Tomb Raider, Level 4: Tomb of Qualopec

Before I delve into ToQ, a note about a change to the TR project; due to the fact that I’ve switched over to playing these games on my PSP, which is about fifty times more comfortable for me for some reason, I’m not taking screenshots anymore. Fortunately, with a game this well-known that’s been out for this long, you can bet that someone else has taken great screens already, and that person is Katie. From here on out, unless I note otherwise, all screenshots come from the excellent Katie’s Tomb Raider Screenshots; Used with permission.

Oh, and it just sort of hit me the other day that since Tomb Raider is now owned by Square-Enix, there’s an otaku-connection there that I didn’t even realize. Go blog-cohesiveness!

Would You Like Some Tomb in Your Tomb Raider?

Level 4, Tomb of Qualopec, is actually the first tomb in all of Tomb Raider-dom; that sounds awfully significant. In fact, that makes me wish I liked it more.

Really, there’s nothing wrong with this level- it’s a respectable puzzle level 95% of the way through, if a little short, and the last 5% is remarkable due to actually exiting the temple and backtracking into the previous level (which is actually a lot more novel and exciting then it probably sounds) but it seems lackluster coming off of the Lost Valley high.

Last level: traverse vast distances, find loads of goodies tucked away in hidden alcoves, take in scenic views, and finally, meet lots of interesting dinosaurs and kill them all. This level: there are switches. Pulling them accomplishes things.

Still, the rampaging raptors add a bit of excitement to the otherwise dull proceedings; they’re a bit intimidating in these cramped surroundings.

Now, does anyone understand what’s going on with that one mummy whom Lara targets in this level? It would be one thing if you could shoot all the mummies, but the fact that only one of them can be targeted leads me to believe that he’s a special mummy- i.e., this is HIS tomb. Like, Qualopec himself sees what Lara’s about to do and isn’t keen on it. I like indulging the idea that some of the plot-related moments in this game are more subtle. EDIT: I have since read on the internet that this is widely believed to be the case by many TR fans; I guess I don’t get any analysis brownie points for this one.

This level also features a “boss” fight (a generous use of that term if ever there was one) with Larson, everyone’s favorite Southern stereotype dude. Stereotypes generally don’t even bother me (I just think of them as offensively hilarious), but I guess it’s worth pointing out that he is one nonetheless.

I find the conversation between Larson and Lara here more interesting than the rest of the actual level; not the bit about the scion, but the fact that Larson is threatening to shove something up Lara’s unmentionables, and she APOLOGIZES for interrupting him. I think this is what I initially loved about Lara’s character, and what’s been missing pretty much ever since; that absurd level of politeness, a relic of her prim and proper upbringing, that clashes tremendously with her day job. I don’t know, there’s something charming about a woman who will apologize to a cursing southern redneck (that she’s holding at GUNPOINT) because interrupting other people is just rude.

Showing his southern spirit, Larson cheerfully walks off the thirty or so rounds Lara introduced to his redneck hide. The first time I played this game, someone told me that Lara actually kills Larson here by snapping his neck with her kick; you can imagine how surprised I was when he started shooting at me later.

Best: Revisiting the previous level; revolutionary for the time, still surprising. The fact that there’s a new secret there is just icing on the cake. Of course, that means the best part of this level is technically STILL Lost Valley….

Worst: The spike pits that crop up all over the damn place. Okay, I understand the need for some challenge, but there’s something surprisingly gruesome about those primitive-looking spikes; yeah, you don’t see anything when Lara dies to them, but in some ways that just makes the idea of impalement worse.

Umm, why are they bloody? Do they actually get much use? If other people were impaled on these things, why are there no bodies? Wait, I’m just as happy they didn’t put in any bodies, that would be gross and I would have thrown down the controller, screaming. Calm blue ocean, calm blue ocean….

Rating: Three Uzi Clips out of five; it would be two Uzi Clips, however the last two minutes of the level elevate it considerably.

Next up: St. Francis’ Folly, or Let’s Get Vertical.

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