If I were to go into great depth about every individual level, this TR project would be about 50,000 pages, so I’m going to give most levels a cursory inspection and only spend time on the ones that strike me as something special. I will also give all levels a rating out of five (medipacks? Uzi clips?), and do a best/worst section. In the event that I have nothing much to say about a level, I’ll just do the rating and the best/worst. Also, I’m not including the bonus levels that were added in the later PC versions because I have the PS originals. If I can find a version of TR Gold that works on my computer, I’ll play the bonus levels.
Caves doesn’t appear to have much going for it; graphically it’s the blandest level ever. Since it’s the first level, there isn’t much difficulty, and Lara is still on the outskirts of the ancient city, so there’s a lot of stone and grass and only small touches of Incan artwork. However, what it does do marvelously well is establish a mood that will persist throughout the entire game. Lara is alone, in a cave, exploring areas that haven’t been seen by human eyes in decades, if not longer. The architecture, what’s left of it, is grown over, if still majestic at times. Except for occasional whispers of sound, it is silent. Lara is a breath of life in a dead world. Even the presence of animal life doesn’t add any warmth; starvation has driven the wolves hostile. Anything that survives here, does so just barely.
They also introduce all of the most significant exploration features: Lara turns her head to look at a significant area (from the very beginning she always mysteriously knows things that you do not), music is rare and only appears when something important is about to happen and you need to step up your game, and if you’re thorough, you can hear that deeply satisfying “ta-dah!” sound that heralds a secret multiple times.
We also get the first Bear of the game, who functions as a kind of hidden mini-boss (it’s not necessary to kill him, but you get access to another medipack if you do), showing that Tomb Raider was taking the fight to the bears ten years before Stephen Colbert made it cool. Should you make the mistake of fighting the bear up close and personal instead of plinking away at it from a safe perch, you will learn very swiftly that the only good bear in Tomb Raider is a dead bear. The same applies to T-Rexes, but that’s later.
Best: Backflipping up the marble stairs away from the wolves while the TR action theme plays. Still exhilarating after all these years.
Worst: The timed switch puzzle. In some respects it’s good because it forces you to get a little tighter with the controls if you’ve just been winging it up to now, but the controls in TR aren’t well suited for this sort of puzzle. Fortunately the grand majority of the puzzles in the game are not timed.
Overall Ranking: 2 Uzi Clips out of 5. It’s simple, but it has to score higher than 1 because a)It’s good enough to lure you into playing the rest of the game b) the simplicity is intentional and c)the occasional musical cues add a lot of atmosphere.