted all the summer anime to be bad so we’d have plenty of free time to catch up on our anime backlogs, but nooooo, too much damn anime had to go out of it’s way to be funny and interesting and charming and stuff. Now we’re really into Sweetness and Lightning and Cheer Boys and Mononokean and stuff, and when are our My Anime LIst pages finally going to be up to snuff? Not this season, that’s for sure.

Meanwhile, Sal is understandably concerned about Bananya’s desire to be eaten, Lifesong has had it with anime characters shouting at each other for no real reason, and we’re all pretty flummoxed by just who First Love Monster is supposed to be targeted at. Maybe the show is like the anime equivalent of the Duck-Billed Platypus; though we can’t imagine why it exists, we must humbly accept that it does. There are many things in this world that are simply beyond our ken.

SHOW NOTES:

00:00:34 General Otaku Chat: Is Crunchyroll going to eat Funimation’s lunch now that they’re in the home-release game? Can we handle a Big Order dub?

Old Stuff League

00:10:31 Shonen Maid 12 (END)
00:12:38 Flying Witch 11 and 12 (END)
00:15:18 Re:Zero 14

New Hotness League
00:22:11 Food Wars! The Second Plate
00:24:21 Berserk
00:29:42 Sweetness and Lightning
00:34:14 ReWrite
00:39:32 ReLife
00:43:27 Taboo Tattoo
00:46:16 B-Project
00:48:00 Love Live! Sunshine
00:49:11 The Morose Monomonokean
00:53:05 Orange
00:58:14 New Game!
01:02:38 Momokuri
01:04:02 Hybrid X Heart Magias Academy Ataraxia
01:07:14 First Love Monster
01:11:33 Cheer Boys
01:13:06 Servamp
01:14:46 Puzzles and Dragons X
01:15:27 Bananya
01:17:52 The High School Life of a Fudanshi
01:20:26 The Disastrous Life of Saiki K.

  1. I didn’t mention it on the show because it wasn’t confirmed at the time we recorded, but Otakusphere Weekly is now available on iTunes. It will be probably become available on other popular podcast-listening services as soon as I figure out what all the kids are using these days. Let us know in the comments if there’s somewhere you’d like the show to be listed, and we’ll get on it.