Category Archives: Reaction

Posts in response to anime. We would call them “recaps,” except we’re not that diligent.

Blogging X-Men: The Animated Series

X-Men: The Animated Series is not anime, and even the most vocal proponents of widening the definition of the term would not label it as such. It’s an American cartoon, and arguably doesn’t belong on a blog called Otakusphere, which is mostly about anime most of the time. However, X-Men:TAS was kind of like my gateway drug to everything otaku: discovering the X-Men cartoon led to a passion for American comics, which led to a passion for anime and manga, which led to me becoming…well, me. If I hadn’t become a huge X-Men fan at the age of 11, chances are I would be a vastly different person today.

Maybe I would be a better person. I mean, maybe if I hadn’t wasted so much time with cartoons, comics and anime, I could have become a doctor, found a cure for cancer, and already gone down in history as one of the most important people to have ever lived. Maybe I should be pissed as hell at the X-Men for keeping me from sundry achievements in medicine, astronomy, or theoretical physics. Instead, I became the kind of person who writes thousands of words about cartoons on the internet, and I think I should probably just go with that at this point.

I tried to have my cake and eat it too by blogging the 2011 X-Men anime; it was anime and X-Men at the same time, score! Unfortunately, it was a pretty terrible show. Still, I was probably harder on it than I should have been because I was mad at it for the unforgivable crime of not being the X-Men show I really wanted to write about. So I apologize, X-Men anime; you were kind of bad, but I could have been nicer to you.

Now I want to cut the nonsense and go through my childhood obsession show episode by episode, which I think I’ve really wanted to do for a long time without consciously thinking about it. This will probably be like my Tomb Raider project, something I dip into from time to time when I’m taking a break from anime.

Let’s start by going down the cast list before diving into the show proper, so I don’t drag the individual episode posts off-topic by waxing poetic about certain characters. It’s funny that I think of this roster as being the “classic” X-Men line-up, when it’s really not at all; in fact, to comic fans at the time, this team probably seemed like a slap in the face. Where were X-Men stalwarts like Colossus, Nightcrawler, and Kitty Pryde? Why was Gambit included, when he was only created about ten minutes before the show aired? Even so, for better or for worse, I’ll always think of this team as my X-Men.

Cyclops

Character created: 1963

Power(s): Constant beam of concussive energy issuing from his eyes.

Voice Actor: Norm Spencer

At the time, I didn’t care much for Cyclops; he was just a boring authority figure. Over time, I’ve come to appreciate him. He’s usually a competent leader, but suffers from the deep-seated fear that if he ever screws up, Professor X might just drop him back in the orphanage where he found him.  He loves the professor as a father figure, but on another level he resents the hell out of him; on the show, he never seems to realize this. In the comics, he absolutely did.

The comics-version of Cyclops is one of the few characters who went through genuine character development, without said development being constantly compromised by resetting him back to the status quo. Cyclops, towards the end of his life, had changed dramatically from the person he was introduced as. Unfortunately, he’d changed into a person I didn’t like at all, but that doesn’t take away from the achievement that he was a Marvel Comics character who actually (and believably) changed as a person due to his experiences. He’s dead now in the comics, but his entire character arc represents a singular achievement; until they inevitably revive him and screw it all up again, that is.

It’s nostalgic to see this innocent version of Cyclops, basically a big Boy Scout troop leader who’s trying so hard to please his adoptive father and his girlfriend that he can’t see that he’s grinding himself down in the process. In the world of the animated series, Cyclops seems to agree with the Professor’s principles, whereas in the comics (I almost said “real life”), he finds that he doesn’t. In a way that makes Cyclops problem more subtle on the show than it was on the page; the problem isn’t the ideas he’s being forced to represent, its the fact that he never was given a choice in the first place.

Wolverine

Character Created: 1975

Power(s): Enhanced agility and senses, super-accelerated healing, claws protruding from hands; skeleton bonded with super-strong metal, which is not a natural power but the result of tampering by Those Evil Government Types.

Voice Actor: Cal Dodd

Another character who’s grown on me tremendously over the years. At the time, it bugged me that Wolverine was so obviously the star and we were all supposed to like him; it annoyed me how much screentime he got, and I wished everyone else would get equal time in the sun. I didn’t really care for his gruff attitude, and I thought that having knives come out the back of your hands was a boring superpower; to be fair, it still is.

Once you crack the Wolverine code, and realize that Logan is the most sensitive of all the X-Men– even moreso than teenaged Jubilee– then he suddenly becomes much more interesting. He’s been deeply scarred by losing practically everyone he’s ever cared about, but his memory has been so tampered with over time that he’s not even sure who those people were. He’s always mourning someone, but he doesn’t always know who it is. Both in the comics and on the show, Wolverine’s stories have tackled surprisingly complex themes about identity; if you as a person are the sum of all your previous actions, how can you even know who you are if memory is fallible?

I think the X-Men movies to date missed a lot of opportunities to take advantage of the strengths of the comics, but one area where they absolutely succeeded was with Wolverine: casting, attitude, etc. And Logan is one of the best superhero films ever made, to the point of not feeling like a superhero film at all. Wolverine’s cinema presence is having an odd effect on me though; I never found cartoon Wolverine attractive in the slightest, but now that I associate him with Hugh Jackman, I’m finding early ’90s Wolverine to be oddly sexy, and it’s weird. I really need this to stop, because everyone and their Mom knows that Gambit is supposed to be the sexy one.

Rogue

Character Created: 1981

Power(s): “Life-sucking” touch that sucks out other people’s strength, memory, and superpowers, either temporarily or permanently; flight, super-strength and near-invincibility have been permanently stolen from Carol Danvers, AKA Ms. Marvel.

Voice Actor: Lenore Zann

Everyone loves Rogue. You can tell even the animators loved Rogue, because whenever she’s onscreen, the art quality seems to go up by about 30 percent. Everything about the show will look dull and kind of muddy, then Rogue flies into the room, all crisp linework, and suddenly, it almost looks like an anime.

Rogue was my favorite character for a long time, even though as a kid, I really didn’t understand the nature of her problem. I remember thinking it was weird that she complains that her power doesn’t allow her to touch anyone, whereas she touches people all the time; that’s what her gloves are for! It wasn’t until I was older that I realized that Rogue’s real problem was that she couldn’t have intimacy. I guess this is what happens when you discover X-Men before you discover sex.

The animated series version of Rogue has a bit of a problem though, because she’s much, much more open to using her life-sucking power than she is in the comics. This changes the nature of the character a bit, because it’s hard to believe that she deeply hates her superpower when she uses it all the time. The problem is, if she didn’t use it, then the audience wouldn’t really know who Rogue is supposed to be. I think Rogue’s issues, and her moral issues with stealing other people’s powers and memories, were on the cusp of being too dark for a kids show to deal with. They tried admirably though, as the Ms. Marvel flashback episode demonstrates.

One thing that used to really bug me as a kid was that Rogue would always get thrown around, run over by trucks, etc., just because she was the only one who could survive that kind of punishment. I hated seeing my favorite girl get pummeled just to show off how strong the enemy was. It still kind of bugs me, but now I understand that one of the reason that happens is that Rogue intentionally takes hits for the rest of the team; at the time, it seemed like all the villains were just being really mean to her. Stop throwing Rogue into things, meanies! What has she ever done to you? Besides possibly stolen your memories and powers, that is?

Storm

Character Created: 1975

Power(s): Ability to manipulate the weather, which manifests as wind-riding (flight), throwing lightning, making snow, and doing basically whatever the writer can think of that is even vaguely weather-related.

Voice Actors: Iona Morris, later Alison Sealy-Smith

There are almost as many versions of Storm as there are comic books published. You have original, Earth-Mother Storm, Saavy Thief Storm, Megalomaniac Storm, Competent Leader Storm, Vicious Brawler Storm, etc. She’s a character who’s gone through a lot of changes over her publishing history, but with much less consistency than Cyclops. When Chris Claremont was writing her back in the ’80s, she had a definitive personality; ever since then, every writer has put their own spin on her. You never really know what you’re going to get with Storm these days.

Almost by necessity, the cartoon goes with the most boring version of Storm; naive, Earth-Mother Storm. This is because if she was shown as being as smart and competent a field leader as she often is in the comics, then she’d be taking over Cyclops’ role. Plus, her backstory– the stuff that makes up the core of Storm’s personality– actually was too dark for the cartoon to deal with. We’ll get to this in more detail in episode 4, but basically, we got a severely watered-down version of Storm on this show because the real one just wouldn’t have worked on a program rated Y-7.

Even Storm’s skin color is toned down; on the show, she could pass for a white woman who just got back from Hawaii and has a great tan. It was a little bit of a shock when I read the comics and realized that Storm was actually black. From our modern perspective, it’s  appalling that they changed Storm’s character design to make her more appealing to white people, but I think it’s better to shrug this off as a bad decision and let it go; it was 25 years ago. We have enough to worry about with racial representation in today’s programming.

Even with all these limitations, the TV character still has some charm. I love when she gets snarky, because it’s such a contrast to her typically grandiose way of speaking. But it wasn’t until I read the comics that I realized why Storm was actually an interesting character, as opposed to a boring character with interesting powers.

Beast

Character Created: 1963

Power(s): Enhanced agility, with enlarged hands and feet. Technically his blue fur and ape-like appearance isn’t a mutation, but let’s not get into that. Also genius-level intellect, although it’s never been clear if that should really count as a mutation.

Voice Actor: George Buza

One part mad scientist, one part Frankenstein’s monster, one part loopy English professor who really wants you to do well on the exam; I love this version of Beast, full-stop. He’s like a blast of pure joy whenever he’s on screen. In the comics they tried to give him this existential angst, and it was usually more annoying than interesting. Even on the show, he still had a dark, brooding side, but they didn’t overplay it the way they did in the comics.

What’s really fun about going back to this show as an adult is getting all the literary references centered around Beast that went completely over my head as a kid. One thing that sticks out in my mind is when Rogue and Gambit go to visit him in prison during Season One, they bring him a copy of You Can’t Go Home Again, to which Beast responds “Thomas Wolfe; an old friend.” Any old friend of Thomas Wolfe’s is a friend of mine!

As much as I like the character, I find I have very little to say about him in this incarnation; he’s just wonderful. Wonderful things are self-evidently wonderful, you don’t really have to explain it.

Gambit

Character Created: 1990

Power(s): Ability to kinetically charge objects so they’ll explode, enhanced agility, some kind of hypnotic tomfoolery that the show wisely ignored completely.

Voice Actors: Chris Potter, later Tony Daniels

I’m going to break with protocol and give away a closely-guarded secret here. If you know any female, any woman at all, who was on the cusp of puberty in 1992, she was in love with Gambit. Like, if you gave her a form and asked her to fill in her sexuality, if she’s being honest she would ignore the boxes for “straight” and “gay” and add a box called “Gambit,” then check that box three times.

I didn’t have relationships until relatively late in life, and up to this point, I have allowed people to believe it was because my standards were very high; in reality, the reason why I didn’t date for so many years was because I never ran into anyone who looked sufficiently like Gambit to make it worth the bother.

Why was I so into Gambit? Why were so many of the girls I knew into Gambit? I think it’s because he’s kind of like the archetype of the mysterious, handsome guy who knows a lot of stuff you don’t know. Adults often find his character grating for just that reason, but when you’re 11, you’ve never seen that kind of character before, it’s still exciting to you.

Gambit was another character where the show wasn’t able to explore his darker aspects, but unlike Storm, I think this actually worked in his favor, making the cartoon version the superior incarnation of the character. The trick with Gambit is he’s supposed to have some really dark stuff in his past, and oh, if only the X-Men knew what it was, they’d be forced to kick him out in disgust. But the moment you reveal that stuff, if it really is dark and sinister, he stops being viable as a hero; if it’s not dark enough, then the audience feels lied to. The comics successfully threaded this needle until about 1995, then after that most of what they did with Gambit was just embarrassing. Even now, most writers have no clue what to do with him.

A part of me will always love Gambit the way he appears here, An 11-Year-Old Girl’s Introduction to Sex. I have changed over time, and am no longer strictly Gambit-sexual (I also found a place in my heart for Squall Leonhart from Final Fantasy VIII), but this cartoon character with an odd obsession with playing cards and the color pink will always be my first love…I mean, my first cartoon crush. Same thing?

Jubilee

Character Created: 1989

Power(s): Ability to discharge brightly-colored energy from her hands that functions similarly to Cyclops’ eye lasers. Ability to make ’90s slang sound even more cringeworthy and painful than it actually was at the time. Ability to be a brat.

Voice Actor: Alyson Court

If Wolverine was the obvious star, Jubilee was the obvious Point-of-View character for the young audience, and I resented her for it. It was so obvious that I was supposed to relate to Jubilee, when I vastly preferred Rogue, Gambit, or Beast. I think her dialogue, peppered liberally with early-90’s slang, sounded incredibly dated even at the time, but that could just be my memory playing tricks on me.

That said, Jubilee has a lot going for her as a character. She took over the role that Kitty Pryde had in the ’80s as the X-Men’s resident teen sidekick, but while Kitty had to be annoyingly perfect at just about everything (at least to me), Jubilee is refreshingly average. She’s not supposed to be gorgeous, or brilliant, or particularly powerful as a mutant, but she knows what she wants and goes after it with considerable aplomb. She also has about zero tolerance for bullshit, something not true of the more romantic Kitty; as an orphan on the streets, she had it rough way before she found out she was a mutant.

Like Storm, Jubilee was basically turned white for the cartoon; you would never know that she was supposed to be Chinese. However, unlike Storm, this was true of Jubilee in the comics until pretty recently, so at least it was consistent.

Right now I kind of feel bad for Jubilee, because she’s been a horrendously abused character. First she was kicked off the X-Men on to a satellite team where she didn’t really belong, then she did nothing for about a decade, then she lost her powers, then she got turned into a vampire (seriously, a vampire), and God knows what else. I think they restored Jubilee to normal recently (meaning, she no longer drinks blood and is back to shooting fireworks out of her hands), but to say she’s been through the ringer would be an understatement.

Even though I wasn’t fond of her initially, it’s nice to see Jubes here as she was meant to be: energetic, bratty, and really excited about being part of a superhero team. To me, the most interesting thing about Jubilee is the fact that Wolverine was (and is) a much better father to her than he ever was to any of his actual children, but this show takes place before Wolverine’s kids were invented, so we’ll have to put that aside for now.

Jean Grey

Character Created: 1963

Powers: Telekinesis and Telepathy. Ability to become a giant, invincible firebird flying in space, but that may be from an alien possessing her, or maybe it was really her all along? It’s complicated.

Voice Actor: Catherine Disher

It has recently come to my attention that I have no clue who Jean Grey is.

On this show, she’s very feminine and altruistic; definitely the Mom of the team. However, for most of her character’s history, she wasn’t like this in the comics. When Stan and Jack invented her in the ’60s, she was Stan Lee’s typical “pretty girl” character; practically indistinguishable from Sue Storm or any of Lee’s other female creations. When Claremont reinvented her in the ’70s, it was as a fiery redhead, with special emphasis on the “fiery” part. The character died in 1980, then after she was revived years later, writers tried to write her kind of like Claremont had written her, only a little less fiery. (At least, that’s what I think; to be completely honest, I haven’t read the early issues of X-Factor yet.)

In the early 2000’s, written by Grant Morrison, she was a brainy, aggressive genius, who was very interesting but seemed to come out of nowhere. Then she died again, and they’ve since brought her back, as recently as a few months ago. I have no idea what her personality is like now, because I’m not buying X-Men Red: it’s not happening, Marvel.

I’m kind of fond of the motherly, calm version of Jean we get on the show, even if she’s not really consistent with her comic counterpart, because at least I know who she’s supposed to be. Towards the end of the show they tried to play up the “fiery redhead” angle a little more, and it mostly just felt forced. TAS Jean is like your Mom, or rather like a mom on a 1950’s sitcom, and trying to give her an edge just doesn’t work.

One thing to note about Jean is that her Jim Lee-designed costume made the worst transition from page to screen. Her ’90s outfit was just some strange aerobics-type getup, but when Jim Lee was drawing the X-Men, everyone looked so damned gorgeous it didn’t even matter what they were wearing. On the show it just looked dumb, even when it was on-model, which wasn’t often.

Professor X

Character Created: 1963

Power(s): Extremely powerful telepathy. Technically has the ability to use mind control, although he never does it because if he did, the X-Men would have no enemies and it would be a very boring series.

Voice Actor: Cedric Smith

Just like TAS Gambit and Beast are my preferred versions of those characters, the cartoon Professor Xavier will always be the real professor to me. As much as I enjoyed Patrick Stewart’s portrayal of the character (especially in Logan), I felt like his Xavier never quite escaped the shadow of Captain Picard. When I think “Professor X,” I hear Cedric Smith’s voice.

A lot of the character’s appeal can be pinned on Smith’s performance, which was serious and intense without quite crossing the line to sounding pompous; well, okay, sometimes he sounded pompous, but I’m pretty sure it was intentional. But I think the cartoon distilled what was good about Xavier without getting caught up in his domineering, paternalistic baggage. He was commanding, and a father figure, but generally always seemed like a nicer person to me than his comic counterpart.

What was really striking to me (though I only realized this recently), is how much of his dialogue on the show takes the form of questions. Xavier is supposed to be very intelligent, but sometimes his arrogance undermines this; on the show, he had the humility to always know how much he didn’t know. I wish his comic version was as perceptive.

In the name of “progress,” the comics have ditched Xavier and his dream of human-mutant peace; I think that was a terrible mistake. I have no interest in a group of paramilitary fighters with superpowers who grumble about how “naive” Xavier was with his dream of coexistence; I get enough ideological terrorists in the real world, thanks.

Where the X-Men are concerned, my happy place will always be a relatively small team, holed up in a nice mansion in Westchester County, with Professor Xavier at the helm. If I think the X-Men were more likable and interesting in this incarnation than they are currently, it’s undoubtedly part nostalgia, but it’s not only that. To me, for all it’s flaws– often hokey dialogue, limited animation and all– this show really captured what the X-Men are supposed to be about. I wish they were still like this, but if I can’t have that, at least I’ll always have this show.

Next time I feel like writing a silly amount of words about the X-Men, we’ll tackle the pilot episode of the series, and how you know a kids cartoon means business when they kill off a character in Episode 1.

DARLING in the FRANXX, Episode 24

A few missteps aside, I feel like this stayed exactly the show I thought it was all along: all about the beauty of life, specifically the continuation of life through sex, conception and childbirth, with a thin veneer of shiny mecha antics. I know a lot of viewers wanted something else from it, and I can respect that; but for me, this was in my wheelhouse from moment one.

Hiro and Zero Two go on their “honeymoon,” traveling through deep space toward the VIRM homeworld. This is not as unusual a honeymoon as you might think; my honeymoon was spent exploring different aquariums. Space has a lot in common with the bottom of the ocean floor.

They don’t have very much to say to one another, which I have mixed feelings about. On one hand, since they’ve merged (their metaphorical marriage), they’re supposed to be communicating on a deeper level than speech. If neither Hiro or Zero Two says much of interest in this episode, beyond “I love you,” it’s because the real communication going on is supposed to be stuff they couldn’t put into words anyway. I get that, but I think this could have been communicated to the audience better. If this show had been 26 episodes instead of 24, we could have spent a whole episode exploring what it’s like to be inside their heads, but as it stands, we just have to assume the two of them have a rich inner life that we’re not seeing.

Meanwhile, back on Earth, we see the lead-up to Kokoro having her baby, in which Useless Nana manages to actually be helpful for once. See, the future is so bright that even the crappy Nana is being nice! Then the baby’s born and I kind of lose it for a moment.

Of course, thanks to anime genetics, the baby looks exactly like Kokoro, even fresh out of the womb. I wonder what’s that like; when my girl was born, she didn’t look anything like me, and still doesn’t; she takes after my husband, full stop. Sometimes I think that the main reason I want to have another baby someday is because I might have one that looks like me. Selfish? Yes, but everything about having kids is this weird mix of extreme selfishness and selflessness.

I’m trying to imagine what it must be like to see a baby for the first time, as Mitsuru does, when you’ve never seen pictures of babies, or even knew about the concept of a baby until recently. Then again, even in real life, I think parents don’t really understand what a baby truly is until it’s born. It’s one thing to have an idea of this cute little thing, but when you first see it, those impossibly tiny hands and fingers, you realize that you never had a clue what you were in for. So I guess Mitsuru’s experience is pretty universal, really.

Hiro and Zero Two are all set two destroy the VIRM home planet, but VIRM has a trick; using Hiro’s humanity (since he’s still at least partially human), they manage to lull him into unconsciousness and screw up the bond between him and Zero Two. The solution to this problem comes very close to being a Care Bears Solution: everyone links hands and thinks about how much they love Hiro and Zero Two, aided by the statue of Zero Two’s body that now serves as a conduit between worlds. What stops it from being a Care Bears Solution, to me anyway, is that it’s Ai, Kokoro and Mitsuru’s daughter, that jars Hiro back to reality. Ai, and the entire process that transpired to create her, is basically the antithesis to VIRM’s entire program; it makes sense to me that she– perhaps the very idea of her– would be the trigger that would kick VIRM out of Hiro’s head.

So Hiro and Zero Two transform one last time, their final offspring, and destroy the VIRM home planet. Of course VIRM isn’t destroyed forever, because bad ideas can’t be destroyed forever, but they’re set back for long enough that our crew on Earth has time to get a foothold, which is all we need.

Back on Earth, everyone’s going crazy having babies, and I think it’s important to stop and look at this for a moment. It would be really easy to misinterpret the message of this show as “have lots of babies, that fixes everything!” but that’s clearly not exactly what’s going on. It’s critically important that Ikuno plays a crucial role in helping humanity get back on it’s feet. She doesn’t have a child, probably couldn’t if she wanted to at this point, and it doesn’t matter; there would be no future without her. Similarly, Zorome and Miku haven’t had kids a decade after the main conflict ends, and for all we know, they never will; it doesn’t matter one way or the other, because they’re contributing to the future too, teaching the children.

I can understand, given all the positive imagery of children and babies in this episode, how it might seem like a kind of pro-childbirth propaganda (especially in light of Japan’s declining birthrate.) But I really don’t think the point is that everyone should have children; not everyone in Squad 13 does. What everyone does do, is pitches in to help make the world a better place for their friends. Kokoro does it through motherhood, Ikuno does it through science, Miku does it through teaching, and Futoshi does it through cooking. Goro does it through exploring, letting the human thirst for knowledge overpower his fear.

I just don’t think the creators are saying “Hey, all you people out there who aren’t making babies? You should get on that! Babies rock!” What they are doing (and here I go putting words in other peoples mouths), at least from my vantage point, is asking a question: what are you doing to touch the future? Are you contributing to making a better world for everyone, like the Squad 13 kids are? Or are you just kind of doing whatever makes you happy at the moment? Are you like one of the “Adults” from episode 10, plugged into the pleasure machine, happy to stay there until the battery runs out?

And that again is an oversimplification, because it’s not everyone’s responsibility to save the world. For some people, just taking care of themselves, getting through the day in one piece, is enough of a challenge, and that should be respected. But if we want the world to get better, at least some people have to be committed to making the world a better place; it’s not going to happen on it’s own.

I think you could also interpret this show as being a counterpoint to the kind of transhumanism depicted in cyberpunk works like Ghost in the Shell; illustrating that it’s our primal biological functions, like eating and making babies, that define us as human. But that’s not quite right either; at the end, Zero Two and Hiro have both gone through tremendous physical changes (and ZT was never really human in the first place), but Ichigo believes that they were “more human than anybody else.” In Darling in the Franxx, the definition of human doesn’t revolve around whether or not you can reproduce, or if you have pale skin instead of red or blue.

As an aside, I said last time that maybe Ikuno would hook up with Naomi, and that does seem to be what happens. There’s no evidence that they’re lovers, but they’re clearly close. Ikuno gets perhaps the saddest ending of all the kids, but at least she’s not alone.

It’s also worth noting that the kids (well, they’re not kids anymore, but whatever) give up using Magma energy, and seem to commit to renewable energy. I think that’s a pretty transparent message about how humanity should abandon fossil fuels and find other ways of generating power. A lot of the stuff in this episode isn’t exactly the way it appears, but hey, sometimes a cigar is just a cigar. Sometimes showing fictional characters giving up on using the remains of dinosaurs to light their houses is a way of saying “You know, you should really considering giving up using the remains of dinosaurs as a way to light your house.”

Anyway, I don’t know if I’m ever going to have another baby. It cost us 6K to have the first one, and that’s with insurance: I think, for some reason, one night in the newborn ICU wasn’t covered, so we were stuck paying that off for a while. It’s become prohibitively expensive to have children, and from what I understand, it’s worse in Japan than it is here in the U.S. (though that isn’t the only reason for the declining birthrate). So even if the creators of Darling really do want everybody to go out and have a bunch of babies, it’s not going to work unless they start writing some checks. (Maybe that’s what the new Trigger Patreon is for?)

Whether or not I have another child is dependent on a lot of factors, only some of which are financial, and I guess that’s not really the point. What’s important is, am I living a life worthy of Zero Two– or, more importantly, of Ikuno? That’s what this show is leaving me with, and for that, I’m thankful. It was hardly a perfect show, and it would have likely benefited greatly from having a few more episodes to play around with. But I think it’s heart was in the right place; maybe a tiny fetal heartbeat, not quite strong yet, but clearly there.

Sword Art Online Alternative, Episode 12

In the final episode, we learn that LLENN is an evil genius who’s just been hiding it well this whole time. The fact that she knew that mocking Sword Art Online was perhaps the one way to really push Pito’s buttons and get her to lose her cool shows just how good she is at manipulating people when she wants to. We can only hope that she continues to use her powers for good instead of evil, and the devastating loss of the second P-chan doesn’t drive her to a life of crime.

Just like the Elder Wand will not kill it’s owner, P-Chan II will self-destruct before shooting LLENN. Oh God, I just made a Harry Potter reference, please let this be a one-time thing.

I like the fact that the final battle was relatively short, giving the story lots of time to wrap up outside the game. There was one thing I didn’t understand: why did M bother to take Fuka hostage instead of killing her? I know he wanted Pito to lose, so he could have kept Fuka alive to support LLENN (which is ultimately what happened, of course), but that gives away the game to Pito. Yet when Pito shoots him as a traitor, she does so for other reasons, not because he left one of their enemies alive for no apparent reason. It’s just a little off.

Pito thought she had prepared well, but LLENN knew her one weakness; she had no defense against vampire munchkins.

I’m just going to choose to think that M’s reasoning was “Fuka is too awesome to kill,” in which case I must wholeheartedly agree with him. In this episode, we get to see more of Miyu, the player behind Fuka, and naturally, she’s great in meatspace as well. I know M has this all-consuming, twisted love for Pito, and nothing can change that, but there’s a sick little part of me that wanted him to drop Pito like a hot potato once Miyu started hitting on him.

Goushi: “Thank you for your sexual interest in me, but I only like crazy bitches.”

Miyu: “Have you SEEN me play GGO?”

Goushi: “Holy FUCK you’re right, you are everything I’ve ever dreamed of, you barely-restrained psychopath.”

In any case, I love how brutal the final battle is; it needed to be, or else Pito wouldn’t have believed that she had met her match in LLENN. As I predicted last time (not like it was hard to see), the other team comes in from offscreen and grabs the win at the last second, but do you really think they enjoyed it? You just know that no one discussing the second Squad Jam is going to talk about the winners at all; they’ll be talking about Pito, LLENN, Fuka, and those intense Amazon women.


“We won, but…it feels so hollow…*sniffles*”

I’ll admit, they had me for a fraction of a second; when they introduced the club owner as “Pito,” I actually thought, very briefly, that she really was Pito and all of the hints that Pito was really Elsa Kanzaki were false leads. Of course, the Karen on the show is smarter than this Karen sitting right here, and knew immediately who the real Pito was. I’m telling you: evil genius. Do we know what field Karen is studying in college? If it’s political science, the world is doomed to fall under the thumb of her adorable hegemony.

Hello, cute little girl. I bet Elsa’s rage comes from the fact that she’s saddled with an acoustic guitar; if she was allowed to shred with an electric guitar in a proper band, getting all that aggression out, this whole nasty business could have been avoided. Death Metal saves lives.

At first I thought it was a little convenient that Elsa’s obsession with death was “cured” by one battle with LLENN, but I think I get it now; the fact that there’s a player out there who can match her, and there may be others that she’s not even aware of yet, keeps life interesting enough that killing herself has lost its appeal. I think Elsa is just naturally talented at most things she tries, and she was getting really bored of a life with no challenge. The fact that LLENN can kick her ass was a revelation to her. I fear for what would happen if Elsa met Kirito; she’d probably become crazy-obsessed with him, and then everyone would bitch that the show was all about Kirito again.

Despite her evil genius, LLENN lacks the self-awareness to realize that she’s as feared in-game now as Pito is, and that’s comforting; we should all fear the day when LLENN becomes truly aware of what she is and what she can do. For now, she’s satisfied to run around shooting people with a deranged pop singer in the virtual world of GGO, and that’s a good time for everyone.

Onward, to another gratuitously violent adventure!

This show surpassed my expectations by just being really solid and fun all the way through. There was some food for thought, which I wrote about earlier in the season, but overall, this was a good rippin’ yarn with characters you liked rooting for and action that kept you on your toes. When mainline Sword Art Online returns this fall, it’s going to have some mighty big shoes to fill; well, technically, tiny little pink munchkin-shoes, but you get the idea.

Summer 2018 Anime Season Preview

While last season was absolutely loaded with big-name franchises, this one only has a few; most of the shows listed here are new to anime. Because of that, anime fans seem a lot less excited for this season than they were in the spring, and maybe they’re right to be? I think a lot of people are secretly hoping for a severely sub-par anime season, so they won’t be watching much and can devote the time to catching up on their anime backlog.

You know what though? It’s never going to happen. Even if this season is horrible, I just don’t believe anyone is going to get around to finally sitting down to watch Tatami Galaxy, or the second season of Arakawa Under the Bridge. It’s probably just as well; I hear tell that if you ever finish watching everything in your anime backlog, you get transferred to another world with nothing but your smartphone and a box of Strawberry Pocky, and who needs that? I wouldn’t be caught dead in another world without Almond Crush Pocky.

I’ve used English names where appropriate; in most cases, these shows haven’t been licensed yet and do not have official English titles.

Attack on Titan, Season 3

The biggest name of the season, and consequently the show it would make the most sense to cover here at Otakusphere. Unfortunately, I jumped ship on AoT somewhere in the middle of season 2; I respect a lot of the things that it does, but I just don’t enjoy it anymore. When a story has a tone of not just darkness, but the kind of oppressive bleakness that AoT has, I think it benefits from being concise. This story has gotten dragged out past my capacity to care about this particular world.

If you’re psyched for the return of the show, hey, more power to you; I wish I could be on the same page. But unless I hear that the Survey Corps found a beautiful, Titan-free Utopian city with infinite food, where Eren and Mikasa can get some much-deserved chill time, I’m not watching this.

Free!-Dive to the Future (Season 3)

Yaay, a returning third season of a show that I’m actually up to date on!  This doesn’t happen often. Free! is really the perfect summer show. You could say it’s all pretty visuals and light on substance, but considering what a refreshing take on masculinity the show often displays, that may not even be true. What I particularly love about this show is that it makes me get off my ass and go swimming…like, I’ll be sitting around the house, about to be lazy all day, then I’ll think of how beautiful the water always looks in Free! and actually go outside. I don’t know if it’s even possible to watch Free! without jumping into the nearest pool immediately afterwards.

The thing is, much as I love it, it’d be a pretty boring show to cover episodically…unless I go to town commenting on the manservice. Then I’ll feel like a dirty old lady, but is that such a horrible thing? Is the anime blogosphere even ready for Dirty Old Lady coverage of Free!? Probably not! But now that the idea has occurred to me, I don’t think I can resist.

Everyone who isn’t a fujoshi, go hide. Find the deepest, darkest cave you can find, and hibernate. Make like Green Day and only Wake Up When September Ends, you don’t want to have to see this.

Gintama: Silver Soul Arc, Season 2

I mention Gintama out of a sense of obligation, because it’s a very major franchise that must have a whole lot of fans. However, it’s one of few big shounen franchises that I have no familiarity with whatsoever. I may not have seen every episode of Naruto, Bleach or One Piece, but I’ve seen a bunch; Gintama, not even one episode. Furthermore, I don’t even remember talking to another fan who was into Gintama. It’s always been weirdly invisible to me.

This anime has been airing in different forms since 2005, so it’s not like I’m going to catch up between now and the start of the season. But I feel a sense of what I can only call Gintama Guilt; as an aniblogger, I should at least know what this show is. Maybe I’ll just watch the first episode of this season and then try to make sense of it. I’ll be like those movie reviewers who went to see Avengers: Infinity War and then complained that it made no sense because they hadn’t seen the previous 15 movies…only in a funny, self-aware sort of way? Maybe this is a bad idea.

Overlord, Season 3

This series is a member of the elite club of “Wilson’s shows,” AKA shows my husband will sometimes watch on Saturday morning while I’m still asleep. So I’m not that familiar with it, but I have woken up in the middle of it, and let me tell you: that’s disorienting. Plus, whenever the main dude says his own name, I always think he’s saying “Own goal” and for some reason find that hilarious.

This is another one I won’t be watching– well, I’ll probably see like 5-10 minutes of random episodes while I’m semi-comatose on the couch before coffee, but that doesn’t really count. I do think it’s worth noting that in a season swamped with isekai shows, Overlord stands out as having a clear identity; there just aren’t that many shows where the skull-headed leader spends half of every episode lecturing his legions of minions on the day’s agenda.

Marvel Future Avengers, Season 2

Buh, what? Before putting pen to paper to write this season preview, I had no idea Marvel Future Avengers existed period, let alone that it was returning. Apparently it’s a kids show that hasn’t been too well-received. I wonder: does it deserve all the bad ratings it’s gotten, or is it getting slammed in the reviews because a bunch of adult Marvel fans are trying to enjoy something aimed at 6-year-olds? No idea.

Thinking back to how the X-Men anime turned out, it seems like these Marvel-to-anime productions never go that well. I guess this might have some use if you’re still hyped from Infinity War and need to get your Captain America fix from something…or if you’re six years old. Do I have many six-year-old readers? Kiddos, if you’re out there, please do not read my upcoming posts on Free! S3, okay? Kindly avert your innocent eyes.

Banana Fish

This manga is an institution. I remember hearing about it as far back as the ’90s, although I never got around to reading it. Looking at the description, it really doesn’t look like my cup of tea, but…I kind of want to try it anyway. I think I’ve always been subliminally impressed at how cool “Banana Fish” sounds when you say it out loud; it’s euphonic.

Stories about ruthless teen-aged killers and their evil mob bosses usually don’t hold my attention for too long, but you never know; it all depends on how the story is told. Maybe there’s a good reason I’ve been hearing about Banana Fish for decades now; time to find out.

How NOT to Summon A Demon Lord

One of the aforementioned flood of Isekai shows hitting this summer, this one sounds pretty typical. I’m pretty sure we have a few light novels for this series, but I haven’t read them yet. I could actually read them, then talk about what changes they’ll make to the anime adaptation like a knowledgeable person, but let’s be honest: that’s not going to happen.

The premise involves an awkward gamer guy enslaving (albeit accidentally) two hot girls, so expect the usual suspects to be freaked out by the fact that male fantasies exist. I’ll give it an episode; it’s certainly not being made with me in mind, but it at least has the potential to be funny. If it’s not bringing the humor though, I can’t see why I’d continue. I guess it’s possible that it could have an incredibly interesting fantasy world or something, but I’ll believe it when I see it.

Back Street Girls

I usually don’t do this, but this is one time where I think the capsule description should be included in its entirety:

A group of 3 yakuza failed their boss for the last time. After messing up an important job, the boss gave them 2 choices: Honorably committing suicide, or go to Thailand to get a sex reassignment surgery in order to become “female” idols. After a gruesome year long training to become idols, they successfully debut, with overwhelming popularity, much to their dismay. This is where their tragedy truly begins.

…Uh….

….where to start here….

It’s like you rubbed a magic lamp and said “Genie, please give me more representation of trans people in anime!” only to find out too late that this wasn’t a friendly, Disney-style genie; no, this was a true djinn, a proud and vengeful creature of fire and air that has existed since before the beginning of time, slumbering for strange eons, and now it’s insanely pissed at you for waking it up. So it grants your wish, but only in a way that’s more painful than killing you outright; that’s the only explanation for how this show exists.

It’s theoretically possible that this could plumb some interesting gender-bending territory, but most of the people who would be really interested in that sort of thing will probably be so put off by the premise that they won’t stick around long enough to find out. See, now I’m not sure if I want this to be good or if I want it to be terrible; defending a seemingly offensive show that actually has some redeeming value is my typical MO, but it this case….maybe it would be better if it was just God-awful from the getgo, and I never had to think about it again.

I have to try an episode of it though, because…because I just have to. Because otherwise, I’ll never believe that this was a real anime. What kind of whacked-out, fringe studio thought this would be a good adaptation to add to their catalog? It’s got to be some obscure, no-name, little…oh…oh, I see….

It’s J.C. Staff.

That makes a warped kind of sense, actually. J.C. Staff’s output is like a box of chocolates; a box of delicious chocolates that occasionally includes a sheep’s eyeball, for no reason.

Hyakuren no Haou to Seiyaku no Valkyria

One of the aforementioned torrent of isekai shows hitting this season, this one involves a guy who uses his “solar-powered smart phone” to help his allies. Geez, was In Another World with My Smartphone really that popular? Or just a harbinger of things to come?

This fantasy world appears to be Norse-flavored, so we’ll see if dipping into that rich mythology is enough to make this show stand out from the pack. The only anime that comes to mind that’s done a really good job with Norse mythology is Oh! My Goddess, which is a different genre entirely, so maybe there’s some room for them to do something new here.

Huh, now that I wrote that, now I’m sure there are probably about 30 famous anime that are heavily based on Norse mythology, and I’m just forgetting them all at the moment. If you know of any, remind me in the comments; I’ll feel stupid, but you’ll be spreading valuable knowledge.

Shichisei no Subaru

One of the absolute tsunami of isekai shows hitting this summer, except…I think this one may take place entirely in an MMO, without the MMO becoming “real,” so does that even count as an isekai show anymore? Who makes these rules?

Apparently it deals with someone who died in real life but still exists in the game, and I’m having serious .hack flashbacks. Hey, remember .hack//SIGN? Twenty-six episodes of characters saying “How is it that Tsukasa can’t log out?”, “What do YOU think of Tsukasa?”, “Is Tsukasa alive in the real world?”, “Are you waiting for Tsukasa?” “What does Tsukasa think about the fact that he can’t log out?”, oh my God, it was excruciating. But we all watched it for that gorgeous Yuki Kajiura score, didn’t we? Pretty sure Subaru doesn’t have that going for it.

I’ll give this a shot, although to be honest, I can’t be sure if I’m hoping it’s something like a new .hack or dreading it; like, I don’t want to go through another .hack//SIGN experience, but I kind of feel like it’s something we need every once in a while, like an annual physical or something? It’s hard to explain. I’m just going to have to try to get past the fact that every time someone says “Subaru,” I’m immediately going to think “Emilia-tan! Emilia-tan!”

For those not in the know, that last bit was an in-joke about the anime Re:Zero; yes, while talking about anime, I make dumb jokes about different anime. Because I feel the need to show off that I watch a lot of anime; just having this blog is somehow not enough.

Tenrou: Sirius the Jaeger

Vampires and werewolves fight each other in the 1930s; this could be fun. However, it’s being done by PA Works, which I do not associate with this kind of material. In fact, even though they just did Uma Musume and that should be my new association, I will always associate this studio with Hanasaku Iroha, a show that was as interesting as watching individual blades of grass grow. Like, they were beautiful pieces of grass, filled with morning dew and reflecting the sunshine and all, but you were still sitting there, watching grass grow.

It would be entertaining if PA Works applied that kind of languid pacing to supernatural creatures beating the tar out of each other, but they probably won’t; it’ll probably be paced appropriately, but just not that exciting. The best thing for this show would be if the vampires turned out to be crazy-ass Hellsing-type vampires, but then it would be so firmly in the horror camp that I wouldn’t want to watch it, so uh…yeah. Probably not one for me, but there’s potential here, at least.

Happy Sugar Life

LB called my attention to this one a few weeks ago, and I’ve been mildly afraid of it ever since. It’s about a teenaged girl who will do anything to protect her (underaged) love interest, including murder. These kinds of stories just don’t appeal to me, and I’m not entirely sure why.

I could say they make me uncomfortable, but it’s not like I’ve ever had an experience in real life that would give me a basis for being any more uncomfortable with this than any other story with a dark edge to it. I could say that I don’t like it because one of the lovers is underage, but a)age tends to be really arbitrary in anime anyway and b)the two girls may not even have sex, or get anywhere near having sex, so I’m not losing any sleep over that.

Basically the only thing that’s of interest to me about this show is the use of the phrase “Happy Sugar Life,” which should win some kind of prize for Most Ironic Title of Summer 2018: Ezo’la, I may not enjoy your show, but as a fan of smart-ass titles, I salute you.

Grand Blue

Remember how I said I was happy to be done with Amanchu!? Apparently I’m not really done with Amanchu!, because this show sounds exactly like a gender-swapped Amanchu!; a scuba diving show featuring a boy who hangs out around his family’s eponymous, diving-based business.

It’s possible this show will hash out it’s own identity, but I’m afraid. I’m afraid that instead of bitching every week that Pikari and Teko aren’t going scuba diving often enough, I’m instead going to be bitching that this kid and his buddies aren’t going scuba diving often enough, and I don’t want to be that person; I don’t want to be the girl always complaining that an anime isn’t doing exactly what she wants. But, gosh-darnit, is it so much to ask for a show about scuba diving to heavily feature scuba diving? IS IT?

In any case, I’m going to do my best to put thoughts of other shows out of my head when I watch this and give Grand Blue a chance to prove itself. Plus, on another level I’m kind of happy there’s going to be another ocean-centric show; just like FREE!, this kind of stuff really belongs in the summer season, after all. But God help me, if they start pulling any magical realism shit mid-season, I’m going to be pissed.

Harakuna Receive

Another summery show, this one focuses on beach volleyball. Typically you would guess that this show would be full of fanservice, via tons of bathing-suit clad babes and convenient camera angles, but I wonder; that’s not a given these days. Lately these shows about female athletes seem to focus on the athletics more seriously than you would expect. How much fan service was there in Uma Musume? Scorching Ping Pong Girls? Keijo!!!!!!!!?…okay, forget Keijo for a second, but still. There’s definitely a trend of some shows being more subtle with the fanservice and leaving the “lewding” to the doujinshi, and I’m wondering if Harakuna Receive will be one of those.

See, now that I’ve said that, this show will probably be 99% bouncing boobs and I’ll feel like an idiot for suggesting otherwise. Still, if it’s all boobs I won’t watch it, but people who enjoy boob anime will have one show they’re into this summer, so it’s all good. I’ll give this a chance to see if they’re going to take the volleyball angle seriously, but I won’t be terribly disappointed if they don’t.

Hanebado!

Another girls’ sports anime, this one about badminton. You know, a few years ago I would have passed over this without a second glance, but now I’m looking forward to it. If Scorching Ping Pong Girls could make ping pong exciting for me, when I have no interest in it, this show can probably do the same thing for badminton.

Come to think of it, whether or not I care about the real-life sport seems to have no bearing on how much I like a sports anime. I couldn’t possibly care less about football, but Eyeshield 21 is one of my favorite series of all time. Hmm, now that I’ve made that connection, I’m kind of hoping Hanebado! will turn out to chronicle the adventures of a girls’s badminton team managed by Satan, but I’ll probably have to settle for a non-hellspawn team. I’ll manage, somehow.

Cells At Work!

Of all the things to anthropomorphize, now red and white blood cells are getting a cuteness makeover. It’s a clever premise, but I feel like it might be unhealthy for me to watch this show; I’ll over-identify with all the different cellular organelles and it’ll start seeping into my daily life.

“Wow, I feel so energetic today, thank you Mitochondria-chan! I’d better eat a good breakfast to keep White Blood Cell-kun strong!” No thanks, I have enough problems overthinking my biology as it is. I approve of the fact that this show is being made in a general sense, because it’s different, but I’m not watching.

Aguu: Tensai Ningyou

This is going to be a dancing anime, which is cool; we don’t get a lot of those. I haven’t seen Welcome to the Ballroom yet, but supposedly that’s basically a shonen sports anime with dancing, so Aguu: Tensai Ningyou may be more artistic. However, instead of just being about dancing, it’s also about little palm-sized spirits and some kind of civil war going on between them: the war between the “Seamstresses” who somehow create these little spirits, and the “Saviors” who…fight them? Dance the tango with them? It’s all a little vague.

I keep thinking about the fact that “seamstress” used to be a codeword for “prostitute,” and I should really put that out of my mind, because that slang hasn’t been used in like 100 years, but I can’t help it. Now I’m imagining all sorts of things that likely have no relevance to this show, and it’s making it hard to focus. I definitely want to give this show a try, but I really have no idea what to expect. If it seems like the anime is inspired Black Swan, it will trigger my deep-seated fear of all things related to Natalie Portman and I’ll have to bail. Hopefully it won’t come to that.

Chio-chan no Tsuugakuro

A girl tries to get to school; mayhem ensues. This could possibly be really clever and fun, but it also could be really repetitive and stupid. It would be great if the obstacles that Chio encountered on her way to school started off mundane and became more and more elaborate over the course of the show, until there’s a full-fledged alien invasion or something getting in her way, but I’m not sure; the fact that one of the scenarios that Chio is going to have to fight is “a sudden urge to go to the bathroom,” does not exactly fill me with confidence.

I’m assuming this is a short, because it’s hard to imagine a full-length anime with this premise, but I’ve been wrong about that before; we’ll see. If if it’s not a short, it might be downright painful to watch; some things are charming in three-minute installments and should never break out of that mold.

High Score Girl

Hell yeah, an anime all about video games circa 1991! I’m excited for this one. I want to remember my childhood, but of course I didn’t grow up in Japan, so it won’t really be my childhood; still, it feels like a good opportunity to remember someone’s childhood.

Remember the ’90s, back when we thought Francis Fukuyama was on to something with his whole “End of History” theory, and we thought life (and video games) were just going to keep getting better and better forever? Well, we were kind of right about the video games part, but damn, things have just gotten dark since the ’90s. Granted, plenty of awful stuff happened during the ’90s too, but we weren’t aware of it at the time, so it sure seemed like the world was becoming a better, safer place every day….

Okay I’m getting too far afield of the anime preview, but I’m really interested in seeing what this anime does. If it focuses on the culture of ’91, that will be really interesting, but even if it only focuses on video game culture specifically, that too appeals to me. I just hope they don’t make the mistake of making a production that feels identical to 2018 shows with a thin overlay of ’90s era style. I want this to be so ’90s that I’m thinking about Pogs, Tamagotchis and the cool jacket that kid in the Crossfire commercials used to wear. Remember that game? I had that game. I bet you’re jealous now!

Phantom in the Twilight

A supernatural cafe in London, full of hot guys, that only opens at night; if you’ve ever read Otakusphere before, then you probably know that they had me at “cafe.”

Seriously, I’m cautiously optimistic about this one. This could be one of those classy occult shows that anime (and seemingly only anime) do so well, like Kakuriyo: Bed and Breakfast for Spirits or Mushi-Shi, but that’s far from a guarantee. Studio LINDENFILMS has a kind of odd back catalog of work, but they did make Poco’s Udon World, a lesser-known show that I really liked, so they’ve got some cred in my book. My fear is that there’s going to be too much emphasis on all the mysterious, handsome men, and the show is going to try to get by on attractive character designs instead of good writing.

The thing with mysterious, handsome male characters that writers often screw up is that if you bring them too much to the forefront, they cease being mysterious. They they’re just handsome, which is boring on it’s own. If the hot guy characters remain enigmatic figures in the background, and the story focuses it’s energy elsewhere, this could be a good show. If.

Kyoto Teramachi Sanjou no Holmes

It’s a mystery series that takes place in a coffee shop…oh wait, no it doesn’t. It takes place in an antique shop. Well then, fuck you and the horse you rode in on, show! I only watch coffee shop anime!

Okay, I am capable of watching things that take place in other places of business, I just don’t know if this series sounds that appealing. Whenever I’ve tried to watch an anime mystery show, it’s always been pretty poor– GoSick, God’s Memo Pad, etc. Then again, maybe this’ll be the one with good writing that will make me feel bad for my negative opinions toward mystery shows? The fact that the leads are chasing down the mysteries of these old antiques means that the show does have the potential to be interesting, and even poignant, but I’ll believe it when I see it.

Tsukumogami Kashimasu

Another antique shop setting…not really antiques, but miscellaneous household goods, which is close enough. Except, this one is a historical taking place during the Edo period, and the household goods tend to be haunted. I kept getting confused between this show and Kyoto Teramachi Sanjou no Holmes, trying to remember “Which is the show where the items are haunted, and which is the one where they’re worth a lot of money?”

Another show with the potential to fit into that “classy occult” category that I like so much, but it also has potential to be a bit of a snoozefest, I think. It might be entertaining to watch both this one and Kyoto Teramachi Sanjou no Holmes and see which one comes up with better episodic stories about inanimate objects. I might make a spreadsheet.

Senjuushi

Oh no. Oh noooo. It’s a gun anime. It’s a post-apocalyptic dystopia where people are forbidden from owning firearms, and then the spirits of classic guns materialize to fight for the good of the world, or something.

I have to admit, sometimes I have trouble separating a show from how it’s going to be perceived in the Western fandom, which is unfair. Because all I can think about is the complaints this show is going to spawn about “conservative propaganda” and “alt-right talking points,” and I’m already tired of that discussion, and the show hasn’t even started yet.

Look, I’m not saying that the show is going to be any good, or that political criticism is automatically bad, but can we just remember one little thing here? That this show is Japanese, made from a Japanese perspective, and applying American politics to it (especially fringe American politics that aren’t that well known outside of the U.S.) doesn’t make a helluva lot of sense?  Can we let it exist in its own proper context without dragging it into a minefield where it was never meant to survive?

I don’t know, maybe this will actually be fun to watch, but the so-called “discourse” around this show is probably going to make me want to stay far, far away.

Ongaku Shoujo

It’s about c-level idols, and I’m sorry, but isn’t this called Wake Up, Girls!? I’d like to say that I liked Wake Up, Girls! enough the first time, but the fact is that no one liked Wake Up, Girls! the first time; it’s a show that keeps getting sequels despite having , seemingly, zero fans. It’s one of those anomalies of nature, like how bumblebees can fly when all the laws of physics say that they shouldn’t.

Maybe Ongaku Shoujo will stake out an identity of it’s own, but I have enough trouble getting invested in idol shows that are happy and optimistic from the getgo; I really don’t want to watch a show about sad, wanna-be idols who are living on instant ramen to get by. Only way I’m watching this is if I hear good things about it after a few episodes have aired.

Shoujo Kageki Revue Starlight

This looks to be the more typically bright-and-happy idol show, as opposed to Ongaku Shoujo, so maybe try this if you haven’t had enough Love Live!/Idolmaster/etc. I mean, it’s hard to believe that there’s someone out there who hasn’t had enough of that, but I’m sure this person exists, and they too deserve to feel joy.

I might check out the first episode because one of the girls is named Karen and I like keeping tabs on my anime doppelgangers. But unless this show has something different to offer right out of the gate, I’m focusing my attention elsewhere.

Sunoharasou no Kanrinrin-san

This looks like it’s going to be a cute-girls-doing-cute-things show, except one of the girls happens to be a boy. This might end up being the show this season that does some exploration of gender identity, without being ridiculously offensive to 99% of the audience right out of the gate the way Back Street Girls is.

It’s hard to predict with this one; it all depends on how main-guy Aki’s issues with gender are treated. If they use them as a source of cheap jokes, that sounds pretty bad, but if it’s a CGDCT show, it’s hard to see how they could avoid those kinds of jokes even if they wanted to.

I’ll give it a shot, but if the pattern is Aki tries to act like a boy–> the girls treat him like a girl and giggle–> he gets mad, rinse and repeat, I’m not sticking around. Sadly, I think that’s the most likely scenario.

Yuragi-sou no Yuuna-san

Wow, there are a lot of haunted anime this season. This one is about a hot springs inn haunted by the ghost of a 16-year-old girl, and the poor guy who gets roped into helping her with her unfinished business. I might have skipped this one just on the basis of there being so much other occult stuff this season, but I’ve heard some good things about the source material, so I’ll at least give it a try.

It’s made by Xebec, who are largely known to the world as makers of fanservice anime, and largely known to me as makers of Softenni in particular. I doubt it’ll happen, but if this show takes the Softenni approach to broadcast censorship and covers the girls’ privates with pictures of adorable cows and sheep, this is going to rocket up to “must-watch” status.

Island

Man washes ashore on mysterious island, begins mad quest to save the island from its decline; cute girls are involved. My gut is telling me that this is going to be overly ambitious and boring, but hey, my gut has been wrong before. This was one of the first summer shows to air and the first episode is already up on Crunchyroll, so there’s no need to wait if you’re curious.

Jashin-chan Dropkick

Violent slapstick comedy where a deranged gothic-lolita type summons a demon girl, and the two beat each other up a lot or something. I have a weird feeling that this is going to be like the evil twin to Miss Kobayashi’s Dragon Maid; a story about a relationship between a human girl and a powerful, non-human woman, only instead of warming your heart and filling you with hope for the future, it just makes you want to sit down and cry.

I have a bad feeling about this for some reason, but studio Nomad does have a pretty solid comedy track record with shows like Ika Musume and Ouran Host Club to their credit. So it could be very funny, I just can’t shake the sinking feeling that the jokes are going to get old halfway through the first episode.

SHORTS:

Cinderella Girls Gekijou, Season 3

I always forget if this is a spinoff of Love Live! or Idolmaster (*checks wiki; it’s Idolmaster.*) Considering I’ve never seen any Idolmaster proper, I’m certainly not starting with this, but I mention it here for an important reason: for idol fans, it seems like this is the anticipated show of the season, more than Ongaku Shoujo or whatever else is starting this year. Which is pretty impressive, considering that it’s a short.

You go, idol fans! Wallpaper the internet with your Cinderella Girls fanart, it’s all good. I don’t have to watch the show to share a tiny piece of your happiness.

One Room 2

The big debate with the first-person-perspective show One Room was whether it was really creepy, or just sort of mildly creepy; I found the first episode so boring that I never properly found out. But apparently some people really enjoyed contemplating that question, because One Room is back with another room…or maybe the same room? It’s probably the same room.

I wonder; if I decided I wanted to watch this season, do I need to watch the original? Like, is there serious One Room continuity? Or is it like “Yeah, he talked to this girl in his room, then they went down to the vending machine and got a soda, then they went back to his room, then she said ‘bye’ and that was the end of the season.” Now I want there to be a tremendously detailed One Room wiki so I can catch up on all the lore!

(I just checked…there is no wiki…I am sad. Someone get on that, please.)

BanG Dream! Girls Band Party Pico

I am embarrassed to admit that I didn’t know what BanG Dream! was until just now. Apparently it’s a K-On-esque show about a bunch of girls who form a band, and Party Pico is it’s little chibi spinoff. If you like watching cute chibi girls do whatever, you probably can’t go wrong here.

See, I’m just mad because after finishing Sound Euphonium S2, I thought I had seen all these ‘girls in a band’ shows, but no, there’s more. I promised myself I wouldn’t watch Kids on the Slope (the boys-in-a-band show) until I finished all the girls-in-a-band shows, and now it looks like it’s never gonna happen. Damn you BanG Dream!, ruining my summer viewing plans!

Asobi Asobase

This isn’t listed anywhere as a short, but I’m putting it in the shorts category because I refuse to believe it’s a full-length show. It’s about girls who play hand games and…that’s it. They play hand games together.

Tonari no Seki-kun proved to me that a show about nothing more than kids goofing off can be great, especially if it’s a short. But unless Asobi Asobase is bringing Seki-kun levels of devious brilliance here, I find it hard to imagine this being entertaining for more than one episode. Hey, maybe I’ll be wrong; maybe Asobi Asobase will be the surprise hit of the season that we’ll all remember years from now. But right now, just thinking about it seriously makes me want to lie down and take a nap– not even kidding, I’m going to spend like two seconds writing something on Encouragement of Climb and then I’m taking a nap.

Encouragement of Climb, Season 3

FUCK YEAH MORE ENCOURAGEMENT OF CLIMB, BEST SEASON EVAH! CLIMB THOSE MOUNTAINS GIRLS, SHOW ‘EM WHO’S BOSS! AOI, TRY NOT TO GET ALTITUDE SICKNESS AGAIN, THAT SHIT IS DANGEROUS! SHOW THOSE LAZY YURU CAMP BITCHES WHAT IT MEANS TO BE OUTDOOR GIRLS!!!!!

…oh yeah, I went there, Yuru Camp fans. What are you gonna do about it, huh? I’d say COME AT ME, BRO! but I’m about to go lie down and take a nap for about three hours, so don’t come at me, that would be bad sportsmanship. Hey, have you ever heard that writing about shows you haven’t even seen for several hours can make you lightheaded and delirious? I just learned that today.

Finishing up the Spring 2018 Anime Season

Here are some closing thoughts on shows I didn’t blog, but still watched this season.

Comic Girls— I lost interest in blogging this episodically about halfway through the season, but still kept up with it. It was a perfectly nice slice-of-life show about girls who draw manga, except I wanted something a little more serious– like Bakuman, only with girls– and that was not this show. I think it’s okay to acknowledge that a show turned out to be different from what you wanted, as long as you realize that the creative team had no responsibility to deliver specifically what you wanted. There was never any indication that the show was going to be anything other than what it was, so really, the fault is with me for looking for something that was never meant to be there.

Still, even if the show wasn’t quite what I was looking for, it did have its moments. Kaos’ struggle with finding her voice through manga was a very relatable depiction of artistic insecurity, and as a result, her eventual success feels more hard-won than it usually does in these learning-your-craft tales. Her self-deprecation and frequent crises of confidence may have seemed over-the-top, but that’s what made it work; she basically acted out every insecure thought that many artists have, but usually force themselves to hide. People who say “I suck” over and over again in real life tend to be annoying, but it works when you’re an adorable anime character with pink braids running down your back, I guess.

This is another one of those shows with yuri moments all over the place, but nobody ever actually uses the word “lesbian,” or any other terminology that would make it explicit. I wonder; do people not count shows like this as increasing LGBT representation because they don’t label it that way? Are they right to feel that way? Nevertheless, I can’t imagine anyone even trying to deny that Kaos is a lesbian; the evidence is overwhelming. Maybe there’s one person out there somewhere who thinks that Kaos isn’t gay, but that person probably also thinks that Attack on Titan is really about bowling.

Uma Musume— This show is unusual in that it ended up being good in a completely different way than I anticipated. At the beginning of the season, I thought that if Uma Musume was going to be watchable to anyone but people with a highly specific horsie-girl fetish, it would need to embrace it’s own audacity: Go big or go home, make it as nuts as possible. Like Keijo!!!!!!!!, I guess.

Instead, they went the other route and made a show that was entirely about female athletes, with the gimmicky elements substantially toned down. Not only was the idol singer aspect minimized after the first episode or two, even the “girls based on famous horses” shtick wasn’t that important; you could take the racehorse connections out of this show, make it entirely about female track runners, and it would remain pretty similar. The horse aesthetics add charm and flair and whatnot, but end up being pretty unimportant in the grand scheme of things.

Above all, they managed to make the race sequences exciting, which I wasn’t expecting. Main girl Special Week lost often enough that victory never felt pre-ordained, and the show managed to drag out the races a little bit for drama without slowing them down too much, not an easy balance to achieve.

All in all, a really pleasant surprise this season. I seem to be in good company with this opinion, because despite the jeers before it started airing, I don’t think I’ve heard a bad word about it since it started.

Kakuriyo, Bed and Breakfast for Spirits— This is continuing for another cour, but I wanted to mention it here since I don’t think I’ve talked about it since the Spring Season Preview. Anime seems to have a monopoly on this kind of show: a story that focuses on sometimes-creepy occult creatures, yet with tons of class, warmth and playfulness. If any non-Japanese creators have ever done a show with the feel of this (or Kamisama Kiss, or The Morose Monokenean), I’ve never come across it.

Ai is a great heroine, because she’s a strong character who displays that strength in ways other than kicking ass. I hate this idea that for a character to be “strong,” they have to be a badass ninja who can beat up all of their enemies or something. Ai mainly influences her world through cooking, but she does it in a very assertive, decisive way.

She also doesn’t fall into the typical anime trap of compromising her own safety just to make a stupid point. She refuses to marry the Ogre Inn Master, instead opting to work off her family’s unpaid debt as a cook. However, characters frequently call her “the Ogre Bride” or “The Ogre Master’s Intended,” and she never corrects them, because for a fragile human in the spirit world, having that perceived status is helpful. Either that, or she doesn’t bother correcting them because she really doesn’t give a toss what anyone else thinks.

I don’t know if this really needed to be two cours; my gut feeling is that I’m going to find it dragged out by the time it stops airing in the fall. But maybe the second cour will introduce some twists that keep things lively.

Isekai IzakayaWhen it started, I thought this show was just an inferior version of Restaurant to Another World, and it never did anything to disabuse me of that notion. It’s a serviceable food anime, if you like watching anime characters cook and eat things that look delicious, but that’s really all it has going for it. While Restaurant had this delightful air of magic and mystery, we never get to learn much about the world of Isekai Isekaya; it seems to be a vaguely medieval setting with little character.

That said, this show is pretty much critic-proof. If you like food anime, like I do, then you tend to watch everything, because there isn’t all that much of it; if you don’t like food anime, this would never be on your radar in the first place. The live action bits at the end were intriguing, but sometimes it felt like I was sitting through a boring episode to get to the interesting 3 minutes at the end, which is a shame.

Yotsuiro Biyori— This show gave me exactly what I asked for, nothing more and nothing less: a relaxing, slice-of-life show taking place in a cafe, focusing on four handsome dudes, with a healthy side of food porn. There is a larger plot involving main guy Sui and his cold-as-ice, businessman brother, but honestly, very little happens with that and it doesn’t even matter. This show isn’t quite Yuru Camp levels of comforting, but it’s kind of along that same continuum. As the season progressed, I found myself looking forward to this one more and more every week.

I’m afraid this show will likely be forgotten in the future, but I think it should be added to the list of shows that are great to watch when you really need to chill out: Yuru Camp, Non Non Biyori, Three Leaves, Three Colors, etc.  I don’t feel like there’s any real need for a second season, but if they make one, I will watch it.

DARLING in the FRANXX, Episode 22

This is pretty unusual. “A bunch of intrepid kids save the world” stories are a dime a dozen, but this is the part of it that we don’t normally see; after the world is saved, then what? What exactly has been “saved,” and is any of it the stuff you wanted to save in the first place? This isn’t quite where I was expecting Darling to go, but now that it has, it feels inevitable; for me, I take that as a sign that the writers are doing something right.

I said last time that if Zero Two wasn’t dead, I was going to feel cheated, but actually, that’s not the case. What I really didn’t want was for her sacrifice to be minimized by having her just be sleepy for a couple of days after the battle or something; having her soul merged with Strelizia and going off into space, to fight a perpetual war, is arguably worse than death. I say “arguably” because Zero Two loves to fight, so it’s probably less of a living hell for her than it would be for anyone else, but still…hardly a happy ending for her.

We will now call to order the first meeting of the Special Committee For The Continuation of All Life on Earth. First order of business: does anyone want to live on this Earth? It’s not great.

As far as I can tell, all the adults were absorbed by VIRM last episode, leaving the parasites the only humans left alive, along with former parasites like Hachi and the Nanas. It’s unclear how many parasites are even alive outside of Squad 13, which would be useful to know in reference to how the episode ends, but we’ll get there. Our kiddos are focusing on farming so they’ll be able to survive after their food runs out, except the parched soil they’re surrounded with isn’t proving fertile. Speaking of fertility, Kokoro is getting nauseated about every five minutes, and everyone finally finds out that she’s actually pregnant.

I think it makes sense that Kokoro is horrified when she finds out. Yes, she liked the idea of having a baby, but it was like a fairy story to her; a myth from a long time ago. It’s one thing to imagine having a cute little doll-like thing in your arms, and quite another to be told “Yes, there is another person living inside you now and they will get bigger and bigger until they burst out.” Nana (the useless one) mentions that it’s considered impossible to pilot a FRANXX while pregnant, so in the past pistils had abortions. This is interesting, because when Kokoro was first revealed to be pregnant I thought she was going to have trouble piloting, but she and Mitsuru did pilot together during the last operation, albeit with difficulty. I think we’re supposed to assume she got away with it because she was still early in the pregnancy, but normally pregnant women can’t; their conception energy is being used elsewhere.

All Kokoro does this whole episode is vomit and lie in bed, which is pretty much all I did for the whole first trimester of my pregnancy, so I can relate. They better start allotting her more of the limited food supply, otherwise they’re going to have a VERY dangerous lady on their hands once she hits the 4-month mark. Do not get between a pregnant lady and her snacks.

Dr. Franxx has set up Hachi and Nana(the original, decent one) to be the next generation of caretakers for the kids, which makes me like him more posthumously. I know a lot of what happened on this show was ultimately Franxx’s fault, but at least he knew that and tried to make amends at the end of his life, which is more than you can say for a lot of fictional mad scientists. Anyway, Hachi and Nana discover that the kids who were kicked out of Garden (like Hiro’s original partner, Naomi) are being kept in what appears to be cryostasis; frankly, I thought Papa had killed them all outright the moment they failed as parasites, so this is a pleasant surprise. I assume they can be revived and rejoin the human population, otherwise I don’t see the point of introducing them this late in the game.

Hiro figures out that the catatonic Zero Two he’s left with is just her body, and her mind is in Strelizia, and embarks on a desperate plan to reunite with her. Goro rightfully chews him out for how selfish this is, but it does nothing to change Hiro’s resolve. I think it’s important to show this, the dark side of love. Last episode, Zero Two saved the world because of love, but she didn’t do it for that reason; she did it to get to Hiro, and saving the world was just the icing on the cake, if that. Now Hiro is just as determined to get to her, and the fact that he might doom the world by doing so is just a minor detail to him at this point. Both of them are acting the exact same way, yet Zero Two seems like a martyr while Hiro seems like a selfish jerk.

When the whole squad (save Mitsuru and Kokoro) agrees to go into space with Hiro to reunite with 02, I’m left with mixed feelings. If it’s selfish for Hiro to go, isn’t it even worse for the rest of them to do so, since they’re effectively the leaders of the planet right now? This is why I wish we knew how many other parasite kids were still around; if there’s hundreds of healthy parasites around to do work on the farm and such, under Hachi and Good Nana’s competent direction, what Squad 13 is doing makes a lot more sense. I guess we kind of have to assume that’s the case, otherwise our kiddos have just doomed the human race to extinction.

“We will now call to order the second meeting of the Special Committee for the Continuation of All Life on Earth. Raise your hand if you want to ditch Earth for Mars. Secretary, please note in the minutes that the Special Committee for the Continuation of All Life on Earth is has now changed its name to the Special Committee For Going The Fuck To Space. Meeting adjourned.”

It looks like our final two episodes are going to be in space, and uh…I’m apprehensive about this. Because once Mitsuru and Kokoro were left at home, the rest of the cast effectively became disposable. Thematically, the future of the human race is tied up with Kokoro and her baby (and has been for the entire run of the show), so as long as she survives and gives birth, the good guys effectively “win.” Anything could happen to the crew in space, and I’m not even sure what I want to happen. They could all die defeating VIRM, keeping the Earth safe for Kokoro’s children; or we could get some 2001: A Space Odyssey type stuff with people passing onto a higher plane of existence or something. Or both. Or neither.

I don’t know; my desire for this show to go where no mecha show has gone before is warring with my desire for the kids to come home safe and sound and frolic in their new Garden of Eden (Eva?), and maybe even Ikuno will get to hook up with Naomi or something and everyone will be happy. It could happen.

Sword Art Online Alternative, Episode 11

Oh my goodness, do I love Fuka. Everybody on this show is having huge philosophical problems negotiating the line between games and reality in a VR world, and Fuka has it all perfectly separated like she’s playing an NES on her grandparents’ couch, and that’s about how much she cares. It’s glorious.

She somehow manages to delay LLENN by tying LLENN’s shoelaces to one of her grenade launchers, and and uses a knot that would make an Eagle Scout proud. So poor LLENN has to spend seriously half the episode trying to untangle her goddamned shoelaces, meanwhile Fuka downright skips towards the enemy team like she’s playing hopscotch on the playground. Then she gets her hands and feet shot off, but no big, she walks it off in time to save LLENN in dynamic vehicular fashion, all while blatantly hitting on her with as much sass as possible.

Guys, I’m afraid. I think I may love Fuka as much as I love Rindou in Food Wars!, and if you’ve read my Food Wars! posts, you know that level of obsession probably isn’t healthy. I’m making a mental note to address that with my therapist, but the meantime, I guess we should discuss the rest of the episode.

CHERISH FOREVER

So Pito plays with some of her opponents before she gruesomely kills them, leading one to ask her if she’s having fun doing this. Uh…well, yes, it’s a video game, sport. Of course Pito is having fun. I get the point being made– at what point do acts of clear sadism stop being acceptable in virtual reality on the basis that it’s “Just a game?” It’s an interesting question, but once again, I think people who are deeply into a game as violent as GGO have probably waited too long to ask this question.

One of the SHINC ladies who got eliminated makes a mean remark that most of the players left in SJ2 are women, and “real men” would play with more guts; it seems really bizarre and out of place (albeit intentionally) not just because this woman is a member of SHINC, but because of what a feminist anime this has been all along. In addition to the obvious point that most of the characters (and the best players) are women, this is a story of a man trying to save the woman he loves, only he’s powerless to do it, and the only person who can actually save her is her female friend; it’s an inversion of the “only this special man can save the woman” narrative.

Yes, I just called an anime feminist and think that it’s basically a good thing; hell has now frozen over. Hell is even available for ski vacations, so get your reservations in before all the good bungalows are taken.

Speaking of SHINC, they seem to have used up their ingenious plans allowance for this month last time, because they don’t have much a of as strategy for taking out Pito and M. Basically the remaining members of the team sacrifice themselves so that Boss-lady Eva can try to sneak up on M from another angle, but it’s a pretty transparent gambit and doesn’t work. So that’s one more team down. We’re now left with Team Death By Loli, Team Batshit Insane Starcrossed Lovers, and some other mystery team who’s waiting in the shadows until the smoke clears; they seem like smart people.

There’s an interesting moment when LLENN starts to break down, overwhelmed by the pressure. I think the problem is that “I have to brutally kill Pito so I can save her, because she’s my friend and I care about her!” is just too confusing to understand in the heat of battle. She decides she’s going to truncate her motivation to “I am going to kill the everloving fuck out of Pito,” and forget about the larger context. I like this; it’s psychologically realistic to me that LLENN would have this problem and need to simplify her thinking.

What follows is a pretty stellar extended action sequence including jeeps, cliffs, multiple kinds of guns, grenades, natural gas explosions, and crazy stunt driving. My hat is off to the animators at 3Hz Inc., because it’s pretty rare to get a multi-part action sequence this exciting and well-animated in a TV anime. I guess I am now eating my words from earlier in the season, when I kept insisting that GGO just didn’t look fun, but hey; I like being wrong when the result is awesome anime.

“As I lay dying, I have no regrets…except for choosing Barbie Doll Pink as my color for camouflage. Not one of my better ideas.”

I said last time that I would be very excited if LLENN jumped, landed on Pito’s photon sword and then flipped off, and that did not happen; actually, now that I think about that, I think there are some mechanical problems with that. What we do get to see is LLENN stepping Pito’s face and then backflipping off, so I’m still pretty excited; not quite to the level of dancing in my chair, but it’s getting close.

Hello, my name is Karen and I approve of this face-stomping.

LLENN sacrifices the second version of P-chan to get to Pito, so we’re now left with the two ladies with no guns. They’re going to have to settle this with melee weapons, in properly brutal fashion. Meanwhile, I assume Fuka is going to take on M; I don’t expect her to beat him, but I expect her to lose in such a way as to make him wish he were dead, because that woman has a gift.

Well, one episode left, right? I think it would be really funny if the one other team that’s off in the mountains somewhere just sat on their thumbs and did nothing, only to win after the remaining foursome all take each other out in incredibly graphic fashion. In fact, I would bet money on that happening; any takers?

Food Wars! The Third Plate, Episode 24

I was wondering how they could possibly wrap up this arc with one episode remaining, and it turns out that the show had no intention of doing that. We’re ending the season practically at the North Pole, in the middle of the Team Shokugeki, with everyone’s enrollment status in flux. I expected to be pissed off by this, but actually, I think it works for Food Wars! in a way it doesn’t for other shows. Even when the characters are left stranded on the edge of a cliff, we know the bottom of the cliff is filled with bouncy pastries and panna cotta, so no one’s ever really in that much danger.

If they were cooking outside like this, Soma would definitely win, since Nene looks like she weighs about 80 lbs. She’d freeze to death in two minutes, and Soma would be the Last Chef Standing. Metaphorically, that is kind of what happens though…..

In the months (years?) that this show is going to be off the air, it’s not like I’m going to be haunted by thoughts of “but who’s going to win that Team Shokugeki?”, so let’s not pretend it’s a bigger deal than it is. I would have liked a more conclusive ending, but I’m not losing any sleep over it.

Today’s Food Porn #1: Nene’s traditional Edo-style soba, with accompanying Kakiage Tempura. I didn’t know what Kakiage Tempura was until now, but now that I know, I can’t stop thinking about it; it’s chopped up veggies and seafood deep-fried together. Nom.

Anyway, Battle Soba concludes, and I have to call shenanigans here. Apparently Nene, the soba thoroughbred who has been instructed in the ways of Japanese soba practically since she was in the womb, did not foresee that the cold and drafty arena was going to affect the aroma of her dish. I get the basic point– that Nene, for all her excellence, is too rigid and set in her ways to change what she’s doing in response to her environment– but it still seems a little false to me. I don’t see how you could possibly be an expert in soba on the level she’s supposed to be and not be aware of how temperature affects smell, and accordingly, taste.

Perhaps now is a good time to admit that I’ve never seen The Girl Who Leapt Through Time? I’m aware that this is a character flaw that I must address, the sooner the better.

I also question whether the WGO judges would be so accepting of Soma’s dish when he comes right out and tells them that he was inspired by instant noodles; aren’t they too snobby for that? Then again, taking “lowbrow” food and repurposing it as fine cuisine has been a trend for a while now, so I guess it makes sense in today’s culinary climate. Ironically, Soma’s “aww shucks man, I’m just a humble diner chef!” style is now working in his favor at the highest echelons of the food world, when it had worked against him at lower levels. I guess sometimes the snobbiest thing of all is proving that you don’t have to be snobby, and that’s where the WGO is.

Today’s Food Porn #2: Soma’s Yukihira-style Yakisoba, with added duck. I think duck fat is kind of a win button in gourmet cuisine, it seems like no one with a trained palette can resist anything cooked in duck fat. Try watching one of those cooking documentaries on Netflix and see if they can go ten minutes without mentioning duck fat, you’ll be surprised.

Meanwhile, the third cooking battle commences…entirely offscreen. Without seeing any of the cooking, or the tasting. Or even any mention of the topic. This is downright ridiculous: I get that the third battle was de-emphasized compared to Isshiki and Soma’s matches, but couldn’t we at least have found out what dishes they prepared? It could have been chicken pot pie, for all we know, and I would have liked to see a gourmet take on chicken pot pie!

This is wrong. Not because it’s potentially disturbing imagery that brings to mind violence against women (which it is), but MOSTLY because we don’t even know what kind of cooking was going on. WTF????

After a 3-0 shut out in favor of the rebels, even the Elite 10 members are getting a bit concerned about their chances of winning the overall competition. Tsukasa, no. 1 on the Elite 10, is naturally perfectly confident that they’re still going to win, and I don’t even care about him enough to be annoyed by his smug sense of superiority. The show is heavily hinting at a final battle between Tsukasa and Soma, but honestly, I think I’d enjoy it a lot more if Erina was the one to take him down. You can’t make your whole brand centered around pushing incredibly subtle and refined cooking, then expect to win against the God Tongue. I’d much rather see Soma square off against Rindou, which will rapidly become a mirror match.

Well, probably; it’s the end of the season and I still have no idea what Rindou cooks. I’m pretty sure it involves knives.

I can’t resist a screen of Rindou being adorable, even though she had virtually nothing to do in this episode. Oh no, end-of-the-season means no Rindou for a while…that does kind of bother me.

Director Azami puts on a good front, but secretly he’s sweating now that he knows his team’s victory is in danger. Good, but I still think this whole thing could be resolved if Saiba just walked over to him and gave him a hug or something.

Alice explains chemistry to us unworthy pigs one more time. This is one of those little aspects of the show that I’m going to miss. I want other anime to add little segments where Alice Explains it All; hell, if Attack on Titan adds that, I’d even pick that show up again.

The ending montage features the imagery of the little tiny Soma-chickens attacking Erina, which I love; it’s probably a coincidence, but I’m going to choose to believe that people at JC Staff read my blog and put that in there, just as a little gift for me. I love you too, JC Staff; you know my harshly-worded letters are sent from a place of love, right?

Despite the somewhat abrupt ending, I had an awful lot of fun with this season of Food Wars! and I hope it doesn’t take too long to come back on the air. I don’t know if the manga has enough material left for another double-cour adaptation, but I’d be happy to get a short season sooner rather than later. In fact, the sooner the better, because I’d like to realize my life goal of blogging Food Wars! while pregnant, and I’m not getting any younger over here. C’mon, JC Staff! Take a season off to do Back Street Girls or whatever other nonsense you need to get out of your system, and announce the next season ASAP. My biological clock compels you.

Amanchu!~Advance~, Episode 12

In theory, this was a really good episode. There was lots of scuba diving, the characters picked up on things that they were talking about earlier in the season, and it was all lovely to look at, as usual. Still, this episode left me a little cold; I think I just ran out of patience with Amanchu! during the second half of the season, and it kind of dulled the enjoyment of the season finale for me.

Nevertheless, here is our final Pikari Troll Face of the season; conspiratorial Pikari trying to set up a devious plan. Okay, so the devious plan turns out to be “Bring Teko’s friends to the site so they can cheer her on when she goes night-diving,” but still, I consider that devious by Pikari standards.

“Heh heh, Teko’s never going to figure out my surprise. I’m going to bring over all the annoying filler characters that have been on her like white on rice this whole season, she’ll be shocked.”

Oh yeah, and here’s a BONUS UNDERWATER TROLL FACE!!!!!

I didn’t forget that I wanted this!

There were things about this episode I really liked. The thing that really struck me as true and important was Teko’s admission that she never stopped being scared of going night-diving, but her curiosity outgrew her fear. I think that’s a really good way to think about dealing with any sort of anxiety; you never really “fight your fears” successfully, because it’s not a fair fight; you always have to fight on the enemy’s turf. What you can do instead of fighting is become so interested in what you’re doing that you might just forget that you’re afraid…for a little while. But for long enough. Long enough to see the plankton sparkle underwater like fireflies.

Pikari, to her credit, has realized that her strategy earlier in the season of having “infinite fun” with Teko is kind of flawed, because the time is still passing no matter what she does. Even someone as fun-loving and care free as Pikari has to face the fact that eventually, everyone’s going to graduate and the fun times in the diving club are going to be over. I think there was a missed opportunity here, because Pikari’s desire to stay in place with Teko and never grow up parallels the whole Peter Pan arc, only it didn’t really play out that way on screen; it was a subtle connection at best. If that whole arc had been about Pikari instead of Ai, it could’ve been a lot more connected to the rest of the season.

Speaking of that arc, look at this bullshit. Look at this absolute and total bullshit.

So we sat through three episodes of that Peter Pan arc to get Mato-chan-sensei and the other homeroom teacher together romantically, and they still act like they’re basically strangers around each other? Really? I mean, it’s implied that Mato-chan-sensei might pursue him from what she says here, but COME ON. After that storyline, I for one think I deserve to see the two homeroom teachers get it on– preferably underwater.

So ends another season of Amanchu! I actually liked this episode more the second time I watched it, while I was taking screenshots; the first time through, I was just too annoyed by the whole second half of the season to really give it a fair shake. And that’s a shame, because this show is something special when it’s firing on all cylinders. As of now, I don’t know if I would recommend it to most anime fans, and that’s a little sad.

I don’t regret watching two seasons of this show. But on average, it was just okay when it could have been stellar, and I’m a little bit mad at it for that.

Cradle Con 2018

I hadn’t been to a con in years and felt like it was time to get back in the swing of things. Still, I didn’t want to deal with the crowds and hassle associated with a major convention. Cradle Con, a brand-new comic convention, held at The Cradle of Aviation Museum in Garden City, New York, fit the bill very nicely. I ended up deciding to go pretty much at the last minute, so I wasn’t really prepared to cover it anime-blog-style; plus, for some of the time I had a two-year-old in tow, and she was low on patience. Nevertheless, there were some aspects of the con that I wanted to mention here.

The first is the venue. The Cradle has been host to a bunch of cons (including the Long Island Retro Gaming Expo, which is coming up again in August), but this is the first time I’ve actually been there for an event. I’m pretty sure I’ve been to the museum in the past for normal museum-going purposes, but being there while an event is going on is a unique experience. You’ll be cruising through the dealers’ room, looking for good deals on comic books and video games, and next thing you know, you’re navigating around a fully restored WWII-era bomber. They didn’t really separate the museum exhibits from the convention activities, so it was an interesting mixing of worlds. Most of the conventions I’ve attended have been in boring hotels, or the hellmouth that is the Jacob Javits Center in Manhattan (don’t get me started on that place), so this sort of eclectic atmosphere was inviting.

The first event I went to was a Jpop concert with Nicole Oliva. I hadn’t heard of Oliva before, but she’s an operatically trained singer, and takes her anisongs quite seriously. She’s got a powerful set of pipes and a really laid-back stage presence that makes you feel at ease, and her concert easily surpassed my expectations. I mean, of course she sang Moonlight Densetsu, which I expected, but then she also sang the Sailor Stars! theme from the fifth season, and the newer theme to Sailor Moon Crystal. Her version of 1000 Words from Final Fantasy X-2 gave me chills, and I don’t even like Final Fantasy X-2.

The A10 Thunderbolt II behind Ms. Oliva made a better backdrop for an anime concert than you might think.

Sometimes while in the shower, I imagine getting up on stage at a con and singing my version of Suteki da ne from Final Fantasy X, or Hacking to the Gate from Steins; Gate. The only problem with this plan is that I’m a tremendous coward and will probably never do this. In the meantime, while I try to grow a spine, we can all appreciate Oliva’s performance, since she actually knows what she’s doing.

Next I attended a panel on self-publishing by comic artist Jay Stuart of Poppycock Productions. Most of his work is horror, which isn’t my cup of tea, but he had a lot of good tips on self-publishing…the kind of nuts-and-bolts stuff they don’t tell you until you’re halfway through formatting your comic for print, and then you realize you have a major problem. His advice will likely prove very useful in the event that I ever get back into making comics, which will totally happen as soon as I catch up on my novels and all of my other projects for this blog. Totally.

I also attended the costume contest, which was a lot of fun. Technically Cradle Con has three costume contests: one for kids, one for teens, one for adults. I’m surprised a new con can get enough cosplayers to hold three separate cosplay contests, but I guess that’s the advantage of Long Island; we are stupid overpopulated. We can always find enough kids who want to dress like Pokemon and women who want to dress like Spider-Woman. Anyway, I only attended Saturday, so I only got to see the Adult cosplay contest. Some of the franchises that were represented on stage included Sword Art Online, Sailor Moon, and Final Fantasy XV. There were also quite a few excellent Star Wars costumes; I may not be a Star Wars fan myself, but man, are those people dedicated.

A  note on cosplay photos: I did actually take photos during the con, but I wasn’t sure whether or not I should post them. People who go to Otakon and AX in cosplay know that they’re going to end up included in photo galleries on numerous websites, but that’s not necessarily true of a local con like this. I also didn’t have a press pass, and there was no indication when I was taking photos that I was taking them for any larger purpose, so it just felt kind of morally questionable posting these pictures to Otakusphere. If I go to Cradle Con again next year, which I hope to do, I’d like to go officially as press and then take photos of EVERYTHING.

Lastly, it wouldn’t be a con without my husband and I spending way too much money in the dealer’s room and Artist’s Alley; here’s our haul:

If you’re wondering “How can you afford all that stuff?” the answer is hahaha, WE CAN’T. We kind of blew all of our fun money on this one event and can’t buy anything else for a while. If I go to Anime NYC in the fall, I’m not going to be able to buy anything there except a keychain and a can of soda.

Our loot included three My Little Pony Classic Blind Boxes (which caused me a lot of pain, since I got TWO freakin’ Princess Sparkles and not one Glory), a bunch of Frozen toys to keep the little one happy, a collection of Suburban Fairy Tales by Francis Bonnet, (which came with a neat-o Rapunzel sketch), Suikoden II for PS2 with the strategy guide, a set of Magic cards that my husband just had to buy because he is a slave of WoTC, some X-Men issues from the early ’90s to fill out my collection, an X-Factor trade paperback, a really cool figure of Saber from Fate/Stay Night riding a motorcycle, and a helpful pocket-sized container of hand sanitizer.

All in all, good clean fun. It seemed like everyone around me was really happy to be there, and I think there’s an excellent chance I’ll be heading back to my favorite aviation museum in 2019 for Cradle Con 2.