I noted a couple of months ago in response to the accusations that My Little Monster perpetuated rape culture that I acknowledged that rape culture was a real problem, just that I didn’t feel Monster-kun was one of the perpetrators. I’m beginning to wonder if I was premature on that.
I knew when I watched SAO 24 that people were going to say it perpetuated rape culture; what surprised me is, the more I thought about it, the more I realized there was absolutely nothing SAO 24 could have done that couldn’t have been, with a fair amount of legitimacy, accused of that. There is literally nothing the writers could have done that you could not make a rational argument was harmful for the reasons of perpetuating rape culture. I continue to believe there are trends in the media that popularize false, harmful ideas about rape, but in light of this situation, I don’t know if the term “rape culture” is even useful.
A new study released by the Otakusphere Anime Foundation (OAF) has found that viewers of the show Sword Art Online represent, perhaps, the most polarized group currently extant; more so than one finds in the cases of deeply religious people vs. atheists, different warring factions in the Middle East, or people who think that the last two episodes of the Evangelion TV series were a valid artistic statement versus the people who think the former group needs to look up the definition of the word “pretentious” in the dictionary.
“We’ve found that there is no group more set in their ways, no group less capable of acknowledging their shared humanity, than viewers of SAO: the fans, and the people who aren’t fans but nevertheless watch it every week for some reason,” said a researcher who did not wish to be named for fear of reprisals. “In the trials, it reached the point where just saying Asuna’s name would lead to savage fights over territory. On the team, we started referring to her by the code name ‘General Butterscotch’ just to avoid that.”
There’s no easy way to say this, so I’ll be blunt: Initial D promotes child abuse. Yes, everyone’s favorite racing TV show with charmingly awkward CGI cars has a dark side that has gone unremarked for far too long, and it’s time for us to all realize just how truly disturbing it is.
I can hear you now: “But Initial D? That heartwarming little show about outdated 80s cars outperforming slightly less outdated 90s cars on twisty roads in rural Japan, where no one has anything better to do?” Yes, that show. I know it may be hard to process at first, but when one considers the plight of the main character, it becomes clear that Initial D contains deeply troubling ideas that need to be unpacked.
First of all, I realize rape culture is a thing that really exists, and constitutes a major problem. I also realize there’s no objective test to identify what is and isn’t rape culture, so it doesn’t shock or appall me that some women will disagree with me about where to draw the line. The following post just explains why I didn’t find the show Tonari no Kaibutsu-kun to be advocating rape, or a culture where the importance of a woman’s consent is downplayed, in any way.
In Day Four of Parasite Eve, Aya races to St. Francis Hospital to get to the sperm bank before Eve does. I have decided that, at least for the purposes of today, I am actually twelve years old and the whole concept of a sperm bank is hysterical. I’m going to try to mention it as much as humanly possible.
I want to confess up front that despite being a fan of music, I actually know very little about it, so any comments here on instruments/composition/etc. will be necessarily vague. All I can really talk about is how I feel about the music, not it’s innate properties. Disclaimers section over. Continue reading Parasite Eve: Special Soundtrack Edition
I’ve always been a fan of the “Your home base is now infested with monsters” event. Familiar territory becomes exciting again, and as an added bonus, for once you know where the hell you’re going. When they say “Ben is upstairs”, you already know where the upstairs staircase is! Sweet.
Day 3 begins with Aya waking up alone in the dilapidated apartment in Soho from Day 2. Outside, she discovers that Maeda has been sleeping right outside the door, despite her warnings that he might get set on fire at any moment. Maeda shrugs it off and claims that he won’t believe that will happen without “scientific proof.” Considering the fact he just saw someone randomly catch fire in the middle of the street last night, I reckon he needs a lot of proof. Those scientists: When they aren’t evil, they’re anal. Or maybe he’s just bullshitting and the fact is he just wanted to stay near Aya (which is seriously implied in the game, I’m not making that up– although that’s totally the type of thing I would make up.)
I was planning on starting with Lara’s Home, since unlike in TR1, there’s an actual puzzle to solve this time. However, since I hate hedge mazes and everything they stand for, I’m going to pretend Croft Manor doesn’t exist and move on to the first level proper. I’m no longer going to be able to ignore the fact that Lara’s Home has become an actual level by TR3, but let’s deal with one problem at a time.