Tag Archives: analysis

Tomb Raider, Level 11: Obelisk of Khamoon

It’s obvious that this level is a sister level to City of Khamoon, but what I didn’t realize until this time around was that it’s also a sister-level to St. Francis’ Folly; it’s all about going vertical. The main Obelisk room is all about the height, and most of the side puzzles involve traversing great heights. It also benefits from being a level with a strong central location, without it being too obvious how you’re supposed to progress.

However, unlike SFF, jumping from down from on high isn’t necessarily fatal, and it can actually be useful- it’s just a more inviting atmosphere. It’s interesting in that this is one of the levels where the whole thing is obviously an elaborate puzzle expressly created to keep people out (hence my feeling that this whole Egypt section is one giant tomb), but it never really feels like Lara isn’t welcome.

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Thoughts on America’s Greatest Otaku Episode #7

Summary:In this episode the tour concludes, Team Mangaloids gets to visit yet another convention, murals are painted, and I learn that I have a bone to pick with the New Orleans Haiku Society.

I’m not going to talk much about the venues this time, because none of them really blew me away or were particularly bad either, so there isn’t much to report. I am convinced though that most motions in Kyudo are done for the sake of looking awesome and for no other reason.

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X-Men Episode #2: Poor Man’s Storm

You might think from this screenshot that Ms. Stormu is a no-nonsense, lightning-slinging deity; you would be wrong.

Summary: They’ve made Storm weak in order to make Cyclops’ ongoing PTSD over the whole “my girlfriend became a giant psychic bird-creature and died” thing an actual problem for the X-Men, and it’s a huge pain. While this episode is better than the first by virtue of stuff actually happening, these people are still really unlikable for some reason- something not likely to be fixed by introducing Emma “I’m a bitch, deal with it” Frost next episode. Oh dear.

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Parasite Eve Playthrough Part II

Parasite Eve is split up into 6 days; This entry covers the remainder of Day 1. The Day format is interesting in and of itself because games usually don’t tell you how much “in-game time” has passed for the characters in the story. For example, in Final Fantasy X you can finish the game with 10 hours on your timer or 200, but you haven’t the faintest idea how long Yuna’s pilgrimage was supposed to have taken from a story perspective. A week? A month? Six months? We’ll never know.

PE takes a very different approach: You can spend 500 hours running around Central Park if you want to (and if for some God- forsaken reason you want to try the “300 pieces of Junk sidequest,” you very well might find yourself doing just that), but you’ll still be stuck in the second day. You always know precisely where you are in the story.

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X-Men Episode #1: Instant X-Men, Just Add Angst

A brooding-as-usual Cyclops: we could have done without this.

Summary: I can’t decide if the problem is that these really aren’t the characters I know, or if it’s just oddly written for a first episode, but something is definitely off with this anime adaptation of my favorite superheroes; so far, Beast is the only redeeming feature.

I don’t know about this most recent X-Men adaptation, I just don’t know- is it boring to me because I’ve been an X-Men fan for a long time, and I’ve seen all of this already? Or is it just boring because it’s boring?

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Tomb Raider, Level 10: City of Khamoon

I’m a bit out of my depth with the Egypt levels- on the one hand, from the standpoint of playability, they’re all pretty much great. However, they don’t seem to conjure up the kind of thoughts in me that many other levels do, leaving me constantly aware while I’m playing them that I’m playing TR levels, albeit some very good ones, and NOT really exploring some ancient locale. This may have more to do with me than the game, but it does leave me a little puzzled in terms of how to rate them.

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Thoughts on America’s Greatest Otaku #6

Just between you and me, if you have to drive two hours to get to the main Otaku spot in "Louisville," I don't think that city makes the grade.

Summary: This week’s episode had two distinct themes: traditional Japanese culture (as opposed to the more typical pop culture), and Dom getting the snot beat out of her repeatedly. Surprisingly, both were quite good.

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Thoughts on America’s Greatest Otaku #5

Team Mangaloids enjoy smoking ninja food in a restaurant I would go to if I weren't terrified of people pretending to stab me while I eat- seriously, that's what they do at Ninja NYC.

Now that we’re past the halfway point, how is this show being received, anyway? I don’t see much talk about it online (other than the quasi-pathetic group that cropped up when the show started to say that it was not cool enough for them, for they must be so, so cool), yet according to analytics, a lot of the visitors to Otakusphere seem to come here looking for more about this show. Also, I do tend to avoid the corners of the internet where the comments would annoy the hell out of me, which is 99% of the internet, so I really don’t know what’s going on anyway.

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The Significance of Morning Rescue(?)

Not content with merely deconstructing (by which I mean, ripping the guts out of) its own genre, Puella Magi Madoka Magica is sort of deconstructing the culture that has grown up around anime fansubbing as well.

For those that know about Otakusphere but somehow don’t yet know about Madoka (a group that probably contains all of two people, but hey, I aim to please), fansub groups have been keeping the Japanese commercials for the beverage “Morning Rescue” in their cuts of the popular dark magical girl show, and the commercial has become internet-popular. Due to demand for the actual product, Jlist (and possibly other retailers I’m not aware of) have started carrying the drink for people outside of Japan to order. I don’t know the numbers, but Peter (owner of Jlist) has tweeted that the drink is selling well.

Fansubs of unlicensed shows are considered more or less morally neutral; while digitally downloadable versions of licensed shows can be considered theft (and let’s just leave it at that, without getting into the whole piracy/theft/copyright infringement definition quagmire), downloads of unlicensed shows don’t really do anything; you’re seeing something that isn’t meant for you, since you won’t be viewing the advertising the way the targeted market will (or have access to the product even if you do see the advertising), but you aren’t finding a sneaky way around an actual purchase, either, because there’s no actual product available for you to buy.

However, when fansubbers start leaving in commercials, and those commercials lead to actual sales of the Japanese products that companies paid the TV station to advertise, doesn’t that end up becoming a net positive?

Don’t get me wrong; I don’t mean it’s a net positive in financial terms. For every one person who orders a bottle of Morning Rescue from Jlist after watching a fansub of Madoka Magica, there are probably about a thousand people who will just watch it and do nothing- not enough to make the company that makes the drink a lot of money.

Still, you have to wonder; if the world has become flat enough, thanks to global retailing and shared interest in different subcultures, that the commercial is creating the same desire for a product that it was meant to inspire in the targeted audience, doesn’t the once-lowly fansub watcher therefore become part of the targeted audience? From Morning Rescue’s perspective, they don’t care if Madoka fans live in Japan or China or Timbuctoo; they want people to watch the show, see their commercial, and buy their product. If someone in the U.S. orders a case of Morning Rescue based on the commercials they saw in a legally “gray” fansub, are they any less valid as part of the target audience than a person in Tokyo who bought one? It’s still advertising dollars well spent.

I haven’t been covering Madoka Magica on a regular basis, mostly because my recaps of individual episodes would end up being a .WAV file featuring the sound of my jaw hitting the floor continuously. But I think the Morning Rescue phenomenon that spawned from the Madoka fansubs has really interesting implications for the future of digital anime distribution, legal and otherwise- I mean, I’m not sure what they ARE yet, but they’re certainly interesting.

Thoughts On America’s Greatest Otaku Episode #4

Smiling Stephan +ridiculously huge plush Miku= Good Episode.

With episode #4, Tokyopop’s quest to get me to consume more sushi continues to pick up momentum. Seriously, that seems to be the underlying goal here, because after each episode I may not feel particularly keen on buying any Tokyopop products, but man do I want some sushi.

This episode had what could have potentially featured the most interesting challenge yet- finding a mentor to teach you an otaku-related skill- but it was kind of rendered moot by the fact that only one member of one team (Dom) actually participated. Now, I would call out the other teams for not doing the challenge, but it’s hard to tell how much time anyone had from the way it’s edited; I get the impression they may have been seriously pressed for time in Oklahoma City and Nashville to make more time for Otakon and New York later on, in which case I can’t really blame them (yeah, I’m biased towards the east coast, not gonna lie.)

Hey look, it’s Deb Aoki! I want to be like Deb when I grow up; that is all.

However, bonus points to Dre of some variety for pointing out to Stu Levy that Team Mangaloids were perhaps better equipped to tackle their challenge at San Diego Comic Con versus his team in Oklahoma. However, I don’t blame the show for this; it seems to be a reality show staple to stack the deck really unfairly like that. Remember that episode of Top Chef: Just Desserts where they took all the chocolate out of the kitchen, and the one guy who wasn’t planning on using chocolate in his dish anyway was just like “Screw y’all!” No? I have to find other humans who have actually watched that show.

Viewing SDCC was probably the most interesting part of the episode, in part because you could actually SEE it; New York Comic Con/Anime Festival was so packed this year, all you could see when you looked straight ahead was the freckles of the several people invading your personal space in front of you. If SDCC was as nicely un-crowded as it looked from this episode, I’m seriously jealous of west-coast con-goers right now, because I feel like the ridiculous crowding ruins the NY conventions for me.

As an added bonus, I finally learned how to pronounce “Wacom” from this episode- I’ve been saying “Way-com” for like, ten years now. And, my god, do I want that tablet…..

The other interesting part of this episode was meeting AGO contender Selene’s entire otaku family, complete in cosplay with anime wall-hangings galore. I’m slightly disappointed we didn’t find out more about the parents, however; are they really otaku as well, or do they just play along to make their kids happy? In a way, wouldn’t they be the most awesome parents ever if they cosplayed as Bleach characters for the sake of familial harmony even if they’ve never seen Bleach?

I really have nothing to add to this picture. That’s just…wow. A contender indeed.

On the next episode, the group goes to Otakon 2010, so I’ll probably spend the entire episode looking for a glimpse of myself in the background because I was actually there, plus Washington D.C. (whatever) and New York (yaaay!). Now, Team D&D may be my favorites, but if Diana and Dre can’t find anything suitably otaku-ish to do in NY, there will be words.

I’m getting sushi tonight, I don’t care what anyone else says. Even if they’re all like “Oh, we’re going to Outback, you can get a Bloomin’ Onion for your main course if you like,” I’ll stand my ground, because that’s how badly I want sushi right now- Bloomin’ Onion badly.